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An Aside | First Peek at SUIKODEN: THE WOVEN WEB OF A CENTURY

By November 30th, 2011Leave a response

SUIKODEN: THE WOVEN WEB OF A CENTURYVia NeoGAF:

The Centennial Monster…

That monster will appear without fail once every 100 years, devour everything, and continue to multiply… It is a fearsome beast. In order to prepare for the Centennial Monster, the Holy Ionian Empire has extended its reach to suppress the entire empire by forcing heavy burdens upon it.

But as time passes, the regional towns and cities have become dissatisfied with these heavy burdens and declared independence. In the beginning, a large-scale military battle between Holy Ionian Empire and the Regional Force occurred. There were massive casualties on both sides, but ironically, the existence of the Centennial Monster forced both sides to reconcile and work together.

Beneath the Ionian Banner, the Holy Ionian Empire, faced with an emergency, acknowledged the Regional Force’s independence as a condition of combining their forces. Ever since, time has passed peacefully, at least on the surface…

This year, it will have been exactly 100 years…

In Terube Village, three youths–the hero, Miyura, and Gino–are spending their days training to prepare for the coming of the Centennial Monster. One day, on their way back from training in the barricade ruins, the Hero and his friends encountered monsters they’d never seen before. No matter how many they defeated, the monsters continued to multiply. Unable to move forward or escape, the companions retreated back to the ruins.

Once inside, a mysterious boy named Zephon suddenly appears in front of them and sends them 100 years into the past. There, they will meet the heroes who defeated the previous Centennial Monster…

A newly-woven story of the Infinity that transcends time…

And the first trailer for the game, complete with crazy moon language:

My immediate reaction is disappointment, a feeling that’s becoming increasingly common where the once legendary Suikoden franchise is concerned. The cover art is classic and easily recognizable as a Suikoden game, which makes me feel all warm and fuzzy, but one look at the trailer or a brief scan through the synopsis makes it clear that this is another game in the tradition of Suikdoen Tierkreis, a step away from the layered, politically-charged setting explored in the first five games of the series. Instead, fans are left to explore a brand new world with no connections to the previous games besides the 108 Stars. Regardless, I enjoyed Tierkreis for what it was and will no doubt be picking up Suikoden: The Woven Web of a Century when (if) it’s released in English.

More art from the game, including full character portraits, can be found HERE.

An Aside | BONESHAKER by Cherie Priest optioned for film

By November 30th, 20115 Responses

Boneshaker by Cherie PriestVia Variety:

Cherie Priest’s steampunk sci-fi novel “Boneshaker” is coming to the bigscreen with Cross Creek Pictures, Exclusive Media Group and Hammer Films onboard.

The companies said Wednesday that Hammer has acquired the rights to the novel. Project will be co-produced by Hammer and Cross Creek Pictures and co-financed by Exclusive and Cross Creek.

John Hilary Shepherd (“Nurse Jackie”) is writing the screenplay. Hammer head of production Tobin Armbrust is overseeing.

Priest’s novel is set in an alternate version of 1880s Seattle, where the city has been walled in and a toxic gas has turned many of its remaining residents into “Rotters,” more commonly known as zombies. A young widow hunts for her teen son in the Seattle underworld while dealing with airship pirates, a criminal overlord and heavily armed refugees.

The novel, published in 2009 by Tor Books, is the first in a series set in the period, which has Priest has dubbed the Clockwork Century. Second novel “Dreadnought” was published in 2010, and the third, “Ganymede,” was recently released.

Tor Books is releasing the fourth in the series, “Inexplicables,” in 2012, and last week announced a deal with Priest for her to write a fifth. That book will be called “Fiddlehead.”

“It’s like Jules Verne meets ‘Resident Evil,’ and we’re thrilled to have such a fun, commercial potential franchise in Boneshaker,” said Cross Creek’s Brian Oliver.

Cherie’s an absolute sweeheart and this couldn’t happen to a better person. Though I haven’t read Boneshaker, my impression of it indicates that Priest’s Zombie-filled, alternate history version of Seattle will traslate wonderfully to the screen. As always, take the news with salt; it’s Hollywood, afterall.

An Aside | HBO Buys Two More Seasons of GAME OF THRONES (maybe, probably)

By November 29th, 20111 Response

Game of Thrones PosterVia winter-is-coming.net:

A Storm of Swords US paperbackWe reported on this in another post, but the rumors continue to swirl and so we thought it deserved its own post. We are now hearing from multiple sources that HBO plans to order both seasons three and four and film them back-to-back (à la Lord of the Rings). It has already been confirmed that A Storm of Swords would be covered in more than one season. From what we have heard, much of the film crew in Northern Ireland has been told of this plan and has been advised to expect nine months of filming next year.

Matt Staggs at Suvudu believes there’s truth to the rumour:

While I’ve not received any confirmation regarding this rumor, I don’t find it out of the realm of the possible. For one thing, the show is doing really, really well. I know people who haven’t read George R.R. Martin’s A Song of Ice and Fire or even read fantasy in general who won’t miss an episode of the program, and those who have read the series already know that the later books would require more than a season of episodes each for a faithful adaptation.

Really, it makes sense for all the reasons Staggs indicates. The show is becoming something of a cultural phenomenon and the last I heard A Dance with Dragons was the best-selling novel of the year. Not best-selling Fantasy novel, but best selling novel. Period. It might be dethroned by by Paolini’s Inheritance, Grisham’s The Litigators or King’s 11/22/63, but the point remains that a big, juicy adult Fantasy is making waves among mainstream readers in a way that hasn’t happened since, perhaps, Tolkien broke through with Lord of the Rings. What’s not to like for HBO?

Filming back-to-back also isn’t surprising given that seasons three and four of Game of Thrones are rumoured to cover the events of Storm of Swords, the longest volume of the still-to-be-completed series.

I Ask You | The Best Book Covers Ever: SF/F Edition

By November 29th, 20116 Responses

East of Eden by John Steinbeck

Ever wondered why John Steinbeck’s classic American novel East of Eden has proved so popular over the decades since it’s release? Maybe it’s the cover art.

Recently, Publishers Weekly awarded East of Eden with the coveted prize of “Best Book Covers Ever.” PW looked back at the many editions of Steinbeck’s novel and declared it as the king of the hill where consistently great cover art is concerned. They also made some interesting observations about the effect cover art has a reader’s experience with a novel:

A book cover has to both draw you into the book when you first pick it up as well as stand as an aesthetic representation of the story’s heart. For many of us, book covers are a big reason why we’re still holding onto physical books, and there’s something about the best of them that conveys the transportive ability we find in our favorite books.

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An Aside | ZOO CITY by Lauren Beukes Optioned for Film

By November 28th, 20111 Response
Zoo City by Lauren Beukes

Via Angry Robot, publishers of Zoo City:

Helena Spring, widely regarded as one of South Africa’s most accomplished motion picture producers, has just been awarded the highly sought-after film rights to Zoo City, the Sci-Fi thriller penned by South African author Lauren Beukes – who garnered the 2011 Arthur C. Clarke Award for best Science Fiction novel. In the wake of whopping sales figures, multiple awards and critical acclaim Beukes’ book generated fierce interest from numerous bidders in the entertainment industry, putting Spring alongside major US and UK producers eager to tell Beukes’ unique tale.

Zoo City was published first in South Africa by Jacana Media and thereafter internationally by by Angry Robot.

The urban fantasy is set in a futuristic, gritty and hard-core Johannesburg where the eponymous ghetto has been colonised by society’s outcasts – like criminals, drug-dealers and psychopaths, and their animal companions. Like the other residents of the Zoo City slum, Zinzi, the anti-heroine, is “animalled”, but she is also a shrewd, street-smart girl with the gift (or burden) of finding lost things. Zinzi wears her power animal, a sloth, on her back. When she is hired to find a missing teenybopper star, she hopes that it will be her ticket out of Hell’s waiting room.

“I’m delighted to have secured the film and television rights for Zoo City,” commented Helena Spring. “It is a groundbreaking, magical novel begging for a life on the big screen. Lauren’s storytelling is masterful – edgy and futuristic, unique yet universal. It is high in entertainment value yet emotionally charged, a dream project for any producer.”

An easy and obvious choice for this project would be Neill Blomkamp, the acclaimed director of District 9. Not only is Blomkamp South African himself, but his films are well known for their artistic vision and high-end use of CGI to create believable alien creatures, a trait that would be put to excellent use in Zoo City, which features animal familiars similar to those found in Philip Pullman’s The Golden Compass (and I think we can all agree that we hope this adaptation is more successful the stodgy adaptation of Pullman’s work). Promises are always dicey (and often left unfulfilled) whenever the film world is involved, so, as always, Zoo City fans should temper their excitement somewhat, but it’s still great to see Beukes recognized and rewarded for her work.