“The blood-song rose with an unexpected tune, a warm hum mingling recognition with an impression of safety. He had a sense it was welcoming him home.”
Vaelin Al Sorna, warrior of the Sixth Order, called Darkblade, called Hope Killer. The greatest warrior of his day, and witness to the greatest defeat of his nation: King Janus’s vision of a Greater Unified Realm drowned in the blood of brave men fighting for a cause Vaelin alone knows was forged from a lie. Sick at heart, he comes home, determined to kill no more. Named Tower Lord of the Northern Reaches by King Janus’s grateful heir, he can perhaps find peace in a colder, more remote land far from the intrigues of a troubled Realm.
But those gifted with the blood-song are never destined to live a quiet life. Many died in King Janus’s wars, but many survived, and Vaelin is a target, not just for those seeking revenge but for those who know what he can do. The Faith has been sundered, and many have no doubt who their leader should be. The new King is weak, but his sister is strong. The blood-song is powerful, rich in warning and guidance in times of trouble, but is only a fraction of the power available to others who understand more of its mysteries. Something moves against the Realm, something that commands mighty forces, and Vaelin will find to his great regret that when faced with annihilation, even the most reluctant hand must eventually draw a sword.
Like the Terry Brooks cover revealed yesterday, I quite like the stylistic choice to use a rough, textured illustration reminiscent of more traditional hand-painted fantasy covers, like Darrell K. Sweet’s work in the ’80s (which was, despite modern opinion of his work, pretty darn cool.) Above that, it’s gritty (sigh) and in your face without falling entirely victim to the tired formula of hooded-man-looks-cool that I like to complain so loudly about. Continue reading
When Fantasy Faction debuted the cover for Myke Cole’s Breach Zone last week, I was struck by the impact of the cover. Not just by the impactful art from Larry Rostant, or the aggressive pose of the woman, but, that, well.. there was a woman. Cole writes military fantasy (science fiction?) and the covers of his past books have featured male-heavy casts aimed to appeal at a particular crowd of reader. I’m still not terribly sure what I think about the cover, so I reached out to Cole and asked him for his thoughts on the new cover and, specifically, the inclusion of a woman. Continue reading
So You Want to Have a War?
Starting with Tolkien, it’s become practically obligatory that the epic fantasy saga, somewhere around the middle of book three, feature an Epic Confrontation Between Good and Evil with a Cast of Thousands.
I am, I have to admit, a war buff. I read military histories for fun, the kind with fold-out maps covered in little colored arrows and notations like “Kollowrath (40,000)”. As I am also a fantasy novelist, the nature of war in fantasy fiction has always been fascinating to me.
And there is a lot of war in fantasy. Starting with Tolkien, it’s become practically obligatory that the epic fantasy saga, somewhere around the middle of book three, feature an Epic Confrontation Between Good and Evil with a Cast of Thousands. Various allies, painfully recruited over the course of the hero’s journey, turn up to lend a hand at the Final Battle. Various villains are dispatched, hapless orcs or equivalent humanoids are mowed down by the score, and just when things seem bleakest Evil is defeated forever. A beloved secondary character or two bites the dust, and someone gets to make a Heroic Sacrifice. Afterward, we may be treated to a scene where the hero roams a battlefield strewn with corpses, or visits the injured to bring home the horrors of combat. You know, war, right?
Back before I wrote fantasy myself, my wargamer friends and I used to snicker a bit at this. Most of the fantasy authors wouldn’t know a halberd from a half-pike, and their descriptions of battles were usually heavy on bold strokes and dramatic confrontations and light on tactics and the important of proper reconnaissance. I wouldn’t want to be a poor foot-slogger in either army, given the rate at which they tend to be chewed up by either the hero and his friends or some villain demonstrating the full extent of his power. Continue reading
“Urban Fantasy” is a hot term these days. You hear it used to describe everything from Charlaine Harris’ Sookie Stackhouse books to Jim Butcher’s Dresden Files. It encompasses the work of authors from Patricia Briggs to Kim Harrison, from Ilona Andrews to Kevin Hearne. With such a diverse range of talent, the definition quickly loses meaning. There isn’t a whole lot that’s urban about the sleepy, small town of Bon Temps.
But that’s okay. Because urban fantasy has never been about urban settings. It’s about *contemporary* settings. It does a very simple thing: it takes the modern world, the one we live in every day, and ask the question, “What would this be like if magic were real?”
If the genre’s popularity is any indicator, that question has traction. Fantasy has, for much of its lifespan, been dominated by ancient and medieval settings. Many of the most enduring works in the genre, from Tolkien to Brooks to Feist, are set in pre-gunpowder, pre-industrial revolution worlds. But readers don’t ride to work on horses, hunt deer for dinner, or carry a sword to fend off the occasional Orc raid. Contemporary fantasy’s popularity suggests that many readers like to dream about the impossible right in their own backyard.
And here’s where you can run into trouble writing contemporary stories. The same thing that makes a contemporary setting resonate so strongly with the reader may also piss them off: Ownership. Continue reading
Yay for consistency and impact. I love the progression over the course of the trilogy from the tired-and-overdone hooded figure to this figure, cockiness replaced by ambition and power. Great stuff, and perfect for Lawrence’s trilogy. I still don’t like the title font, but, hey, you can’t win ‘em all, can you?