Stephen King fans were very optimistic over the last couple of years as J.J. Abrams’ company Bad Robot held the option on King’s expansive, ambitious series The Dark Tower. Easy to see why — King’s labyrinthine, multi-layered storyline seems like perfect raw material for the guys behind Lost. But that wasn’t to be, as Abrams, Carlton Cuse and Damon Lindelof decided they couldn’t do the story justice, and gave the option back to King.

Now there are new players: Ron Howard, Brian Grazer and Akiva Goldsman are reportedly taking the rights to The Dark Tower, and their plans are just as ambitious as the books.

THR and Deadline both report on this, and each outlet describes a slightly different deal. In each, Akiva Goldsman would write a feature that Ron Howard would direct and Goldsman and Brian Grazer would produce. That feature would lead into a TV series that finished out the story. But THR says one feature, and Deadline says a trilogy, before the TV series begins. Quite a difference.

The Last Battle has started. The seals on the Dark One’s prison are crumbling. The Pattern itself is unraveling, and the armies of the Shadow have begun to boil out of the Blight.

The sun has begun to set upon the Third Age.

Perrin Aybara is now hunted by specters from his past: Whitecloaks, a slayer of wolves, and the responsibilities of leadership. All the while, an unseen foe is slowly pulling a noose tight around his neck. To prevail, he must seek answers in Tel’aran’rhiod and find a way—at long last—to master the wolf within him or lose himself to it forever.

Meanwhile, Matrim Cauthon prepares for the most difficult challenge of his life. The creatures beyond the stone gateways—the Aelfinn and the Eelfinn—have confused him, taunted him, and left him hanged, his memory stuffed with bits and pieces of other men’s lives. He had hoped that his last confrontation with them would be the end of it, but the Wheel weaves as the Wheel wills. The time is coming when he will again have to dance with the Snakes and the Foxes, playing a game that cannot be won. The Tower of Ghenjei awaits, and its secrets will reveal the fate of a friend long lost.

I thought about it. Back in 2007, I was sure I’d have the book done by 2008. But I was hugely ignorant and optimistic back then. So I was dead fucking wrong. That caused a lot of grief.

I told her I was really sure I could have it finished by September.

Come hell or high water? She asked me.

Come hell or high water, I said.

So we agreed that I’d have the book finished by September. It was nice. It made us both happy.

So that’s part of the news, that I’ll be finished writing The Wise Man’s Fear by September.

But here’s the rest of the news: that means that the book can’t come out until March of 2011.

Why? Well, for a bunch of reasons. Mostly because there are a lot of things that have to happen before a mass of text becomes a printed book on a shelf. It needs to be copyedited. The edits need to be confirmed. It needs to be proofed, checked for consistency, fiddled with. Fonts need to be chosen. It needs to go through layout. Then it needs to be proofed again. Marketing needs to happen. It needs to be sent to reviewers, and the reviewers need to have time to read it before they write the reviews. It needs to be put into catalogs of to-be-published-books so people who run bookstores can learn about it and order copies for their stores. It needs to be printed, boxed, warehoused, shipped. We need to sacrifice a black she-goat and pray to strange and terrible gods. Then we need to proofread again.

* Professional Reviews: I spend time diligently going through Library Journal, Kirkus, Publisher’s Weekly, and other professional review journals. The majority of my selections come from there, and that’s probably what you’ll catch me perusing at the reference desk.

Welcome to the CBC Radio Studio One Book Club! This program was created to give book lovers the chance to meet their literary heroes in the warm and intimate setting of CBC Radio’s Studio One. It’s a free event for 120 very lucky audience members. The audience also has the opportunity to ask questions and discuss the author’s background, inspiration, and experiences.

Canada’s own international best-selling fantasy fiction author Guy Gavriel Kay is coming to the CBC Radio Studio One Book Club in Vancouver. His new novel “Under Heaven” is getting rave reviews! It’s set during the glory of the Tang Dynasty in China and is an adventure that has everything readers around the world love about Guy’s epic stories. Come join the discussion with Guy Gavriel Kay in the intimate setting of Studio One on Wednesday May 5 at 6:30 pm at the CBC. The only way to get in, is to win! Go to www.cbc.ca/bc/bookclub to enter for free tickets.

When Irene told me that she’d been cleared to create a new art package for Ender’s Game for the eBook release, I confess that I groaned. Covers for this book have always been a problem. It’s not a children’s book, but when you ask for a painting of a ten year old boy, it’s hard not to get something that looks like a children’s book. This can lead to problems, like the email I recently got from a school librarian who was sure that there was some mistake; this children’s book had “bad words” in it.

I had no doubt Sam could portray a boy who wouldn’t put off older readers. I have often felt a number of his paintings show a cool exterior while suppressing some kind of underlying trouble or anxiety; if anything describes Ender, that’s it. When I contacted Sam, I wasn’t surprised to hear that Ender’s Game is one of his favorite novels.

[...]

In the end I was intrigued by Sam’s use of scale in the chosen sketch. I loved seeing Ender large with an entire planet underfoot—whether it’s Earth or the alien planet, the fate of both worlds depend on this small boy. The weightlessness, of course, refers to the Battle School exercises so memorable in the book. The flat-color triangles, representing the holographic game pieces, set against the realistic rendering of Ender and the planet, enhance the lie of the game.

The sketches that I saw were very good. The artist is wonderful, and it looked very promising, though again the sketches were of children. Irene and Sam heard me when I said that if we were going to put a child on the cover, that child had to have old and wary eyes, had to look like a real child who had been under great stress. The finished art has that quality in spades. My reaction to seeing the finished art was “Oh! That’s Ender!”

The composition is spectacular, too—it actually illustrates something that is such a powerful part of the novel: Ender has been separated from Earth and humanity even as he is being forged as a weapon to protect them.

New York, NY – Monday, April 19, 2010 – Tor Books is proud to announce the return of New York Times bestselling author Terry Goodkind to their list. The first book in the 3-book deal will be a new Richard and Kahlan novel, due in early 2011. Richard and Kahlan are the principle characters from his previous New York Times bestselling books.

“We are excited to publish Terry Goodkind again,” says Tom Doherty, President and Publisher of Tor Books. “Millions of people delight in the novels of Richard and Kahlan and eagerly await the continuation of their story.”

Twenty five million copies of Goodkind’s 12-book series have been sold worldwide and have been translated into more than 20 languages. A television series adaptation of the novels, titled Legend of the Seeker, produced by ABC Studios and broadcast via syndication, first aired on November 1, 2008 and is now in its second season. The Sword of Truth is one of the most successful series ever published in the fantasy field.

Said Goodkind, “I’m thrilled to be back with Tor to tell more stories of Richard and Kahlan.

Where I find books:

* Professional Reviews: I spend time diligently going through Library Journal, Kirkus, Publisher’s Weekly, and other professional review journals. The majority of my selections come from there, and that’s probably what you’ll catch me perusing at the reference desk.

* Librarian Blogs: We’re a chatty bunch and love recommending things to each other. There are certainly better or worse blogs, but when it’s a review coming from someone whose blog I respect, I’m more inclined to consider a purchase. Librarians working with patrons every day know what goes well with their audience and what might go well with mine.

* Patron Requests: I’m fortunate enough to have a big enough budget that if a patron requests it, we can usually get it. I do verify that the requester belongs to my library system.

What sinks a book:

* A bad review followed by only ho hum reviews. If there is one bad review in four and the others are pretty positive, it stays on my list. If there is only one review and it’s bad, or the other reviews don’t make me believe–I’m not buying it.

* Bad cover art Cover appeal is huge both with both children and adults. There is an extremely decorated and celebrated children’s author who prefers very stylized art on his covers. The majority of the kids I’ve attempted to booktalk/handsell it to didn’t like it, and so whether they were interested in the story or not, they didn’t take the book. You may not have a lot of input into your cover, but keep in mind that abstract doesn’t tend to go over well with the 12-and-under crowd, and that I, as a librarian, do consider cover : art.

* Proclamations of the book being the next whatever–HP, Twilight, Grisham, Patterson, Kellerman…you name it, we’ve seen it.

Let’s be realistic:

* It is extremely rare that I will purchase anything from a vanity press. It’s not impossible, but the items purchased tend to be of the local history, local celebrity nature rather than a pedantic children’s chapter book, poorly self-illustrated picture book, or a church collection of recipes.

* Everyone writes WWII books. Please, if you’re interested in writing historical fiction, choose another time period. I see an average of 4 “escaping the Nazis” books a month and while we certainly don’t discount Holocaust literature, there is so much more out there that would also benefit from time in the limelight, and it’s more likely to catch my eye for not being WWII.

“Are you sure you can keep up?” Corvis asked, concerned.

“As long as you don’t have the poor beast galloping the entire way, yes.” Davro actually huffed. “The day a healthy ogre can’t outlast a horse is the day I hang up my sword for good.”

“Umm, Davro, you tried that already. That’s why I found you herding pigs.”

“Oh, shut up.”

Corvis, his head bobbing slightly with Rascal’s methodical gait, watched around him as the ground passed beneath their feet. The grasses glowed with a jade sheen in the light of the afternoon sun, and the grazing animals watched them pass with a minimum of alarm. Clearly the beasts of this place had few worries or concerns. The trees, though sporadic, were tall, their leaves thick in the full bloom of health. A few white clouds drifted over the mountains, casting enormous shadows upon the valley.

“This is a beautiful place you picked to live,” Corvis admitted. “I’m surprised there isn’t a settlement here.”

“Don’t get any ideas, Rebaine. I like it nice and empty.”

“Relax, Davro. I’m not moving in, just commenting. And I promise you, I’ll do my best to get you back here just as soon as possible.”

“Why, how kind of you. That’s so considerate, I could just squat.”

“I’m trying to make conversation,” Corvis protested. “To make the journey go faster.”

“I see. You know what’s even better than trying to make conversation?”

“What?”

“Not trying to make conversation.”

“Perhaps I’ll be quiet, then.”

“Miracles do happen.”

Corvis, deciding he wasn’t apt to get the better of this particular conversation, chose to watch the miles and the scenery pass in silence.

Orbit, the Science Fiction and Fantasy imprint of Hachette Book Group, announces a digital short fiction publishing program launching later this year.

Orbit (US) has offered to publish digital editions of all original short fiction written by its authors. The digital editions will be distributed widely through major retail channels, for reading on a variety of devices. Authors will be paid a royalty for each story sold, rather than the flat fee more common in the short story market.

Tim Holman, Orbit VP & Publisher, said: “We know that writing short fiction is important for many of our authors. By offering to publish their short fiction – and to publish it quickly – we will be providing a new way for them to connect with readers. The initial response from our authors has been great, and we are looking forward to launching the first stories later this year.”

Maja Thomas, SVP Hachette Digital, said: “Publishing timely and well-priced short fiction has long been one of HBG’s goals. The digital reading revolution and the proliferation of new devices and mobile platforms now make this possible.”

Launched in 2007, Orbit (US) is the Science Fiction and Fantasy imprint at Hachette Book Group. Its authors include Joe Abercrombie, Iain M. Banks, Greg Bear, Gail Carriger, Karen Miller, Kim Stanley Robinson, and Brent Weeks.

Hachette Book Group (HBG) is a leading trade publisher based in New York and a division of Hachette Livre, the second-largest publisher in the world. HBG publishes under the divisions of Little, Brown and Company, Little Brown Books for Young Readers, Grand Central Publishing, FaithWords, Center Street, Orbit, and Hachette Digital.

Just a brief update from Gollancz. Whilst The Way of Kings will be a simultaneous launch with the US edition in August 2010, the UK edition is being held back to February 2011, to give Gollancz a little more time to prepare the book for release, as they see it as a major title. Slightly disappointing news, but given that the sequel is probably not expected until 2012 or later (with Sanderson having to deliver the last two Wheel of Time books on a tight schedule), not too much of an issue.

Kip crawled toward the battlefield in the darkness, the mist pressing down, blotting out sound, scattering starlight. Though the adults shunned it, he’d played on the open field a hundred times–during the day. Tonight, his purpose was grimmer.

Reaching the top of the hill, Kip stood and hiked up his pants. The river behind him was muttering obscenities, or maybe that was the warriors beneath its surface, dead these sixteen years. Kip squared his shoulders, ignoring his imagination. The mists made it seem he was suspended, outside of time. But even if there was no evidence of it, the sun was coming. By the time it did, he had to get to the far side of the battlefield. Farther than he’d ever gone searching.

Even Ramir, wouldn’t come out here at night. Everyone knew Sundered Rock was haunted. But Ram didn’t have to feed his family; his mother didn’t smoke her wages.

Gripping his little belt knife tightly, Kip started walking. It wasn’t just the unquiet dead that might pull him down to the evernight. A pack of giant javelinas had been seen roaming the night, tusks cruel, hooves sharp. They were good eating if you had a matchlock, iron nerves, and good aim, but since the Prisms’ War had wiped out all the town’s men, there weren’t many people who braved death for a little bacon. Rekton was already a shell of what it had once been. The alcaldesa wasn’t eager for any of her townspeople to throw their lives away. Besides, Kip didn’t have a matchlock.

Nor were javelinas the only creatures that roamed the night. A mountain lion or a golden bear would also probably enjoy a well-marbled Kip.

A low howl cut the mist and the darkness hundreds of paces deeper into the battlefield. Kip froze. Oh, there were wolves too. How’d he forget wolves?