Tor Books is proud to announce the November 3rd, 2009 on-sale date for The Gathering Storm, Book Twelve of The Wheel of Time and the first of three volumes that will make up A Memory of Light, the stunning conclusion to Robert Jordan’s beloved and bestselling fantasy series. A Memory of Light, partially written by Jordan and completed by Brandon Sanderson, will be released over a two-year period.

Robert Jordan, one of the greatest storytellers of the 20th and early 21st centuries, passed away in 2007 after a courageous battle with the rare blood disease amyloidosis. Brandon Sanderson, the New York Times bestselling author of the Mistborn books, was chosen by Jordan’s editor—his wife, Harriet McDougal—to complete the final book.

The Wheel of Time series has sold over 14 million copies in North America and over 30 million copies worldwide with translations into 28 languages. The last four books in the series were all #1 New York Times bestsellers, and for over a decade readers have been eagerly awaiting the conclusion to the epic story.

Harriet McDougal said on the process behind A Memory of Light: “The scope and size of the novel was such that it could not be contained in a single volume. It was a piece of marvellous good fortune that Brandon Sanderson undertook the work. He is a great pleasure to work with, as well as a wonderful writer.”

President and Publisher of Tor Books, Tom Doherty, also expressed his happiness with A Memory of Light, saying: “It is a magnificent closure to a great American epic fantasy whose journey began almost twenty years ago. There is no way Robert Jordan would have squeezed it to a single volume, and somehow it seems fitting that what began as a trilogy will also end as one.”

The first ever JordanCon will take place this April 17th – 19th, 2009 in Alpharetta, GA. Harriet McDougal, Tom Doherty, Brandon Sanderson, and other members of “Team Jordan” will attend as featured guests and speak personally on The Wheel of Time and The Gathering Storm and the stories behind the rich literary legacy of Robert Jordan. JordanCon will also include a special preview of The Gathering Storm.

This year will also see major publications of Robert Jordan’s The Wheel of Time comic books and graphic novels with the launch of The Eye of the World comics in May and the New Spring graphic novel with bonus material in November. The Dabel Brothers will be releasing the comic book series, which will then be collected and published as graphic novels by Tor Books.

Universal Pictures acquired the movie rights to The Wheel of Time in August 2008, and currently plan to adapt The Eye of the World as the first movie.

How did the decision to divide this final book into three parts come about? Was it a publishing necessity, a story necessity, or something else?

The material that Jim left was very capacious, and Brandon saw after working with it for a while that he could not complete it in less than a total of 750,000 words. This is probably an impossible thing to bind – unless we sold it with a magnifying glass. 250,000 words is in fact a fat, or Rubensesque, novel. You will notice that 3 x 250,000 equals 750,000. So… part of the decision was based on making a book within the scope of binding technology. The major part of the decision was to get ALL the story that Jim left out there for us all.

RT @Hal_Duncan: I remain convinced that with sufficient time and practice I will master the art of communicating with both brevity & …damn

The final Wheel of Time novel, A Memory of Light, has been split into at least two but possibly three volumes (i.e. if the recession gets worse it’ll be three). The first sub-volume, given the hilarious generic title The Gathering Storm, will be released in November 2009. But sub-volumes II and III (if it goes that far) will only follow at 12-month intervals. According to the website to break the news, Tor will be releasing the book in tradeback rather than hardcover, which sounds insane to me.

Hopefully expect an official announcement in the next day or two, although it is possible that furious fans will have burned down the entire Internet by then.

According to Sanderson it’s not a hoax, but it’s not the full story either. Some things have been garbled in communication but he can’t say what until Tor issue the official press release.
I’m going to hazard it’s 2 books, hardcover as it should be, but maybe still separated by a year. The cover is also apparently a rough mock-up.

A few hours back, people started sharing links regarding a few places outside the US who have begun posting news related to A Memory of Light. I’m getting some emails about this, so I thought I’d go ahead and post something. Likely, this will all get overwritten soon, as soon as Tor and the Jordan estate release official reactions and/or announcements.

I can’t say much. Why? Well, it’s not my right. I’m loving being part of the Wheel of Time, but it is Harriet’s world, not mine. And so I feel it right to let her make any announcements at her pace. I don’t even feel right linking some of the websites making news about this, though you can find a thread about it on Dragonmount if you look.

A very small cover image has been floating around, and people want me to say if it’s a hoax or not. Well, to be honest, I haven’t yet seen the cover art for the book. Things have been so busy for me these last few months editing that I’ve let Harriet handle all of that. So I don’t know if the cover is the real one or not. It certainly looks like Mr. Sweet’s work, and it could be a scene from the book. But it looks rough, perhaps not the finished art. It’s too small to tell. And the lettering on it is suspect to me–it mentions this book being the sequel to Crossroads of Twilight, for instance, which is a flat-out error. I certainly didn’t approve that on cover copy, and I doubt Harriet did either. Most likely, this is a mock-up done internally that is being used as a placeholder. That’s just one of the several things that bothers me about this cover image.

A lot of people are wondering on the number of volumes this book will be. I’ll be honest, this is a big, big project. I stand by one promise to you, no matter what else happens. I will NOT artificially inflate the size of this book. It doesn’t matter to me how many volumes Tor decides to make it; the story is the same to me. One volume, as Robert Jordan planned it. Enormous.

If it is split into chunks, I will push Tor to release them as soon as is reasonably possible and I will push hard for an omnibus edition at the end.

More soon

So my question is this: For whom do we write? And before you answer that you write for yourself, and that you’d write even if you knew you could never sell anything, think long and hard about whether that’s really true. It’s my knee-jerk response; it’s certainly the answer I want to give and want to believe. The truth is a bit more complicated. I write for myself because thus far I’ve been able to make something of a living at it. There are easier ways to make a buck (at least there were; they seem to be disappearing) and I would never deny that I have chosen this career path because I love it, and because I have to write to be happy. But again reality rears its ugly head: If I couldn’t sell books I’m not sure that I could afford to write them. Oh, I’d write in my spare time, but I used to be an academic; my wife still is. I have friends who are lawyers and doctors and business people. I’ve seen how hectic their lives are. Once they’re done with work and family, they don’t have a whole lot of spare time or energy for creating worlds and writing novels.

I write for me because I can afford to, because I’m fortunate enough to do for a living what I love to do anyway. But if I’m to be completely honest, I write for myself and also for a whole host of other people. I write for my agent, because she has to believe in my books to sell them. I write for my editor, because he has to contract the book before it can be published. I write for my readers, because their purchases of my current novel make the next contract possible. I’m pretty sure that my fellow professionals would join me in admitting that they don’t — can’t — write solely for themselves. And what about those of you who aren’t professionals? I’m sure that you take great pride in your creative accomplishments — as you should — and that you write to satisfy your passion for storytelling. But don’t you also write because you want to see your stories in print? I’m an amateur photographer, and I’m also a musician. I do these things “for myself.” Still, I was thrilled when I was able to display my photography in a gallery. I used to perform music in bars and restaurants and to this day I occasionally fantasize about doing so again.

Princess Mistaya Holiday hasn’t been fitting in too well at Carrington Women’s Preparatory. People don’t seem to appreciate her using her magic to settle matters in the human world. So when she summons a dragon to teach a lesson to the snotty school bully, she finds herself suspended. But Mistaya couldn’t care less – she wants nothing more than to continue her studies under Questor the court magician and Abernathy the court scribe. However, her father Ben Holiday, the King of Landover, has rather different plans in mind for her. He thinks he’ll teach her about perseverance and compromise by sending her to renovate Libiris, the long-abandoned royal library. How horribly dull. But before long, Mistaya will long for the boredom of cataloguing an unfeasible number of derelict books – for deep within the library there lies a secret so dangerous that it threatens the future of Landover itself …

Tyler and Lucinda have to spend summer vacation with their ancient uncle Gideon, a farmer. They think they’re in for six weeks of cows, sheep, horses, and pigs. But when they arrive in deserted Standard Valley, California, they discover that Ordinary Farm is, well, no ordinary farm.

The bellowing in the barn comes not from a cow but from a dragon. The thundering herd in the valley? Unicorns. Uncle Gideon’s sprawling farmhouse never looks the same twice. Plus, there’s a flying monkey, a demon squirrel, and a barnload of unlikely farmhands with strange accents and even stranger powers.

At first, the whole place seems like a crazy adventure. But when darker secrets begin to surface and Uncle Gideon and his fabulous creatures are threatened, Lucinda and Tyler have to pull together to take action. Will two ordinary kids be able to save the dragons, the farm – and themselves?

So a few sharp eyed folks noticed the title of the novel I was working on, Arctic Rising, is not the title of the novel I’d previously mentioned as coming up next, which was Duppy Conqueror.

…

Sadly, the sales have not been as strong as everyone around me wanted. Crystal Rain did somewhat okay in hardcover in libraries and online sales, but not as much on the book shelves (particularly at Borders). It did get Wal-Mart distribution in paperback, however, which was nice. Ragamuffin, sadly, suffered from very low orders (almost no presence in Borders in hardcover) and limped out there. Sly Mongoose was a nice rebound in the big picture, selling more copies than Ragamuffin but not quite as much as Crystal Rain: but mostly online. Sly Mongoose was hardly carried in actual bookstores, but has sold fairly briskly online. Last checked, I think over 60% of sales have been online with Sly.

It’s been a symptom of: bookstores order 100, sell 50, then order 50 the next time, and sell 25, and then for the third book order 12.

Sly Mongoose got incredible reviewer love, my agent and editor both are happy with everything I’ve done. About half or more of my income, despite the slowing bookstore orders, still comes from writing novels. So I’ve been pretty chipper. But as I finished the Halo book and looked back at restarting Duppy Conqueror, which I have somewhere between 10-20,000 words of, my editor and I sat down to chart out what we could do to get bookstores re-interested in me (particularly now that I had NY Bestseller next to my name with the Halo novel).

So my editor, agent and I, decided to reboot. We didn’t want to change my name (this is usually what authors do at this point to ‘fool’ the bookstores, often quite successfully), but send a signal with whatever I work on next that I’m doing something different, that is not associated with the Space Opera series to see if we can dream a bit bigger and go for the brass ring. I had two novels I owe Tor still, so why not?

…

We settled on Arctic Rising. Since writing Mitigation (soon to be in one of the Year’s Best anthologies) with Karl Schroeder and Stochasticity for Metatropolis, I’ve wanted to write some nearer future stuff that took advantage of a great deal of research I’ve been doing. Arctic Rising, if you’re read Mitigation, will be very familiar. It’s a novel about the resource rush to develop the north polar region after the ice melts.

And yes, there will be blimps.

I’m playing with ideas about seasteading, climate adaptation and mitigation, re-terraforming, future politics, post-democratic tribalism and feretting out really cool ways to blow shit up in the 30-50 year timeline.

This will most likely be out in 2010, not 2009. But both my agent and editor think it’s pretty groovy, though all I gave them was a fairly odd first chapter (since ditched as I found my bearings) and the pitch.

I’ve described it to my friends as “if Michael Chricton was on crack and hadn’t disbelieved in the concept of global warming, and he collaborated with Bruce Sterling at the height of cyberpunk, you’d get Arctic Rising.”

So far, 6 chapters in, it’s been a great deal of fun to write.

Best Novel
(639 Ballots / Bulletins)
Anathem by Neal Stephenson (Morrow; Atlantic UK)
The Graveyard Book by Neil Gaiman (HarperCollins; Bloomsbury)
Little Brother by Cory Doctorow (Tor) — Free download
Saturn’s Children by Charles Stross (Ace; Orbit)
Zoe’s Tale by John Scalzi (Tor)

Best Novella
(337 Ballots / Bulletins)
“The Erdmann Nexus” by Nancy Kress (Asimov’s Oct/Nov 2008)
“The Political Prisoner” by Charles Coleman Finlay (F&SF Aug 2008) – Read Online
“The Tear” by Ian McDonald (Galactic Empires)
“True Names” by Benjamin Rosenbaum & Cory Doctorow (Fast Forward 2) — Free download
“Truth” by Robert Reed (Asimov’s Oct/Nov 2008)

Best Novelette
(373 Ballots / Bulletins)
“Alastair Baffle’s Emporium of Wonders” by Mike Resnick (Asimov’s Jan 2008) — Read Online
“The Gambler” by Paolo Bacigalupi (Fast Forward 2) — Read Online
“Pride and Prometheus” by John Kessel (F&SF Jan 2008)
“The Ray-Gun: A Love Story” by James Alan Gardner (Asimov’s Feb 2008) — Read Online
“Shoggoths in Bloom” by Elizabeth Bear (Asimov’s Mar 2008) — Read Online

Best Short Story
(448 Ballots / Bulletins)
“26 Monkeys, Also the Abyss” by Kij Johnson (Asimov’s Jul 2008) — Read Online
“Article of Faith” by Mike Resnick (Baen’s Universe Oct 2008)
“Evil Robot Monkey” by Mary Robinette Kowal (The Solaris Book of New Science Fiction, Volume Two)
“Exhalation” by Ted Chiang (Eclipse Two)
“From Babel’s Fall’n Glory We Fled” by Michael Swanwick (Asimov’s Feb 2008)

Best Related Book
(263 Ballots / Bulletins)
Rhetorics of Fantasy by Farah Mendlesohn (Wesleyan University Press)
Spectrum 15: The Best in Contemporary Fantastic Art by Cathy & Arnie Fenner, eds. (Underwood Books)
The Vorkosigan Companion: The Universe of Lois McMaster Bujold by Lillian Stewart Carl & John Helfers, eds. (Baen)
What It Is We Do When We Read Science Fiction by Paul Kincaid (Beccon Publications)
Your Hate Mail Will be Graded: A Decade of Whatever, 1998-2008 by John Scalzi (Subterranean Press)

Best Graphic Story
(212 Ballots / Bulletins)
The Dresden Files: Welcome to the Jungle Written by Jim Butcher, art by Ardian Syaf (Del Rey/Dabel Brothers Publishing)
Girl Genius, Volume 8: Agatha Heterodyne and the Chapel of Bones Written by Kaja & Phil Foglio, art by Phil Foglio, colors by Cheyenne Wright (Airship Entertainment)
Fables: War and Pieces Written by Bill Willingham, pencilled by Mark Buckingham, art by Steve Leialoha and Andrew Pepoy, color by Lee Loughridge, letters by Todd Klein (DC/Vertigo Comics)
Schlock Mercenary: The Body Politic Story and art by Howard Tayler (The Tayler Corporation)
Serenity: Better Days Written by Joss Whedon & Brett Matthews, art by Will Conrad, color by Michelle Madsen, cover by Jo Chen (Dark Horse Comics)
Y: The Last Man, Volume 10: Whys and Wherefores Written/created by Brian K. Vaughan, pencilled/created by Pia Guerra, inked by Jose Marzan, Jr. (DC/Vertigo Comics)

Best Dramatic Presentation, Long Form
(436 Ballots / Bulletins)
The Dark Knight Christopher Nolan & David S. Goyer, story; Jonathan Nolan and Christopher Nolan, screenplay; based on characters created by Bob Kane; Christopher Nolan, director (Warner Brothers)
Hellboy II: The Golden Army Guillermo del Toro & Mike Mignola, story; Guillermo del Toro, screenplay; based on the comic by Mike Mignola; Guillermo del Toro, director (Dark Horse, Universal)
Iron Man Mark Fergus & Hawk Ostby and Art Marcum & Matt Holloway, screenplay; based on characters created by Stan Lee & Don Heck & Larry Lieber & Jack Kirby; Jon Favreau, director (Paramount, Marvel Studios)
METAtropolis by John Scalzi, ed. Written by: Elizabeth Bear, Jay Lake, Tobias Buckell and Karl Schroeder (Audible Inc)
WALL-E Andrew Stanton & Pete Docter, story; Andrew Stanton & Jim Reardon, screenplay; Andrew Stanton, director (Pixar/Walt Disney)

Best Dramatic Presentation, Short Form
(336 Ballots / Bulletins)
“The Constant” (Lost) Carlton Cuse & Damon Lindelof, writers; Jack Bender, director (Bad Robot, ABC studios)
Doctor Horrible’s Sing-Along Blog Joss Whedon, & Zack Whedon, & Jed Whedon & Maurissa Tancharoen , writers; Joss Whedon, director (Mutant Enemy)
“Revelations” (Battlestar Galactica) Bradley Thompson & David Weddle, writers; Michael Rymer, director (NBC Universal)
“Silence in the Library/Forest of the Dead” (Doctor Who) Steven Moffat, writer; Euros Lyn, director (BBC Wales)
“Turn Left” (Doctor Who) Russell T. Davies, writer; Graeme Harper, director (BBC Wales)

Best Editor, Short Form
(377 Ballots / Bulletins)
Ellen Datlow
Stanley Schmidt
Jonathan Strahan
Gordon Van Gelder
Sheila Williams

Best Editor, Long Form
(273 Ballots / Bulletins)
Lou Anders
Ginjer Buchanan
David G. Hartwell
Beth Meacham
Patrick Nielsen Hayden

Best Professional Artist
(334 Ballots / Bulletins)
Daniel Dos Santos
Bob Eggleton
Donato Giancola
John Picacio
Shaun Tan

Best Semiprozine
(283 Ballots / Bulletins)
Clarkesworld Magazine edited by Neil Clarke, Nick Mamatas & Sean Wallace
Interzone edited by Andy Cox
Locus edited by Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
The New York Review of Science Fiction edited by Kathryn Cramer, Kris Dikeman, David G. Hartwell, & Kevin J. Maroney
Weird Tales edited by Ann VanderMeer & Stephen H. Segal

Best Fanzine
(257 Ballots / Bulletins)
Argentus edited by Steven H Silver
Banana Wings edited by Claire Brialey and Mark Plummer
Challenger edited by Guy H. Lillian III
The Drink Tank edited by Chris Garcia
Electric Velocipede edited by John Klima
File 770 edited by Mike Glyer

Best Fan Writer
(291 Ballots / Bulletins)
Chris Garcia
John Hertz
Dave Langford
Cheryl Morgan
Steven H Silver

Best Fan Artist
(187 Ballots / Bulletins)
Alan F. Beck
Brad W. Foster
Sue Mason
Taral Wayne
Frank Wu

The John W. Campbell Award for Best New Writer
(288 Ballots / Bulletins)
Aliette de Bodard
David Anthony Durham
Felix Gilman
Tony Pi
Gord Sellar

So, last week I showed you some links to grab some free literature in ebook format. But browsing those sites can be a little like drinking from the fire hose, it’s hard to tell what’s out there and what’s good. So, today I’ll be posting some of my favorite free ebooks and links where you can grab them*. Feel free to leave your own links in the comments. And remember, these aren’t books I just like, these are books I love to pieces

In some universe, the name “Syfy” is less geeky than the name “Sci Fi.” Dave Howe, president of the Sci Fi Channel, is betting it’s this one.

To that end, the 16-year-old network—owned by NBC Universal—plans to announce that Syfy is its new name March 16 at its upfront presentation to advertisers in New York.

Sci Fi is coming off the best year in its history. In primetime it ranked 13th in total viewers among ad-supported cable networks in 2008. It’s a top-10 network in both adults 18 to 49 (up 4%) and adults 25 to 54 (up 6%).

“The name Sci Fi has been associated with geeks and dysfunctional, antisocial boys in their basements with video games and stuff like that, as opposed to the general public and the female audience in particular,” said TV historian Tim Brooks, who helped launch Sci Fi Channel when he worked at USA Network.

Mr. Brooks said that when people who say they don’t like science fiction enjoy a film like “Star Wars,” they don’t think it’s science fiction; they think it’s a good movie.

“We spent a lot of time in the ’90s trying to distance the network from science fiction, which is largely why it’s called Sci Fi,” Mr. Brooks said. “It’s somewhat cooler and better than the name ‘Science Fiction.’ But even the name Sci Fi is limiting.”

Mr. Howe said going to Syfy will make a difference.

The network worked with the branding consultancy Landor Associates and went through about 300 possibilities before selecting Syfy.

“When we tested this new name, the thing that we got back from our 18-to-34 techno-savvy crowd, which is quite a lot of our audience, is actually this is how you’d text it,” Mr. Howe said. “It made us feel much cooler, much more cutting-edge, much more hip, which was kind of bang-on what we wanted to achieve communication-wise.”

dirt, filth, grime
(colloquial) pimple, spot
(colloquial, vulgar) syphilis

“We need an umbrella brand we can attach to new businesses: Sci Fi games, Sci Fi kids. It does no use to attach ‘Sci Fi’ because there’s hundreds of sci-fi Web sites and sci-fi publications. So it’s changing your name without changing your name,” Mr. Howe said.

Another superb story, this time about a mysterious corporation called Fifth Layer which dominates current tech with extraordinary inventions that are unorthodox and inelegant, but work. There is talk of the Roswell theory, namely that Fifth Layer is a front for secretive aliens, so older investigative reporter Jimmy is put on the case since a senior executive of Fifth Layer was his girlfriend thirty years ago. Highlight of the anthology for idea-based sf.

It is at least worth debating whether an author engaged in a multivolume work that readers have bought into has some sort of implied contract with his readers to conduct his life in such as way as to ensure the book gets done. But surely readers who insist that means “do nothing else” are betraying a pretty shaky sense of how the creative process works, especially when spread over what might be two decades and more.

Martin wasn’t happy. “Maybe it’s okay if I take a leak once in a while?” he wrote. His blog response was accompanied by a flashing “angry” icon face.

It is all too easy for another writer to sympathize, and I do, hugely, but I can’t help but note that the only reason readers know about holidays and football games (and his favourite team) is that Martin has told them. On his blog.