Daily Archives: Thursday, March 27, 2008

Everyone’s got one.

That secret pile of novels, so very well regarded by the literary world, sitting in a dark corner of their house, sadly neglected despite assurances by so many others that “you’ve got to read them!” It’s a secret Pile ‘o Shame that haunts readers, always calling out longingly to be conquered but always growing bigger.

There’re simply too many novels out there (even if you only count the ones worth reading) for anyone to tackle all of them, and so the pile grows bigger. It’s so shameful that many readers hide it, boastfully playing on Internet message boards and blogs, pretending they’ve read them, or at the very least have given them a meaningful glance – catch them in their lie and they’re quick to exit the conversation.

I thought it would be fun to come out of the closet with my Pile o’ Shame every once in a while, crucifying myself before the masses by laying bare the gaps in my knowledge of the genre. I’ll explain a little of why I haven’t read them before – whether it’s ignorance, taste, fear or otherwise – all in hopes that someone will come along and convince me exactly why a particular novel or series deserves to be the next wiped off my Pile o’ Shame.

So, let’s get this started.
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Tim Holman, Publishing Director at the US branch of Orbit Books, recently put together an interesting post on why US and UK covers for novels differ and also pulls back the curtain a bit on the process.

This is the issue, I think, at the heart of the Great SFF Cover Debate/War. It’s nothing to do with where the book is being published in the world; it’s to do with the question that every genre publisher has to ask themselves: do we want our books to stand out or do we want them to fit in? Most genre publishers would say both: they want their books to stand out by looking exceptional, but they also want them to fit in by being immediately recognizable to readers of similar books within the genre. Depending on where you put the emphasis, though, the cover for a particular book can go in some very different directions.

The Orbit covers for several books by Iain M. Banks.

Of course there are always exceptions, but I think it’s safe to say that the UK editions of novels generally sport better cover art. It’s interesting to hear from Orbit, who publishes both in the US and the UK, and just why they change the covers for each region, sometimes just subtly, sometimes quite drastically.

You can read the whole thing HERE.