Monthly Archives: February 2013

God's War by Kameron Hurley

There has long raged a debate about the quality of UK vs. US cover art and the different ideals behind design aesthetics in the two regions. In general, fans seem to consider the UK to be the stronger market, and for a long time they were, but it’s my feeling that in the past couple of years, thanks to publishers like Tor, Night Shade Books, Pyr Books and Orbit Books, that the US has eclipsed the UK and is generating much more interesting cover art in general. Hurley herself said, “I am told the UK market is way more stuck-up about their covers. I adore my Conan covers, but $1 says the more mainstreamy-cover sells more books.”

If this is a ‘mainstreamy’ cover, I’m not sure I like where Del Rey UK is taking the series. Still, It’s nice to see Hurley seeing a release from a major publisher. What some people might not know is that Del Rey was originally meant to publish Hurley in the US, first picking up her novel, God’s War, before, for a variety of reasons that I’m not clear on, deciding to let Hurley and the series go. It, and its edits, were then picked up by Night Shade Books. Read More »

A few days after announcing his next trilogy, The Song of the Shattered Sands, Bradley P. Beaulieu announced today that he has left his former publisher, Night Shade Books, and will be republishing eBook editions of The Lays of Anuskaya, as well as entirely self-publishing the final book in the series, The Flames of Shadam Khoreh. These new editions will feature new covers.

The Winds of Khalakovo by Bradley P. Beaulieu
The Straits of Galahesh by Bradley P. Beaulieu
The Flames of Shadam Khoreh by Bradley P. Beaulieu

Beaulieu gives reason to his decision to redesign the covers for their eBook release:

As part of the gear-up for the release of my third book, The Flames of Shadam Khoreh, I’m also re-releasing The Winds of Khalakovo and The Straits of Galahesh. I have to admit some disappointment that the previous versions didn’t have a unifying theme. So I designed these around that basic premise, that they would look and feel like a series. I hope I’ve hit the mark.

Read More »

Magic is often used to keep the status quo, until it becomes accessible to the common man and suddenly turns the world upside down.

You don’t see a lot of gunpowder in fantasy.

It’s there, especially in historical fantasy. But it’s not as common as one might think. Most fantasy seems to take place in a pre-gunpowder period despite gunpowder having been around in our own world since the middle ages. I think this has a lot to do with what we read when we were kids. Many of us grew up on medieval fantasy. Tolkien and C.S. Lewis dominated my childhood. When I was old enough to go looking for books at the library, I read David Eddings, Tracy Hickman, and Robert E. Howard. None of the stuff I read had any gunpowder in it and when I first started writing all my settings were medieval.

So beyond mere habit, why don’t we see much gunpowder in fantasy? I think that magic, in a lot of ways, fills in for gunpowder. It’s something mysterious. Perhaps it can be used by the common man, but the common man doesn’t know the secrets behind it. Only a few people can master those. It can be volatile and dangerous, used for both good and evil. Magic is often used to keep the status quo, until it becomes accessible to the common man and suddenly turns the world upside down. Read More »

The Winds of Khalakovo by Bradley P. Beaulieu

[I’ve] closed a deal with Betsy Wollheim for a new epic fantasy trilogy called The Song of the Shattered Sands. It’s a story set in a powerful desert city that controls the flow of trade and spice through otherwise impassable terrain. There are echoes of both A Thousand and One Nights and Thieves’ World.

It’s a story about Çeda, a woman who fights in the pits to scrape a living from the cruel but beautiful city she calls home. As the story opens, she discovers that the book her mother left her before she died holds the clues to the unraveling the mystery of her mother’s death, which was tangled up in the story of the Twelve Kings of Sharakhai, men who have ruled the desert with an iron fist for nearly two hundred years. As Çeda begins to unlock the secrets hidden within the poems in the book—as well as what her mother was trying to do before she died—the Kings learn of her, and they will stop at nothing to keep those secrets buried in the desert where they belong. And so the chase is on. Çeda must unlock the hidden riddles of her mother’s book before the Kings find her. She had better hope she does, for she is the last hope for the people of the desert.

It’s great to see Beaulieu take the critical success he received for his first trilogy, The Lays of Anuskaya, published by Night Shade Books, and parlay it into a deal with a larger publisher. Daw is home to some of the best (traditional/epic/secondary world) Fantasy writers working today, including Patrick Rothfuss and Saladin Ahmed. Beaulieu’s Arabian Nights-inspired trilogy sounds like it will be a good fit. It’s great to see more Fantasy written that features a setting inspired by something other than Medieval Western Europe. After Beaulieu’s first trilogy, with a Russian-inspired setting, he’s quickly asserting himself as one of the most interesting world builders in the genre. I’m quite looking forward to this.

Last week, news spread that George R.R. Martin, author of A Song of Ice and Fire, signed a new two-year contract with HBO, including his continued participation in their ASOIAF adaptation, Game of Thrones and the development of new projects. On February 10th, in response to a question from a fan on his personal blog, Martin confirmed details about those ‘projects,’ including a potential prequel series to Game of Thrones.

Tuf would be fun. Dunk and Egg are being discussed. Robert’s Rebellion is part of Ice & Fire, won’t be a separate series. Sandkings was done by the OUTER LIMITS; I retain feature film rights, but television rights are gone.

While he speculates about his other properties, he admits specifically that discussion has taken place regarding Dunk and Egg, the heroes of his A Song of Ice and Fire off-shoot novella series. They would be a fun concept for a show, but I wonder if there is proper mass appeal for two characters that most fans of the series likely don’t even know exist. As he says, Robert’s Rebellion would be perfect, but nearly as big a production as Game of Thrones itself, and it’s integrally tied to the events in the series and might be redundant by the time the series/show ends. Non-A Song of Ice and Fire properties is an interesting idea, but, again, I wonder about the mass appeal. Me? I’m curious where the rights to the Wild Cards series rest.