Daily Archives: Wednesday, July 27, 2011

The difference betweem A GAME OF THRONES and A DANCE WITH DRAGONS

While reading A Dance with Dragons, the fifth volume in George R.R. Martin’s A Song of Ice and Fire, I was struck by a particular passage that really encapsulated the difference in Martin’s writing when comparing his earlier work to his later works. Not surprisingly, it’s a descriptive piece:

Deepwood’s mossy walls enclosed a wide, rounded hill with a flattened top, crowned by a cavernous longhall with a watchtower at one end, rising fifty feet above the hill. Beneath the hill was the bailey, with its stables, paddock, smithy, well, and sheepfold, defended by a deep ditch, a sloping earthen dike, and a palisade of logs. The outer defenses made an oval, following the contours of the land. There were two gates, each protected by a pair of square wooden towers, and wallwalks around the perimeter. On the south side of the castle, moss grew thick upon the palisade and crept halfway up the towers. To east and west were empty fields. Oats and barley had been growing there when [spoiler] took the castle, only to be crushed underfoot during her attack. A series of hard frosts had killed the crops they’d planted afterward, leaving only mud and ash and wilted, rotting stalks.

This is an exhaustingly detailed passage about Deepwood Motte, a strategically important castle, but one that has little to offer the series other than it’s place within the politics and military movement of Westeros’ various factions. And, frankly, it’s just not very interesting.
Read More »

TROIKA by Alastair Reynolds

Troika

AuthorAlastair Reynolds

Hardcover
Pages: 104 pages
Publisher: Subterranean Press
Release Date: July 31st, 2011
ISBN-10: 1596063769
ISBN-13: 978-1596063761


Troika, a novella by Alastair Reynolds, best known for his Revelation Space series, starts off with so much promise, but is ultimately constrained by the nature and natural boundaries of its length. Reminiscent (both structurally and thematically) of Robert Charles Wilson’s Hugo-winning Spin, Troika tells its tale through two parallel stories–one a light-thriller/mystery in ‘present’ day that deals with the fallout of the second story, a past-tense first-contact narrative detailing the narrator’s experiences with the Matryoshka, an enormous space-bound monolith of alien origin that mysteriously appears in Earth’s solar system. There’s terrific tension and mystery in both narratives, which are balanced nicely by having the narrator fleeing in the ‘present’ narrative and seeking in the ‘past’ narrative.

The setting of the novella also excels. Showcasing the space age from the point of view of the Russians (who have reclaimed the space race after all the other nations dropped out, deeming it irrelevant and/or too expensive) is a nice change of pace from the typically American- or Chinese-dominated near future space tales. There’s a certain bite to the characters and the pride they show in their status as a cosmonaut and their mission to solve the mystery of the Matryoshka.
Read More »