We all love a good twist-on-formula, right? We also love interesting artwork? Imgur user Seiji recently published these wonderful (faux-) Japanese woodblock printing-style illustrations of iconic scenes from George R.R. Martin’s A Song of Ice and Fire (or, Game of Thrones, to you of the boob tube generation.)
“I thought it would be interesting to draw a retelling of the [A Song of Ice and Fire] universe as if it took place in feudal-era Japan,” said Seiji. “These drawings are inspired by the Ukiyo-e style (traditional woodblock printing).”
If you’ve not read the book, or seen the first season of the HBO show, Game of Thrones, beware spoilers. You can view the rest of Seiji’s woodblock-style renditions here.
When Kate Elliott, author of The Spiritwalker Trilogy, approached me about the idea of debuting artwork from Julie Dillon, who’s just about the greatest thing going in fantasy and science fiction art at the moment, I couldn’t say yes fast enough. For all of genre’s current obsession on gritty-grimdark-[insert buzzword here], Dillon is a shining beacon of colour, imagination and diversity among the drab, grey-cloaked and tired masses.
Last week, I gave a sneak peek of the art on A Dribble of Ink’s new Tumblr page (check it out, yo.), and today I’m proud to debut “Rising from the Sea of Smoke,” artwork by Julie Dillon, inspired and commissioned by Kate Elliott. Continue reading
Every once in a while, an artist nails the artwork from the book they are covering. Marc Simonetti does it on an alarmingly regular basis.
This artwork, created by Simonetti for the Brazilian edition of Brandon Sanderson’s Mistborn: The Final Empire, is gorgeous, and the most accurate to imagery that I had in my mind’s eye when reading Sanderson’s trilogy. That Mistcloak! Those Inquisitors! Kelsier’s grin!
Known among fantasy fans for his work on foreign-language versions of many of fantasy’s biggest series, like Rothfuss’ The Kingkiller Chronicles or Martin’s A Song of Ice and Fire, it’s about time that Simonetti makes the leap to working with some of the big North American and British publisher on the first run major fantasy releases from those authors. The guy’s good enough that his art should be on bookstore shelves everywhere.
It’s no secret the Hayao Miyazaki is one of the most masterful and celebrated film makers of the past century. The Japanese writer/director’s studio, Studio Ghibli, author to contemporary classic like My Neighbour Totoro, Spirited Away, and Princess Mononoke, has helped introduce countless young (and old) people to the beautiful Japanese legends and myths that so frequently form the heart and soul of their movies. They also provide a nice counterpoint to the Hollywood-heavy Disney and Pixar films of today. But not all of Miyazaki and Studio Ghibli’s films are focused on the retelling of Eastern stories. This recently revealed concept art shows what could have been if Studio Ghibli had moved ahead with production on an adaptation of the classic Swedish story of Pippi Longstocking.
Funny enough, io9 reports, “Hayao Miyazaki and [fellow animator] Isao Takahata began preproduction on an adaptation of Astrid Lindgren’s Pippi Longstocking books, but in the end, were unable to secure Lindgren’s permission.” Looking at Miyazaki’s history as a film maker, it’s difficult to believe that Miyazaki would run into such road blocks, but it’s important to note that in ’71 he was still in the infancy of his career as a film maker, working at Toei Animation. Lucky for us, Miyazaki’s concept art for the film still exists.
By exploring themes of adventure, nurturing love, and family, Miyazaki’s films encourage children and adults alike to remember that there’s magic in the world if they just look for it. With her superhuman strength, adventurous and unconventional personality, it’s no surprise that the master filmmaker was drawn to Pippi Longstocking.
For many readers, escaping into a good fantasy or science fiction novel is a way to leave the ordinary world behind, to enter into a land of wonder, where anything can happen and things of magical beauty and indescribably evil can coexist and clash for supremacy. But, ask anyone who has examined our own world, and you’ll soon realize that Earth has as much wonder and fascinating people, places and events to match even the most bombastic genre novel. Kowloon’s Walled City, traceable back to its origins as a salt-trading post during the Song Dynasty, was home to as many as 50,000 people. The Walled City was demolished in 1993.
Just one look at this amazing cross-section of the city illustrates the staggering breadth of human creation and adaptability.
On Visual News, Paul Caridad explains the nature of Hong Kong’s walled city:
At one time, one of the most densely populated areas on Earth, Kowloon, was a walled city within Hong Kong. It was unregulated by the then-ruling British authorities, who reluctantly allowed it as the only Chinese settlement. It was a no man’s land because of this; run by the Chinese mafia and filled with brothels, sweat shops, illegal hospitals, and trashy eateries.
Originally, Kowloon was built as a watchpost for guards who would protect the area from pirates. But as the population grew–from 10,000 in 1971 to a staggering 50,000 in 1990–attempts were made by the government to evict the squatters living in the city. In 1992, the governent succeded in evicting the population and, in 1993, the 15 story tall block of buildings was torn down. Today, a park with tennis courts covers the area.
For more on Kowloon’s Walled City, io9 highlight’s a German (English-subtitled) documentary about the city, and 99% Invisible podcast about the city. They’re both worth a look, and also worth reflecting, perhaps, on some of the luxuries that we all take for granted today.
What are some of your favourite real world locations that would fit right in in a fantasy or science fiction novel?