Explore a beautiful, vast and ruined world riddled with unknown dangers and lost technologies. Inspired by nightmares and dreams alike.
Every so often, a project, whether it’s a book, a film, a videogame, or whatever, crosses my path and I can’t help but stop to stare. The first time I laid eyes on Hyper Light Drifter‘s protagonist, a nameless Drifter, lounging beside a pixel-perfect fire pit, I fell in love. When I read a description of the game’s ambitions, I knew it was true love. Hyper Light Drifter is a “2D Action RPG in the vein of the best 8-bit and 16-bit classics, with modernized mechanics and designs on a much grander scale.”
“Miyazaki films have taught me that beautiful animation and design add life to a world,” described Hyper Light Drifter Lead Designer, Alex Preston in the game’s Kickstarter campaign. “From characters to background elements, everything is lovingly crafted while I hum show-tunes and squint suspiciously at the flickering pixels until they perform as intended.
“I want it all to be as beautiful as possible, forging color with the dark and eerie wastes and intimidating landscapes.”
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Has death and destruction ever been so cherubic? These men of Westeros are another reason that I think Olly Moss deserves a spot on this year’s Hugo ballot.
Olly Moss is an English artist known for his inventive re-imaginings of famous movie posters, and his involvement with Campo Santo, a videogame development studio whose first game, Firewatch, was recently announced.
We all love a good twist-on-formula, right? We also love interesting artwork? Imgur user Seiji recently published these wonderful (faux-) Japanese woodblock printing-style illustrations of iconic scenes from George R.R. Martin’s A Song of Ice and Fire (or, Game of Thrones, to you of the boob tube generation.)
“I thought it would be interesting to draw a retelling of the [A Song of Ice and Fire] universe as if it took place in feudal-era Japan,” said Seiji. “These drawings are inspired by the Ukiyo-e style (traditional woodblock printing).”
If you’ve not read the book, or seen the first season of the HBO show, Game of Thrones, beware spoilers. You can view the rest of Seiji’s woodblock-style renditions here.
When Kate Elliott, author of The Spiritwalker Trilogy, approached me about the idea of debuting artwork from Julie Dillon, who’s just about the greatest thing going in fantasy and science fiction art at the moment, I couldn’t say yes fast enough. For all of genre’s current obsession on gritty-grimdark-[insert buzzword here], Dillon is a shining beacon of colour, imagination and diversity among the drab, grey-cloaked and tired masses.
Last week, I gave a sneak peek of the art on A Dribble of Ink’s new Tumblr page (check it out, yo.), and today I’m proud to debut “Rising from the Sea of Smoke,” artwork by Julie Dillon, inspired and commissioned by Kate Elliott. Read More »
Every once in a while, an artist nails the artwork from the book they are covering. Marc Simonetti does it on an alarmingly regular basis.
This artwork, created by Simonetti for the Brazilian edition of Brandon Sanderson’s Mistborn: The Final Empire, is gorgeous, and the most accurate to imagery that I had in my mind’s eye when reading Sanderson’s trilogy. That Mistcloak! Those Inquisitors! Kelsier’s grin!
Known among fantasy fans for his work on foreign-language versions of many of fantasy’s biggest series, like Rothfuss’ The Kingkiller Chronicles or Martin’s A Song of Ice and Fire, it’s about time that Simonetti makes the leap to working with some of the big North American and British publisher on the first run major fantasy releases from those authors. The guy’s good enough that his art should be on bookstore shelves everywhere.