Posts Tagged: Interview

Kameron Hurley, author of The Mirror Empire and The Stars Are Legion

Kameron Hurley, author of The Mirror Empire and The Stars Are Legion

If you breathe air and read science fiction in 2014, you’ve likely heard of Kameron Hurley. She won two Hugo Awards (one for her essay, We Have Always Fought: Challenging the ‘Women, Cattle, and Slaves’ Narrative, published by A Dribble of Ink), The Mirror Empire, the first volume of the Worldbreaker trilogy made waves in the wake of Ann Leckie’s Ancillary Justice, and, now, she’s just jumped the queue and started making news for 2016 already.

“It’s like Mad Max meets Henry V but aboard a world-sized Weyland-Yutani spaceship.”Joe Monti, Executive Editor at Saga Press

I’m excited to announce that Saga Press will be publishing Kameron Hurley’s The Stars Are Legion, a stand alone space opera, in 2016. It is the first of two science-fiction novels purchased by Joe Monti at Saga Press from Kameron Hurley. Follow along for the official press release, and an interview about the new deal and The Stars are Legion with Kameron Hurley. This is a novel worth getting seriously excited about. Read More »

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It’s not often that an independent new science fiction and fantasy magazine coalesces with as much enthusiasm and pedigree as Lynne and Michael Damian Thomas’ Uncanny, which debuted its first issue this past Monday, featuring content from some of genre’s best names, such as Neil Gaiman, Tansy Rayner Roberts, Christopher Barzak, and Amal El-Mohtar.

I caught up with the Thomases to chat about Uncanny, their successful Kickstarter Campaign, and launching a magazine into competitive field of online science fiction and fantasy magazines.

Uncanny launched via a very successful Kickstarter campaign, buoyed in part by Lynne and Michael’s previous successes, and also by a science fiction and fantasy community hungry for a new online magazine that focuses on the vast diversity and endless opportunities possible in speculative fiction. This early success gave Uncanny a leg up over similar magazines that have to start building an audience from scratch. “It gives Uncanny the ability to provide a whole year’s worth of the best fiction, poetry, and nonfiction we can find,” Michael said. “Over 1,000 people believed in us enough to fund this project. We owe it to them to make it the best possible magazine that we can. We have a lot of goodwill right now; it’s time to deliver.” Read More »

Jo Fletcher BJo Fletcher BooksooksThere used to be a time, way back when, that I used to run interviews with authors. They were fun, challenging and people liked to read them. Then I stopped for some reason. Well, today, the interviews are back, but the tables are turned. I was asked by Jo Fletcher Books, a great genre imprint from the UK, to be subject to an interview. Mostly, we talk about blogging, but there is also discussion about some of the novels that really opened my eyes to the world of Fantasy literature. Since its terribly topical and popular, here’s a taste from the interview that discusses one of my favourite novels, The Hobbit by J.R.R. Tolkien:

What are your all-time favourite reads?

The Hobbit by J.R.R. Tolkien

As I grew from childhood and into adolescence, I veered away from Fantasy, magic and adventure, replacing them instead with laser guns, time portals and spacefaring. Science Fiction ruled much of my pre-adolescence. I still remember being in grade four, I was nine, and getting gruff from my teacher because I wasn’t reading the assigned novel during silent reading. It was The Cay by Theodore Taylor, appropriate for most readers my age. Instead of reading The Cay, I was reading Jurassic Park. I lost touch with Fantasy because, well . . . I was a boy and Fantasy was full of princesses, unicorns and other such girly stuff. I don’t know where I got such ideas, certainly not from my parents, but there they were.

At age eleven, however, my mom finally convinced me to give The Hobbit a shot. She was an avid reader of both Fantasy and Science Fiction, and rarely steered me wrong. I expect the only reason I gave The Hobbit a shot, however, was because of the languorous, fiery Smaug, stretched out atop his pile of gold, scrolls of gold-etched dwarfish runes capped the top and bottom of the book’s cover. It was pretty cool. I still own that copy of The Hobbit I read it, and fell in love. The rest, if you’ll pardon the expression, is history.

You can read the rest of the interview on Jo Fletcher Books’ website. I hope you enjoy it.

MeOne of my favourite weekly features in the blogosphere in Mieneke Van Der Salm’s Blogger Query interviews. Every Wednesday, she pulls one blogger or reviewer and puts them to question. It’s a fun way to get to know some of the personalities in SFF fandom. And, well, this week was my turn.

A little snippet:

You’ve been quite outspoken about the lack of regard for blogs as fan publications and bloggers as fan writers, mostly in regard to the Hugos. Do you think regard for blogs as fan publications from awards and the way the publishing industry regards blogs are intertwined? Would increased respect from the publishing industry also increase respect for blogs and bloggers from awards committees or are awards too insular for such cross-pollination?

Yeah, I’ve raised a stink or two, and been successful at opening at least a small dialogue about the matter between the incumbent fan publications (fanzines) and the up-and-coming ones (blogs). It’s something I feel very strongly about.

To be honest, I wouldn’t be so quick to link the perception of blogs and online fan writers by the publishing industry to the struggles they’ve had in being recognized by the award committees and voters. Conversely, I’d say that publishers, large and small, pay a heck of a lot more attention to blogs and the online space than they do to the traditionally published fanzines. This is keeping in the tradition and origins of fanzines, which by their nature are independent and often focus more on exploring the natures and issues of fandom, than in being a part of the PR circle that runs the publishing industry, a pitfall that blogs have to be sure to avoid. Instead, you have a new generation of writers, many of them a bit younger, in their mid-twenties to late-thirties, that is trying to break into an area that is often run and heavily influenced by an older generation that has long been entrenched in their ideals and tendencies.

Whether they’re older men or not (and, in the case of the Hugo Awards, there are over a 1,000 eligible voters, so they’re not all old men, of course), old ideas and habits still exist. It’s always been a challenge for the young whipper-snappers to push against the older generation, trying to promote new ideas and the fast-moving world that has grown up around the original foundations of awards like the traditional awards. Right now, bloggers are those young whipper-snappers, and we just need to make enough noise to ensure that, when the time comes, voters take us as seriously as we deserve.

With all that said, I think the addition of SF Signal, which I’ve contributed to on occasion, on the recent Hugo ballot is a huge step for online fan writing and blogs in general. I hope to see a continued drive in that direction. Not at the expense of great fanzines and fan writers working in more traditional mediums, but as a joining of the two, recognizing the best writing, period.

If you want to hear a bit about my thoughts on reading, writing, the Hugos and blogging, I encourage you to read the whole interview.