From the Pyr Blog:
Lord Isak is dead; his armies and entire tribe in disarray. As the Farlan retreat and Kastan Styrax mourns his dead son, it is King Emin who takes the initiative while he still can. The secret, savage war he has devoted his life to nears its terrible conclusion as Ruhen positions himself as answer to the Land’s problems. Before the conquering eye of the Menin turns in his direction Emin must take his chance and strike without mercy.
A showdown is coming and battle lines are drawn as blood is spilled across the Land. The specter of the Great War looms but this time the Gods are not marching to war. It will be men who decide the future now. But before victory, before survival, there must first be salvation—even if it must be sought in the darkest place imaginable.
With the tide turning against Emin and his allies the key to their survival may lie in the hands of a dead man.
It’s no secret that I’m a big fan of Todd Lockwood (the artist behind The Ragged Man). It’s also no secret that I feel he’s been a bit overworked the past couple of years, giving his work an inconsistent quality. Luckily for Lloyd, he seems to have caught Lockwood on the upswing, with some quality artwork (reminiscent of Lockwood’s work on Eldon Thompson’s The Divine Talisman). Plus, The Ragged Man is a wonderful title. It’s just too bad about that man thong….
