I like it. The script is nice, colours are plain and it seems to fit the nature of the book described by the earlier synopsis for The Casual Vacancy. I’m also a little surprised, delightfully so, that Rowling’s name isn’t enormous and swallowing the rest of the design. Classy move by the publisher. So, thoughts?
Daily Archives: Tuesday, July 3, 2012
Prior to reading D.B. Jackson’s (aka: David B. Coe) most recent novel, my only exposure to the idea of a thieftaker, or a private individual hired to capture criminals, was Julian Sandar from Robert Jordan’s iconic Wheel of Time. Interestingly, my only experience with pre-Revolution America in genre fiction also came by way of Robert Jordan in his Fallon Blood series written under the pseudonym Reagan O’Neal. Jackson’s Thieftaker lifts both limitations, deftly blending historical fiction and urban fantasy to create a who-dun-it dressed up with tricorn hats and blood magic.
Set in 1765 in Boston, Massachusetts, during The Stamp Act riots, Thieftaker follows the exploits of Ethan Kaille, Jackson’s protagonist and only point of view character. Making his living finding stolen goods, Ethan is also a speller, capable of turning organic material into magical energy. When he’s asked to recover a necklace worn by the murdered daughter of a prominent royalist, he finds himself in the middle of a conspiracy to upset the delicate balance between Britain and her colonies.
As that summation suggest, Ethan is the narrative impetus, and the vehicle that Jackson uses to snare the reader. His history, power, and moral center held my interest despite a standard crime fiction plot structure that won’t overwhelm anyone with its inventiveness. In particular, it’s Ethan’s back story and how conjurers interact in a world that reviles their existence which gives Thieftaker its unique flavor. Continue reading