The Hero of Ages by Brandon Sanderson

The Hero of Ages

AuthorBrandon Sanderson

Paperback
Pages: 784 pages
Publisher: Tor
Release Date: October 14, 2008
ISBN-10: 0765356147
ISBN-13: 978-0765356147


The Final Empire, the first volume of Brandon Sanderson’s Mistborn trilogy kicked my ass (in a good way). A great blend of original ideas, charming characters a nicely self-contained story (no real cliffhangers to speak of), and good ol’ fashioned ’80’s style fantasy. It brought me back to my roots, reminded me of when I first discovered the genre through the likes of Terry Brooks, Raymond E. Feist and R.A. Salvatore. Maybe not for everyone, in the age of Joe Abercrombies and Hal Duncans, but an accessible novel that left me wanting more.

Sanderson followed that up with The Well of Ascension, which turned out to be a massive disappointment. Instead of delivering on the promises of the first novel, Sanderson left his characters at a stalemate, giving them time to evolve, sure, but grinding the plot and world development to a halt. Gone were most of the most interesting elements of The Final Empire (the forbidding Steel Inquisitors, most notably) and in their place were insipid, weak characters dealing with politics and love stories that I just didn’t give a damn about. Elend, in particular, regressed from a confident paramour to a self-doubting child thrust into a position of rule. It felt false, and, even worse, pointless.

So, home-run in his first at-bat, flaming strikeout in his second, how was Sanderson to fare with his third (and final) attempt? Let’s call it a ground-rule-double. The Hero of Ages succeeds, but doesn’t quite hit it out of the park like the first volume.
Read More »

The Reality Dysfunction by Peter F Hamilton

Another solid cover from Subterranean Press. Nice and epic, with Sub Press‘s polish and good use of text.

Hamilton’s Night’s Dawn trilogy is one that I’ve wanted to read for a long time, spent hours hunting down used copies of the novels (of course, almost as soon as I found all six paperbacks, Orbit Books went and re-released them…!), but everytime I pick up that first volume (and strain a muscle in my back), I get terribly intimidated by the length of the trilogy and put it back down. I need some excuse (maybe some travel?) to convince me to dive right on in. I know I’ll enjoy it.

Scalzi just posted a new cover for The God Engines, a novella set to be published by Subterranean Press:

The God Engines by John Scalzi

Captain Ean Tephe is a man of faith, whose allegiance to his lord and to his ship is uncontested. The Bishopry Militant knows this — and so, when it needs a ship and crew to undertake a secret, sacred mission to a hidden land, Tephe is the captain to whom the task is given.

Tephe knows from that the start that his mission will be a test of his skill as a leader of men and as a devout follower of his god. It’s what he doesn’t know that matters: to what ends his faith and his ship will ultimately be put — and that the tests he will face will come not only from his god and the Bishopry Militant, but from another, more malevolent source entirely…

Author John Scalzi has ascended to the top ranks of modern science fiction with the best-selling, Hugo-nominated novels Old Man’s War and Zoe’s Tale. Now he tries his hand at fantasy, with a dark and different novella that takes your expectations of what fantasy is and does, and sends them tumbling.

Say your prayers… and behold The God Engines.

Scalzi on the new cover:

In a word: Excellent. I’m deeply pleased with this cover. In fact it’s being made the sole cover for the novella, because it is more accurate for the story in tone and imagery. This is not to take away from the previous cover, which had qualities of its own. But this cover is very close to what I saw in my own mind’s eye when I was writing the tale.

Certainly a step up from the previous cover… which was a little weird. Art is by the always sharp Vincent Chong.

Ghosts of Manhattan by George Mann

1926. New York. The Roaring Twenties. Jazz. Flappers. Prohibition. Coal-powered cars. A cold war with a British Empire that still covers half of the globe. Yet things have developed differently to established history. America is in the midst of a cold war with a British Empire that has only just buried Queen Victoria, her life artificially preserved to the age of 107. Coal-powered cars roar along roads thick with pedestrians, biplanes take off from standing with primitive rocket boosters and monsters lurk behind closed doors and around every corner. This is a time in need of heroes. It is a time for The Ghost. A series of targeted murders are occurring all over the city, the victims found with ancient Roman coins placed on their eyelids after death. The trail appears to lead to a group of Italian-American gangsters and their boss, who the mobsters have dubbed ‘The Roman’. However, as The Ghost soon discovers, there is more to The Roman than at first appears, and more bizarre happenings that he soon links to the man, including moss-golems posing as mobsters and a plot to bring an ancient pagan god into the physical world in a cavern beneath the city. As The Ghost draws nearer to The Roman and the center of his dangerous web, he must battle with foes both physical and supernatural and call on help from the most unexpected of quarters if he is to stop The Roman and halt the imminent destruction of the city.

The art department at Pyr Books continues to impress. I’ve not read anything by Mann, but damn if this cover doesn’t nail that schlocky 40’s comic book/movie poster look, albiet with a contemporary gloss. The artwork is by Benjamin Carre.

After a successful debut in Canada and the UK, Adrian Tchaikovsky and his series, Shadows of the Apt are set to finally release in 2010. Published by Pyr Books, the series will sport some new cover art.

Empire in Black and Gold by Adrian Tchaikovsky Empire in Black and Gold by Adrian Tchaikovsky

The cover for the third novel, Blood of the Mantis, hasn’t been released yet, but I’m sure it’ll appear sooner rather than later. The artwork is by the very talented Jon Sullivan.