Monthly Archives: May 2012

It’s no secret that I’m a fan of Daniel Abraham. So, in my ever increasing efforts to promote the genre’s second-hardest working author (because, let’s be honest here, no one can hold a candle to Brandon Sanderson), and one its best-kept secrets, here’s an exclusive excerpt from The King’s Blood, the second volume in The Dagger and the Coin. It’s a tremendous novel and improves on its predecessor in almost every way. If you’re interested, you can read my review of The King’s Blood.

The King’s Blood is available now in the UK and North America from Orbit Books.


THE KING'S BLOOD by Daniel Abraham

Cithrin bel Sarcour

Cithrin bel Sarcour, voice of the Medean bank in Porte Oliva, stepped out of the bank's office with her head high, her features composed, and rage burning in her breast. Around her, Porte Oliva was entering its springtime. The bright cloth banners and glittering paste jewels of the First Thaw celebrations still lay in the streets and alleyways, slowly decaying into grime. Snow haunted the shadows where the midday sun couldn't reach. Cithrin's breath plumed before her as if her heart were a furnace belching pale smoke, and she felt the bite of the air as a distant thing.

Men and women of several races bustled on the cobbles before her. Kurtadam with their slick, beaded pelts; thin-faced, pale Cinnae; brass-and-gold-scaled Jasuru; black-chitined Timzinae; and fleshy, rose-cheeked Firstblood. Some nodded to her, some stepped out of her way, most ignored her. She might represent one of the greatest banks in the world, but as far as the hazy sky over Porte Oliva cared, she was just another half-Cinnae girl in a well-tailored dress.

When she stepped into the taproom, the warm air caressed her. The related, yeasty scents of beer and bread tried to gentle her, and she felt some of the knot in her gut begin to ease. The anger slipped, showing itself only a mask for the despair and frustration beneath. A young Cinnae man came forward to take her shawl, and she managed a tight-lipped smile as she relinquished it.

"The usual table, Magistra?" he asked.

"Thank you, Verril," she said. "That would be kind."

Grinning, he made an exaggerated bow, and gestured her on. Another day, she might have found it charming. The table was at the back, half hidden from the main room by a draped cloth. It cost a few coins more. When she felt capable of civil conversation, she would sometimes sit at the common benches, striking up conversation with whoever was there. There were more sailors and gossip of travelers farther south at the docks, more word of overland trade north where the dragon's road opened to the main square and the cathedral and the governor's palace, but the taproom was nearest to her bank–her bank, by God–and not every conversation needed to be a bid for advantage.

The Kurtadam girl who most often served in the daytimes brought a plate of cheese and brown bread with a tiny carved-wood bowl full of black raisins. More to the point, she brought a tankard of good beer. Cithrin nodded sharply and tried to make her smile genuine. If the girl saw anything odd in her, the soft fur of her face covered it. Kurtadam would make good card players, Cithrin thought as she drank. All of them wearing masks all the time.

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SHADOWHEART by Tad WilliamsOver at Bookworm Blues, Sarah Chorn is running a series of thematic guest blog posts about the place of disability, whether physical, mental or other, in Speculative Fiction. She’s calling the event “Special Needs in Strange Worlds” and already has several articles from various bloggers and writers about the topic. One of those guest bloggers is me.

Here’s an excerpt from my article, which considers Tad Williams’ Shadowmarch series (beware of spoilers for the entire series):

One of my favourite characters in Memory, Sorrow and Thorn was Prince Josua, a rebellious prince who was the fulcrum of a rebellion that forms the core for much of the trilogy. It happens that Josua was missing a hand. This was a defining feature for Josua, in a visual sense, but had little-to-no effect on his being able to achieve his goals. It’s hard to believe that George R.R. Martin wasn’t influenced by Josua when one of his own characters loses a hand, though Martin takes the concept further, exploring how the loss of his character’s sword-hand affects not only his ability to compete physically against other characters, but how the loss of skill and ability can alter and manipulate a person’s outlook on life. Losing that hand is a major catalyst in allowing Martin’s character to evolve into one of A Song of Ice and Fire’s most conflicted and compelling characters.

[…]

Throughout the course of the latter two volumes in the series, as a result of both his bloodline and being exposed to the magic of the alien Qar, Barrick begins to overcome his physical disabilities. At first it seems like a cop-out by the author, a deus ex machina that allows Barrick to become ‘whole,’ but Williams is too smart for that and Barrick soon realizes that his physical disabilities are, in many ways, a smaller prison compared to the crippling social disabilities he created within himself as a guard against the sympathies of the other people in his life, including his sister, though he loves her dearly. The prince can never crawl out from under the shadow of his disabilities; though his body is healthy, his mind continues to be plagued by the demons of his own devices. Barrick’s lifelong struggle with his disabilities is a defining aspect of his character, and an intelligent foil to the struggles of his sister—where Barrick inwardly deals with the physical and mental shackles placed on his by his disabilities, Briony, physically healthy, must battle equally confining restrictions placed on her by society for being a female fighting for her place in society. To overcome his disabilities, Barrick must first convince himself that it’s possible, for Briony, she must convinces the others that surround her. It’s tough to say who has the more difficult road.

The Shadowmarch series is filled with characters who deal with varying degrees of physical disability, but it never stops a single one of them from having an important and positive impact on their imperiled world. Though a character like Ferras Vansen is physically strong and suffers only from a melancholy heart, his struggles are as difficult and important to him as those faced the physically-challenged Prusus. Different, yes, but equally demanding.

Sarah also writes some flattering things about me and A Dribble of Ink that set equally my ego and my humility into swirling mayhem. So, yes, thank you, Sarah, for inviting me to be a part of this event.

I hope you enjoy my article and encourage you to read the others, they’re all much more eloquent and better considered than my own. In particular, young Dan Goodman, who was diagnosed at birth with spastic cerebral palsy, writes well about the topic and how Fantasy allowed him to find a freedom he didn’t know he could have. Touching stuff.

THE KING'S BLOOD by Daniel Abraham

The King’s Blood

By Daniel Abraham
Trade Paperback
Pages: 528 pages
Publisher: Orbit Books
Release Date: 05/22/12
ISBN: 0316080772

EXCERPT

When Abraham released The Dragon’s Path, the first volume of The Dagger and the Coin, it was something of a departure from the thoughtful and unique tetralogy that put him on the Fantasy map, The Long Price Quartet. This new series was Abraham’s attempt at stepping into the realm of more traditional Fantasy, drawing influence from a more Medieval Europe, rather than the asian-influenced setting of The Long Price Quartet. In some ways, it was a risk for Abraham to step away from such a unique setting, but, in hindsight, it allowed Abraham to open himself to a whole new range of readers who are looking for novels that draw inspiration from familiar elements and novels. Of The Dragon’s Path, I said:

[A]nticipation is always a double-edged sword. Abraham took many chances with The Long Price Quartet and formed a dedicated (if small) following for those novels and what he managed to accomplish. By moving to a more traditional world and a more tried-and-true premise, Abraham is sure to make wary some of those fans who appreciated the originality of The Long Price Quartet; at the same time, he’s blown open the doors for a new, wider audience and has written a more accessible novel that is sure to appeal to fans of Tad Williams, George R.R. Martin or Scott Lynch. Regardless of whether you’ve discovered Abraham previously, you can rest assured that The Dragon’s Path is a tremendous novel and Abraham deftly mixes the classic foundations of the genre with a sophistication expected of him and rarely found in the work of his compatriots. Look for this one to appear on my ‘Best of 2011′ list come year-end.

And, indeed, it did wind up on my Best of 2011 list at the end of the year. All of the superlatives I spouted about The Dragon’s Path continue to hold true for its sequel, The King’s Blood, and I’d even go so far as to say that it’s a superior book in most ways, solidifying The Dagger and the Coin as one of the most exciting Fantasy series currently being written. Read More »