In the world of Kameron Hurley’s The Mirror Empire, where magic users draw their power from one of three heavenly satellites, a dark star is rising, one whose ascendance heralds a time of cataclysmic change and war between realities. For Lilia, who crossed from one world to another in childhood, fleeing the wrath of an alternate, militaristic version of the peaceful Dhai culture she now inhabits, this means discovering her mother’s hidden legacy before it can destroy her. For Akhio, the younger brother and now unexpected heir of Dhai’s deceased leader, Oma’s rise brings politicking and treachery, both from Dhai’s traditional enemies and from within his own state. For Zezili, the half-blood daijian general of matriarchal Dorinah, charged by her alien empress with exterminating the nation’s daijian population, it means an uneasy alliance with women from another world; women whose plans are built on blood and genocide. For Rohinmey, a novice parajista who dreams of adventure, Oma brings the promise of escape – but at a more terrible cost than he could ever have imagined. And for Taigan, a genderfluid assassin and powerful omajista bound in service to the Patron of imperial Saiduan, it means watching cities burn as invading armies walk between worlds with the aim of destroying his. How many realities are there? Who can travel between them? And who will survive Oma’s rise?
The Mirror Empire hooked me in from the very first page.