Whatever release date you’ve heard for book two is simply untrue. There is no release date because the book isn’t finished yet. I’m working on it right now. Or rather, I would be working on it if I wasn’t writing this blog.

Yeah. It sucks. I wish it was finished too. My life would be really great right now if book two were done.

I’ve been avoiding writing this blog for a while. It’s not fun to write, and it’s not going to be fun for most people to read. The truth is, I’d much rather work on the book.

As you might guess from the title, Best Served Cold is a tale of revenge. Monzcarro Murcatto,The Snake of Talins, Butcher of Caprille is a mercenary. A bloody good one. Her formidable reputation has been forged in the heat of battle leading the Thousand Swords across Styria, her beloved brother at her side, defeating the League of Eight city-by-city and bringing them under the rule of her ruthlessly ambitious employer, Grand Duke Orso, the man who plans to unite all of Styria under his rule.

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This is deep, dark stuff but it’s a mark of that nice Mr. Abercrombie’s talent that he can wrap such complex themes in the kind of rip-roaring adventure that is so utterly compelling that, from the first page, it is impossible to put down.

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Best Served Cold is however a standalone novel, still a refreshing change in a genre awash with trilogies, although it does weigh-in at a healthy 644 pages. This is great news for those of you unfamiliar with the world or the characters because you can dive right in and enjoy this tale for what it is without feeling left behind and for fans the authors previous work it’s a thoroughly absorbing way to get your Abercrombie ‘fix’ without having to wait another year to find out what happened next.

Either way you’d be well advised to place your orders now so you’re not disappointed when it finally hits the streets. Me, I’m actually going to read it again. It’s that good.

An ancient weapon has completely destroyed the city of Windwir. From many miles away, Rudolfo, Lord of the Nine Forest Houses, sees the horrifying column of smoke rising. He knows that war is coming to the Named Lands.

Nearer to the Devastation, a young apprentice is the only survivor of the city – he sat waiting for his father outside the walls, and was transformed as he watched everyone he knew die in an instant.

Soon all the Kingdoms of the Named Lands will be at each others’ throats, as alliances are challenged and hidden plots are uncovered.

This remarkable first novel from an award-winning short fiction writer will take readers away to a new world – an Earth so far in the distant future that our time is not even a memory; a world where magick is commonplace and great areas of the planet are impassable wastes. But human nature hasn’t changed through the ages: War and faith and love still move princes and nations.

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I made a lot of progress on the book in the first half of 2008. So much so that I was optimistic that I would be done by the end of the year. Unfortunately, I did not make much progress on the book in the second half of 2008. Indeed, I made some regress. (That Sansa chapter I talked about finishing, for instance. It’s still finished, but my editor and I decided it belongs in THE WINDS OF WINTER, not A DANCE WITH DRAGONS, so it’s been moved into the next book. Sansa will not appear in DANCE.)

Some of the reasons were literary, arising from problems in the narrative itself. I’m not going to discuss them here, because I really do not like talking about questions I am still wrestling with on a work in progress. It never helps. Art is not a democracy, and these are problems I need to solve myself. Having a few hundred readers weigh in with their thoughts and opinions — which seems to be what happens whenever I post here about DWD — does not advance the process. I’m sorry, but that’s true. I know that many of you would like to help me, but you can’t. I have editors and I have two capable assistants, and that’s sufficient. I’m the only one who can dance this dance.

Some of other reasons for the delay have nothing to do with the book itself. They’re extra-literary, arising from other things in my life. I could sketch out some of them here, sure, but what good would it do? Those who are inclined to understand would send me messages of sympathy and support. Those are not so inclined would dismiss them as “excuses,” or even “feeble excuses.” A few will even go so far as to accuse me of lying.

That’s the part that really bothers me. For the record, I have never lied about anything having to do with A DANCE WITH DRAGONS or the series as a whole. I have been wrong, yes. I have been wrong lots of time, especially when I’ve tried to predict how long it will take me to complete the book, or when it will be published. Being wrong is not the same as lying. Since the very beginning of this series, I have been guilty of being over-optimistic about how long it would take me to finish the next book, the next chapter, or the series as a whole. I cannot deny that. I have always been bad with deadlines… one reason why I did my best to avoid them for the first fifteen years of my career. That’s an option I no longer have, however. Or at least will not have until A SONG OF ICE AND FIRE is complete.

That’s the main reason why I no longer want to give any completion dates. I am sick and tired of people jumping down my throat when I miss them.

This latest flood of emails has worn down my resolve, however. So in hopes of quieting it, once more I will step into the breach –

I am trying to finish the book by June. I think I can do that. If I do, A DANCE WITH DRAGONS will likely be published in September or October.

(Yes, I am aware that I have previously said that I hoped to finish by the end of 2008. And before that, I said that I hoped to finish by June 2008, before I went to Spain and Portugal. And before that, I said I hoped to finish by the end of 2007. I know, I know, I know. No, I was not lying. I was wrong. And wrong again. And wrong before that. This time I hope that I am right. But you know, I can’t swear that in blood. I write one chapter at a time. One page at a time. One word at a time. And then the next.)

That’s all I have. But it’s more than Amazon has, or anyone else.

The INSTANT that I finish the novel and put it in the mail to Bantam, I will post that fact here, just as I did for SUICIDE KINGS a few days ago. Until and unless you read that announcement here, believe nothing you hear from any other source.

I have made a lot of progress on the book since August 2007, but this part hasn’t changed:

Thanks for your continued support… and for your patience.

I have to admit, the rising tide of venom about the lateness of A DANCE WITH DRAGONS has gotten pretty discouraging. Emails, message boards, blogs, LJ comments, everywhere I look (and lots of places where I don’t), people seem to be attacking me, defending me, using me as a bad example of something or other, whatever.

I can and do avoid most of the online discussions, although I do regularly get emails from people eager to point out the latest URL where DANCE and I are being hashed over. I can do that, and I can screen the trollish comments here on LJ, but there’s no avoiding the emails.

Some of you are angry about the miniatures, the swords, the resin busts, the games. You don’t want me “wasting time” on those, or talking about them here.

Some of you are angry that I watch football during the fall. You don’t want me “wasting time” on the NFL, or talking about it here.

Some of you hate my other projects. You don’t want me co-editing WARRIORS or the Vance anthology or STAR-CROSSED LOVERS or any of the other projects I’m doing with my old friend Gardner Dozois, and you get angry when I post about them here. For reasons I don’t quite comprehend, the people who hate those projects seem to hate WILD CARDS even more. You really don’t want me working on that, “wasting time” on that, and posting about it here.

Some of you don’t want me attending conventions, teaching workshops, touring and doing promo, or visiting places like Spain and Portugal (last year) or Finland (this year). More wasting time, when I should be home working on A DANCE WITH DRAGONS.

After all, as some of you like to point out in your emails, I am sixty years old and fat, and you don’t want me to “pull a Robert Jordan” on you and deny you your book.

Okay, I’ve got the message. You don’t want me doing anything except A SONG OF ICE AND FIRE. Ever. (Well, maybe it’s okay if I take a leak once in a while?)

“Nobody ever became a wizard because they read fantasy. But plenty of people have become physicists and biologists because they read science fiction.”

Now, the reason this tickles me is the plug for SF, not the (very funny) dig at F (which I also love). But, as I already have very clear ideas on the purpose of SF, and I happen to love F too, I’ve been contemplating recently what it is that fantasy does – beyond the entertainment/intellectual value that all literature bequeaths – that is unique to its form.

I’m not much of a Tolkien fan – not since I was about twelve or fourteen anyway (which, it strikes me, is about the right age to read and enjoy his stuff). But it would be a foolish writer in the fantasy field who failed to acknowledge the man’s overwhelming significance in the canon. And it would be a poor and superficial reader of Tolkien who failed to acknowledge that in amongst all the overwrought prose, the nauseous paeans to class-bound rural England, and the endless bloody elven singing that infests The Lord of the Rings, you can sometimes discern the traces of a bleak underlying human landscape which is completely at odds with the epic fantasy narrative for which the book is better known.

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The orcs are disenchanted, poorly informed and constantly stressed by the uncertainties that lack of information brings. They suspect that the war might be going badly for their side, and that their commanders, far from being infallible, seem to be making some serious errors of judgment. They worry that if their side loses, they can expect scant mercy from their victorious enemies. They mutter their misgivings sotto voce because they know that there are informers in the ranks and a culture of enforcement through terror bearing down from above. They also seem possessed of a rough good humour and some significant loyalty to the soldiers they command. And they’re not enjoying the war any more than Frodo or Samwise; they want it to be over just as much as anybody else.

For me, this is some of the finest, most engaging work in The Lord of the Rings.

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The great shame is, of course, that Tolkien was not able (or inclined) to mine this vein of experience for what it was really worth – in fact he seemed to be in full, panic-stricken flight from it. I suppose it’s partially understandable – the generation who fought in the First World War got to watch every archetypal idea they had about Good and Evil collapse in reeking bloody ruin around them. It takes a lot of strength to endure something like that and survive, and then to re-draw your understanding of things to fit the uncomfortable reality you’ve seen.

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Well, I guess it’s called fantasy for a reason.

I only wonder why on earth anyone (adult) would want to read something like that.

Find a favorite book, movie, or videogame review (Science fiction and fantasy related) that you have written, no matter where it was posted, and add it to the following list. Make sure to repost the whole list, because in doing so, we accumulate what the reviewers themselves think is their best work, and give each other some linkages, increasing everyone’s rankings.

The apocalyptic struggle against the conquering Mein now won, Queen Corinn rules over the Acacian Empire of the Known World with a stern hand—aided by increasing mastery of the occult powers contained in the Book of Elenet. But far across the seas the mysterious inhabitants of the Other Lands seemingly control the fate of her empire—supported as it is by an underground trade in drugs and slaves. When she sends her brother Dariel on a secret mission across the hazardous Grey Slopes to investigate, it begins another cycle of world-shattering and shaping events.

DAVID MOODY self – published Hater online in 2006. Without an agent, he succeeded in selling the film rights to Guillermo del Toro (director, Pan’s Labyrinth, Hellboy 1 & 2, and the upcoming Hobbit series) and Mark Johnson (producer, The Chronicles of Narnia). With the official publication of Hater (2/17/2009), David is poised to make a significant mark as a writer of “farther out” fiction of all varieties.

Paul Kearney, author of The Sea-Beggars series and last year’s excellent The Ten Thousand (my 2008 book of the year), has signed a deal with Solaris for two more books set in the world of the Macht. Early working titles are Corvus and Kings of Morning. Congratulations to Paul, and I’m already looking forward to the new books.

This is in addition to the reprints of Kearney’s excellent Monarchies of God saga, a five-volume epic fantasy which is to be reissued as two omnibuses entitled Hawkwood and the Kings and Century of the Soldier. Release dates have to be finalised for those, but will hopefully be for later this year.

I’ve decided to try and write ‘fatter’ as it were, and really pad out the characters, the milieu and all the stuff fat fantasy thrives on.

The stunning artwork is provided by Les Edwards, better known as the 2008 World Fantasy Award-winning artist Edward Miller (Scott Lynch, Ian Cameron Esslemont, Steven Erikson, etc).

Thasha’s wedding is hours away. It is a wedding that will both fulfill the promise of a mad god’s return and see her murdered. Pazel has thwarted the sorcerer who would bring back the god but both sides now face deadlock. Can Thasha be saved? Can the war between two Empires be stopped?

The Rats and the Ruling Sea is, once again, focused on the giant ancient ship The Chathrand, but now she must brave the terrors of the uncharted seas including massive storms, ship-swallowing whirlpools and lands forgotten by the Northern world, all the time involved in a vicious running battle with a ship nearly her match…

Robert Redick’s new novel takes the reader further into the labyrinthine plots and betrayals that have underscored the trilogy from the beginning. Along the way, we will learn more about the Ixchel as they fight for survival against the Chathrand’s rats, discover more about the true motives of the conspirators, live with Thasha and Pazel as they face death & deceit, and journey with The Chathrand as it sails into the infamous Ruling Sea…

What I would like to discuss instead is my personal experience with writing, and how I feel it relates to the situation, and perhaps gives me a different perspective than many people.

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I started writing The Painted Man (AKA The Warded Man) sometime in 1999. I wasn’t fully dedicated to it, as I was also working full time and writing other books, but it was a project that I began plugging away at when I had time, and a couple of years later I put aside my other projects and started focusing hard on it. After several drafts (wherein I threw out a good 60% of the original story), I finished the sale manuscript at the end of 2006, approximately seven years after starting it.

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When I sold the book in 2007, the publisher bought two sequels as well, and asked me how long I expected it to take for me to write them. I had just given notice at my job to shift to writing full time, and told them that I was already well into writing The Desert Spear (true), and that it would take about 9 months to finish it, meaning I would have it done in May/June of 2008. The third book, I said, should be ready about a year after that.

That was a very naïve thing to say, but I had been a professional writer for all of 5 minutes, and was very naïve. Now here we are in January 2009, and I still have two chapters left to write, not to mention several rounds of expected rewrites, all of which I believe are absolutely necessary to get the book up to my own standards, much less anyone else’s.