Free Readin’ | Small Offerings by Paolo Bacigalupi

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Pump Six and Other Stories by Paolo Bacigalupi

Hot off the heels of The Windup Girl winning a Nebula Award for Best Novel and a Locus Award for Best First Novel, Paolo Bacigalupi‘s name is on everyone’s lips. Tor.com is jumping aboard the Bacigalupi bandwagon and have published Small Offerings, a short story previously only available in Fast Forward I and the limited edition of Bacigalupi’s short story collection, Pump Six.

I hope to read and review Small Offerings, along with several other pieces of Bacigalupi’s short fiction, soon.

Read Small Offerings by Paolo Bacigalupi.

Cover Art & Synopsis | Zoo City by Lauren Beukes

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North America

Zoo City by Lauren Beukes

United Kingdom

Zoo City by Lauren Beukes

Zinzi has a Sloth on her back, a dirty 419 scam habit and a talent for finding lost things. But when a little old lady turns up dead and the cops confiscate her last paycheck, she’s forced to take on her least favourite kind of job – missing persons.

Being hired by reclusive music producer Odi Huron to find a teenybop pop star should be her ticket out of Zoo City, the festering slum where the criminal underclass and their animal companions live in the shadow of hell’s undertow.

Instead, it catapults Zinzi deeper into the maw of a city twisted by crime and magic, where she’ll be forced to confront the dark secrets of former lives – including her own.

Two covers for Zoo City, the latest novel from South African writer Lauren Beukes. Oddly, both of of the covers are being published by Angry Robot Books, highlighting very clearly the difference in the approach to cover art in the different regions. Though I’m a big fan of John Picacio, something about the North American cover never really hit the mark with me, likely the floating heads, the strange angles or the yellow/purple colour palette. The UK cover, on the other hand, is a sight to behold – literary, bold and sophisticated, it attracts me for all the reasons the cartoony North American cover turns me off.

The book itself sounds great. It strikes me as a Dresdenesque yarn with good voice and enough to set it apart from the rest of the Urban Fantasy crowd.

It appears that Angry Robot Books is positioning and marketing the novel to a completely different crowd in each region, though the book behind the cover is exactly the same. If you saw the two novels on the shelf, which would you be compelled to pick up and read?

Review | Bearers of the Black Staff by Terry Brooks

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Bearers of the Black Staff by Terry Brooks

Bearers of the Black Staff

AuthorTerry Brooks

Hardcover
Pages: 368 pages
Publisher: Del Rey
Release Date: August 24, 2010
ISBN-10: 0345484177
ISBN-13: 978-0345484178


In the interest of full disclosure, I’m a moderator at the Official Terry Brooks Forums, a role which I take seriously, but which has not coloured the following review

Reviewing a new Terry Brooks book is always a taxing experience for me. On the one hand, I’m a longtime fan of his work and have trouble separating my critic sensibilities from my fanboy sensibilities. As a fan, it’s often easy to overlook shortcomings by focussing on the elements of the novels that appeal to my deeply engrained fanboyisms – those small, easter egg elements that would mean little to a new reader, but send shivers up the spine of longtime fans. On the other hand, as a critic, Brooks’ reliance on these cyclical, repeating themes, plot elements and character archetypes is something that can’t be ignored.

Bearers of the Black Staff is the opening volume of a duology (in name only, which I’ll get to later), The Legends of Shannara, that further attempts to connect his Word & Void series (a wonderfully original and darkly satisfying Contemporary Fantasy trilogy) with his decades-running Shannara series. As promised. Brooks continues to explore how our war-ravaged Earth was transformed into the sweeping magical world of the Four Lands, and fans of the series will love some of the surprises and revelations in store.
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Cover Art | Dreadnought by Cherie Priest

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Dreadnought by Cherie Priest

Nurse Mercy Lynch is elbows deep in bloody laundry at a war hospital in Richmond, Virginia, when Clara Barton comes bearing bad news: Mercy’s husband has died in a POW camp. On top of that, a telegram from the west coast declares that her estranged father is gravely injured, and he wishes to see her. Mercy sets out toward the Mississippi River. Once there, she’ll catch a train over the Rockies and—if the telegram can be believed—be greeted in Washington Territory by the sheriff, who will take her to see her father in Seattle.

Reaching the Mississippi is a harrowing adventure by dirigible and rail through war-torn border states. When Mercy finally arrives in St. Louis, the only Tacoma-bound train is pulled by a terrifying Union-operated steam engine called the Dreadnought. Reluctantly, Mercy buys a ticket and climbs aboard.

What ought to be a quiet trip turns deadly when the train is beset by bushwhackers, then vigorously attacked by a band of Rebel soldiers. The train is moving away from battle lines into the vast, unincorporated west, so Mercy can’t imagine why they’re so interested. Perhaps the mysterious cargo secreted in the second and last train cars has something to do with it?

Mercy is just a frustrated nurse who wants to see her father before he dies. But she’ll have to survive both Union intrigue and Confederate opposition if she wants to make it off the Dreadnought alive.

Cherie Priest‘s Boneshaker had one of the coolest covers last year, and the follow-up, Dreadnought, lives up, and surpasses it in sheer impact. Jon Foster (who’s portfolio is absolutely amazing, if you’re not familiar with him), takes the tone he established with Boneshaker and adds a nice element of action and tension this time around. It remains to be seen if Dreadnought will live up to Boneshaker, a Hugo nominated novel which I really need to get a hold of and read!

If interested, you can also read an excerpt from Dreadnought.

Free Readin’ | What Doctor Gottlieb Saw by Ian Tregillis

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What Doctor Gottlieb Saw by Ian Tregillis

“Do you suppose it’s possible to murder God?”

Gretel was Gottlieb’s most troubling patient. She was clairvoyant. She was also, he feared, quite mad.

He paused in the midst of jotting a note in her file. Capping his fountain pen and setting it on the desk, alongside the blotter, gained his scattered thoughts a few seconds to catch up with her. “I beg your pardon?”

“If He is omniscient and infallible, then surely He would see the moment and manner of His own passing. Knowing this, and being infallible, He could prevent it. Yet to do so would imply His prescience was imperfect. While not doing so would mean He is not eternal.” She sighed.

Gottlieb said, “The death of God is a metaphor. It isn’t meant as a literal, corporeal death. It represents the overthrow of God through modern man’s diminished need for external sources of wisdom.”

Nietzsche was required reading at the farm. But only the approved works, of course.

One of the more prominent debuts of the year is Bitter Seeds by talks about What Doctor Gottlieb Saw and its relation to Bitter Seeds:

“What Doctor Gottlieb Saw” takes place roughly 18 months before the events in Chapter 1 of Bitter Seeds. (So it takes place maybe 17 years after the prologue, which you can read for free here.) I wrote it entirely as a standalone, so it doesn’t require any foreknowledge of Bitter Seeds.

For people who have read the book, the story might shed a little more light on the relationship between a certain flying man, and a certain perfectly innocent girl who likes to pick flowers and who just happens, maybe, to see the future.

The central incident that drives this story forward has been in my mind for a long time, as a central piece of Reichsbehörde mythology. It’s referred to, very quickly and in passing, near the end of Bitter Seeds.

There are so many stories I’d like to write in the Milkweed universe– so many bits and pieces of the world that I’d love to explore in short form. What happened that night at the Bodleian? Who discovered Enochian?

The story I’m really dying to write is a companion piece to “Dr. Gottlieb”, which takes place between Bitter Seeds and The Coldest War. But I’ll refrain from saying more about that, as a courtesy to folks who haven’t read the book.

You can read and download What Doctor Gottlieb Saw in various formats on Tor.com. I hope to read, and review, both What Doctor Gottlieb Saw and Bitter Seeds in the near future.

Cover Art | Winter’s Heart by Robert Jordan (eBook)

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From Tor.com:

Winter's Heart by Robert Jordan (eBook)

Hmm. I’m not sure I love this one as much as I have some of the past covers. I like the style of Scott Fischer‘s art, and the balance between red and blue, but the image itself sits poorly with me. Is it a small guy looking up at a giant? Or a normal-sized guy sitting in front of a statue? Knowing the context of the scene, I can answer this question, but it’s still a little jarring.

Winter's-Heart eBook cover by Scott Fischer

I think this is more an issue with the final crop, rather than the art itself. The pulled back perspective of the full piece of painting works much, much better than the clipped image used on the cover.

An Aside | Terry Goodkind’s next novel is ‘The Omen Machine’, he designed the cover

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Terry Goodkind, writer and designerFound this at Only the Best Science Fiction & Fantasy (which was previously gathered from the Official Terry Goodkind forums):

Terry Goodkind’s new Richard and Kahlan novel will be called The Omen Machine (2011), according to the Fan Forum admin, who is actually Terry himself, sort of. Other relvelant facts about the forthcoming Sword of Truth book:

The official book’s title is THE OMEN MACHINE

The novel will be released simultaneously in all ebook formats, including iBooks, Kindle and Nook.

The novel takes place immediately following the end of CONFESSOR.

It is a Richard and Kahlan novel in the truest sense of the word.

The cover artwork will be revealed soon. It was designed by Terry Goodkind and Rob Anderson.

I don’t care about the title, nor that it takes place after Confessor (I mean, really, who cares about final volumes anymore? They’re so passe), the real news here is that Terry Goodkind helped design the cover for his next novel. Not only is he a writer non-Fantasy, a maker of violins and a collector of rare and exotic artifacts, he’s also now a graphic designer. As with his fiction, I’m sure he will produce a cover that transcends the genre and is nothing short of a piece of culture defining art.

I’ve never been more ravenous for a leaked cover.

Cover Art | Ghost Story by Jim Butcher

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Ghost Story by Jim Butcher

Not much to say. It’s par for the course, and will sit nicely alongside Butcher’s other Dresden Files novels, which all feature decent artwork by Chris McGrath. Curious to see Harry Dresden’s name on the tombstone, though I can’t quite make out what’s written below it:

He Died During/Doing (?) the XXXX (?)

Hmm.

An Aside | More Fuel to the Rumours that Jackson will direct The Hobbit

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The Hobbit by JRR Tolkien

From Deadline:

Here’s a glimmer of hope for those die-hard fans of The Lord of the Rings (like me) who hope that Peter Jackson will realize the best director for The Hobbit is the one he sees in the mirror each morning. My sources say that nobody has been offered the helming job — yet. Instead, Warner Bros and MGM brass are doing all they can to sell Jackson on the seemingly obvious notion that he should complete the franchise he started with three LOTR films that grossed $2.9 billion worldwide. Particularly since he co-wrote the scripts for the two Hobbit movies and already is producing and can shoot both in his backyard. One of the rumored reasons that prompted one-time director Guillermo del Toro’s recent exit, I hear, was the prospect of transplanting his family to New Zealand, where Jackson has his visual effects factory and is so comfortable shooting. Warner Bros and MGM braintrust will keep pursuing him until Jackson gives a definitive no.

Obviously it’s still just rumour and speculation, but it’s a rumour that just won’t go away. Jackson might be busy with Tintin, but how many zeroes will it take for him to helm The Hobbit in full writer/producer/director capacity? Though, Jackson already has a stake in the profits of the movie (along with the Tolkien estate, Saul Zaentz, and Harvey Weinstein, among others), so the question may be more of heart than cash. Still, with the project sitting there waiting for a director, it seems obvious for Jackson to take the helm, especially with MGM and Warner Bros poking and prodding him.

Other than Jackson, rumoured names include David Yates, David Dobkin, and Brett Ratner. My fingers remain firmly crossed for Jackson.

Just some food for thought.

An Aside | Teaser Trailer for ‘A Game of Thrones’ on HBO

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Via Walker of Worlds:

Not a whole lot to sink our teeth into, but it’s the first real instance of holy-shit-this-is-really-happening! to hit me since filming of the pilot began! Sean Bean being cast as Eddard Stark looks more and more inspired all the time. It gives me high hopes for the rest of the cast. Ooh, what I’d give to see some early footage here.

Free Readin’ | 50 Pages of ‘The Way of Kings’ by Brandon Sanderson

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The Way of Kings by Brandon Sanderson

Widely acclaimed for his work completing Robert Jordan’s Wheel of Time saga, Brandon Sanderson now begins a grand cycle of his own, one every bit as ambitious and immersive.

Roshar is a world of stone and storms. Uncanny tempests of incredible power sweep across the rocky terrain so frequently that they have shaped ecology and civilization alike. Animals hide in shells, trees pull in branches, and grass retracts into the soilless ground. Cities are built only where the topography offers shelter.

It has been centuries since the fall of the ten consecrated orders known as the Knights Radiant, but their Shardblades and Shardplate remain: mystical swords and suits of armor that transform ordinary men into near-invincible warriors. Men trade kingdoms for Shardblades. Wars were fought for them, and won by them.

One such war rages on a ruined landscape called the Shattered Plains. There, Kaladin, who traded his medical apprenticeship for a spear to protect his little brother, has been reduced to slavery. In a war that makes no sense, where ten armies fight separately against a single foe, he struggles to save his men and to fathom the leaders who consider them expendable.

Brightlord Dalinar Kholin commands one of those other armies. Like his brother, the late king, he is fascinated by an ancient text called The Way of Kings. Troubled by over-powering visions of ancient times and the Knights Radiant, he has begun to doubt his own sanity.

Across the ocean, an untried young woman named Shallan seeks to train under an eminent scholar and notorious heretic, Dalinar’s niece, Jasnah. Though she genuinely loves learning, Shallan’s motives are less than pure. As she plans a daring theft, her research for Jasnah hints at secrets of the Knights Radiant and the true cause of the war.

The result of over ten years of planning, writing, and world-building, The Way of Kings is but the opening movement of the Stormlight Archive, a bold masterpiece in the making.

The Way of Kings needs no introduction. It’s August, 2010 release promises to be one of the biggest of the year, and Sanderson looks poised to pick up the torch left by Robert Jordan and Terry Goodkind, names synonymous with ludicrously long Epic Fantasies.

Courtesy Tor.com, I’ve got the Prelude and Prologue of The Way of Kings, ready to be downloaded and consumed in a few different formats, from Tor:

And, I also created an .epub file, for easy use on a wide variety of eReaders and phones:

On top of this, you can head over to Tor.com and read the 50-page excerpt from The Way of Kings

Excited yet?

Cover Art | Shadowheart by Tad Williams (UK)

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Shadowheart by Tad Williams

A good companion to the previous UK covers, and nice overall colouring and tone. Still, I find the digital painting to feel too unnatural for the series, and prefer the Todd Lockwood art featured on the North American versions (though it’s also digitally created, it captures the feel of the series in a much more organic nature.) Interesting to see that both the North American and UK covers feature a predominantly black and red colour scheme; I wonder if this will tie into the novel at all, or whether it’s just coincidence.

Cover Art | Procession of the Dead by Darren Shan

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Procession of the Dead by Darren Shan

The first volume in a noirish, gritty urban fantasy for adults from the bestselling author otherwise known as Darren Shan. Quick-witted and cocksure, young upstart Capac Raimi arrives in the City determined to make his mark. As he learns the tricks of his new trade from his Uncle Theo — extortion, racketeering, threatening behaviour — he’s soon well on his way to becoming a promising new gangster. Then he crosses paths with The Cardinal, and his life changes forever. The Cardinal is the City and the City is The Cardinal. They are joined at the soul. Nothing moves on the streets, or below them, without the Cardinal’s knowledge. His rule is absolute. As Capac begins to discover more about the extent of the Cardinal’s influence on his own life he is faced with hard choices. And as his ambition soars ever higher he will learn all there is to know about loss, and the true cost of ultimate power!

I’ve not read anything by Darren Shan, nor do I really have any inclination to, but when this book arrived on my doorstep, I thought the cover was pretty damn cool.

Free Readin’ | Shadow’s Son by Jon Sprunk

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Shadow's Son by Jon Sprunk

In the holy city of Othir, treachery and corruption lurk at the end of every street, just the place for a freelance assassin with no loyalties and few scruples.

Caim makes his living on the edge of a blade, but when a routine job goes south, he is thrust into the middle of an insidious plot. Pitted against crooked lawmen, rival killers, and sorcery from the Other Side, his only allies are Josephine, the socialite daughter of his last victim, and Kit, a guardian spirit no one else can see. But in this fight for his life, Caim only trusts his knives and his instincts, but they won’t be enough when his quest for justice leads him from Othir’s hazardous back alleys to its shining corridors of power. To unmask a conspiracy at the heart of the empire, he must claim his birthright as the Shadow’s Son….

Shadow’s Son by newcomer Jon Sprunk, recently released by Pyr Books and Gollancz first caught my eye because of the Michael Komarck cover. Ironic, given my reputation for showing utter dismay every time a hood is present on a cover. Still, the book itself sounds fun (and I liked what Sprunk had to say on this podcast), so it’s been on my radar ever since.

In a moment of genial comradeship, Tor.com is hosting an extended excerpt from Shadow’s Son, available for all to read. If, like me, the synopsis and cover have you interested, this is a great chance to get a better glimpse at Sprunk’s debut novel.

An Aside | No paperback release for ‘The Price of Spring’ by Daniel Abraham

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He’s a Hugo Award nominee. His series has been called ‘one of the more accomplished fantasy series of recent years, and it’s got gorgeous cover art. But despite all this, Tor Books just never seemed to have much faith in Daniel Abraham or his Long Price Qurtet. Case in point? They’re not publishing a paperback edition of the fourth (and final) volume of the series, The Price of Spring. Call it a business decision, his books don’t sell enough to be worth the overhead of printing, but also consider that Tor completely dropped the ball on what should be a preeminent series in the genre. Hell, they couldn’t even get it stocked on store shelves. They expect casual fans to buy it when they can’t find it at their local bookstore? I sure couldn’t. What good’s cover art if it’s not on the shelf to catch your eye?

In any case, it’s a frustrating reality of the industry that quality ≠ success. I’m sure Tor will be shaking their heads, and kicking themselves in the ass, when Abraham eventually finds the success he’s worthy of, likely with his next series, The Dagger and the Coin, which they passed on.

So, if you’re interested in reading The Price of Spring, but are waiting for the more affordable Mass Market Paperback, you’re shit out of luck. Buy the Hardcover before it leaves shelves forever (if it hasn’t already, I had to order mine online.) Even better, buy a copy of the omnibus edition of the series published by Orbit Books (who will be publishing The Dagger and the Coin), and support the publisher that will (hopefully) promote his work the way it deserves.

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