I’m going to say some stuff about Young Adult fiction. Some of it’s going to be really wrong, but I’ll hedge by saying it’s my interpretation. Let’s try not to crucify me for it.
For me, what makes a book Young Adult isn’t the age of its protagonist, simplicity of story, or basic themes. Instead, it requires some didactic aspect. For example, Paolo Bacigalupi’s Shipbreaker isn’t just a fucked-up coming of age story, but a teaching tool for conceptualizing climate change, as well as refining mores for peer group interactions. I would argue the weakest part of the novel is its plot and protagonist, both of which feel cookie-cutter. What makes it successful for young readers is what it imparts. Thusly, I would argue, until I’m blue in the face, that Raymond Feist’s Riftwar Saga or David Edding’s Belgariad are not Young Adult. I would prefer to call them fiction for all ages. In other words, they tell a story that’s easy to understand for young readers, but does absolutely nothing to recommend it as something that ought to be targeted to them. I make this distinction because Amy McCulloch’s The Oathbreakers Shadow is a Young Adult novel, and a fine one at that. Read More »