This teaser poster for Jurassic World, revealed today at San Diego Comic-Con, is a beautiful throwback to the original Jurassic Park, featuring the iconic Jurassic Park Tour Vehicle, and a theme park under construction. Full of dystopian symbology — ruined car, city/urban environment overrun by jungle/plant life — this poster is more than just a pretty bit of imagery, there’s a lot there to confirm the rumours that Jurassic World will feature a rundown, seen-better-days version of the Jurassic Park originally imagined by John Hammond in the original film/novel. The dino-nest in the vehicle’s wheel well suggests the decay and rampant dinoism has been going on for a long time. Read More »
Posts Categorized: Art
I’ll admit, this cover is totally against my type, but… I can’t stop drooling over it. It’s aggressive and flashy, more Hollywood than Rivendell, but equally arresting and difficult to ignore. Myke’s had some great covers in the past, and artist Larry Rostant is one of the few photographic illustrators that I trust to work on SF book covers. He’s got another winner here.
US Navy SEAL Jim Schweitzer is a consummate professional, a fierce warrior, and a hard man to kill. But when he sees something he was never meant to see on a covert mission gone bad, he finds himself – and his family – in the crosshairs. Nothing means more to Jim than protecting his loved ones, but when the enemy brings the battle to his front door, he is overwhelmed and taken down. It should be the end of the story. But Jim is raised from the dead by a sorcerer and recruited by a top secret unit dabbling in the occult, known only as the Gemini Cell. With powers he doesn’t understand, Jim is called back to duty – as the ultimate warrior. As he wrestles with a literal inner demon, Jim realises his new superiors are determined to use him for their own ends and keep him in the dark – especially about the fates of his wife and son…
Gemini Cell is the first volume in a new follow-up trilogy to Cole’s popular Shadow Ops series. It will be released on January 27th, 2015 by Ace Books.
Since the passing of Josh Kirby in 2001, Pratchett’s series has gone through a long search for a new artist that could match the verve and energy of the legendary artist’s interpretation of Pratchett’s beloved world. At long last, it looks like we’ve found the answer: French artist Marc Simonetti. From Gone with the Wind, to Abbey Road, to The Wizard of Oz, Simonetti’s artwork features the same level of tribute and sophisticated satire that makes Pratchett’s work such a joy. If there’s ever been so perfect a pairing of author and artist, I’m unaware.
Above is just a small part of Simonetti’s Discworld art collection, and many more paintings, which are used for the UK covers, are ava on Simonetti’s website. Whether you’re familiar with Discworld or not, Simonetti’s art is an achievement in itself, and well worth spending some time with.
One of the most unique aspects of Terry Brooks’ Shannara series is its unerring dedication to following the Ohmsford and Leah family lines as each new generation finds trouble for themselves in the Four Lands (and beyond, in some cases.) Since I first discovered Brooks, the Ohmsfords and the Leahs have held a special place in my heart, and the hearts of many fantasy readers like me. So, it makes perfect sense that Orbit Books, Brooks’ UK publisher, would create such a loving family tree to illustrate the labyrinthine connections between the two families.
You find a high resolution (like, really high resolution) version of the family tree on Orbit’s Facebook page, where you can also enter to win a gorgeous print by voting for your favourite Shannara generation. Fun stuff, great series.
I’ve ragged on a lot of covers with sultry-looking dudes in LARPing gear, but there’s something about these character-centric Robin Hobb covers that works for me. While not quite the homerun that the new covers for Hobb’s Liveship Traders trilogy are, the aging of Fitz, from young adult to weathered, handsome dude is a great touch for past fans of the series. Plus Fitz has an axe, so… yay.
Incidentally, young Fitz is the perfect draw for a young adult audience, who will be attracted by the bright colours and familiar design conventions. I discovered and loved Hobb’s work as a teenager, and I can see these new covers opening a lot of doors for a new generation of readers.
I could have done without the floating animal head ghosts, though. (JK, Nighteyes, I still love you.)