Posts Tagged: Kameron Hurley

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Life is a game of chance, a series of lucky breaks and coincidences, cause and effect.

But fuck if we want to talk about it that way.

No, we’re humans. We like patterns. We like stories.

I careened into adulthood while bumbling around at a night club in South Africa, drinking whiskey and puffing endlessly at Peter Stuyvesant cigarettes. I sat at a table of people far more witty and interesting and worldly than I, and I tried and failed, in my young, drunken stupor, to understand how some rural hick fleeing a narrow little town and a failed abusive relationship had somehow ended up here on the other side of the world. I felt like a fake. A poser. A white American girl running around the world for the opposite reason most folks did.

See, I wasn’t running away to find myself. No. Indeed. I knew exactly who I was.

I was trying to run as far and as fast from myself as possible. Read More »

Cover art for The Mirror Empire by Kameron Hurley

When Angry Robot Books announced that they had acquired Kameron Hurley’s The Worldbreaker Saga, the first epic fantasy from the author of God’s War, I knew readers were in for a treat. Hurley’s series, beginning with The Mirror Empire, is one of my most anticipated novels of 2014, and Angry Robot Books is known for their fun and progressive approach to cover art. It’s a match made in heaven, right? Read More »

Hugo Awards Logo

On Saturday, April 19th, the 2014 Hugo Award nominations were announced, and I’m proud to announce that A Dribble of Ink is represented in two categories: Best Fanzine and Best Related Work.

Best Fanzine

Alongside The Book Smugglers*, Elitist Book Review, Journey Planet and Pornokitsch*, A Dribble of Ink is in the running for Best Fanzine of 2013. If you’ve followed my writing for any time, you’ll know that I’ve long been critical of this category for dipping its pen into the same inkwell too often, so I’m thrilled to be included on a ballot that is guaranteed to see a new winner.

On that note, I expect to get crushed by Pornokitsch and/or The Book Smugglers, but it’ll be fun competition between these friends of mine regardless. Read More »

God's War by Kameron Hurley

Buy God’s War by Kameron Hurley: book/eBook

Yesterday, Angry Robot Books announced the Worldbreaker Saga, a new fantasy/science fiction trilogy from Kameron Hurley (remember her?). “The Mirror Empire will be published worldwide in September this year, with the sequel to follow a year later,” explains Angry Robot.

Surprising to note, The Mirror Empire is set to release this September, a very quick turnaround in the world of traditional publishing, and sure to set some readers to shuffling around their fall reading list. It’s instantly become one of my most anticipated novels of 2014.

Hurley’s best known for her Bel Dame Apocrypha, a slim trilogy (by genre standards) about the bounty hunter Nyx, which Dan Hartland of Strange Horizons described as, “like a live grenade, lobbed with abandon and not a little mischief.” So, I was rightfully surprised when she described The Mirror Empire to me. “This is Game of Thrones meets Fringe,” she said. “Across three respectable doorstoppers.”

Along with the announcement, we also have an early synopsis:

On the eve of a recurring catastrophic event known to extinguish nations and reshape continents, a troubled orphan evades death and slavery to uncover her own bloody past… while a world goes to war with itself.

In the frozen kingdom of Saiduan, invaders from another realm are decimating whole cities, leaving behind nothing but ash and ruin. At the heart of this war lie the pacifistic Dhai people, once enslaved by the Saiduan and now courted by their former masters to provide aid against the encroaching enemy.

Stretching from desolate tundra to steamy, semi-tropical climes seething with sentient plant life, this is an epic tale of blood mages and mercenaries, emperors and priestly assassins who must unite to save a world on the brink of collapse. As the dark star of the cataclysm rises, an illegitimate ruler struggles to unite a country fractured by civil war; a precocious young fighter is asked to betray his family to save his skin; and a half-Dhai general must choose between the eradication of her father’s people or loyalty to her alien Empress.

Through tense alliances and devastating betrayals, the Dhai and their allies attempt to hold against a seemingly unstoppable force as enemy nations prepare for a coming together of worlds as old as the universe itself.

In the end, only one world will rise – and many will perish.

Art by Jung Park

Art by Jung Park

I caught up with Hurley to chat about the new deal an what to expect of her new trilogy. “his book has been a long time coming,” she said. “It’s one of those projects that brews at the back of your brain for nearly twenty years, waiting for you to achieve the skill you need to actually pull it off.”

Hurley’s first trilogy has been a huge critical success (most recently, God’s War was nominated for a BSFA), but she wasn’t ready to return to that world for novel-length material, so began this new project.

“After I finished my God’s War trilogy, I needed a break from writing a world mired in apocalyptic war… so of course I sat down and wrote The Mirror Empire, which is about a world at the brink of apocalyptic war with multiple worlds. Because one world at war just isn’t, you know, enough for me. It’s the most intricate and complex book I’ve ever written, and I had a lot of help along the way, in particular from my agent, Hannah Bowman, who has a very keen sense for how to thread together multiple plot lines over multiple worlds and… well… a lot of multiple things, as folks will note pretty early on.”

“I’m pretty jazzed to see what folks think of it.”

Art by Jason Chan
A Secondary World Much Like the First

Even if you put aside problematic assumptions of biological determinism, there’s still one thing I just can’t understand: why on earth would a fantasy world have to conform to the (supposed) rules of this one?

Lately there have been questions as to whether epic fantasy is inherently “conservative.” The term is sometimes specified in terms of political movement or ideological conservatism, but more broadly refers to the production and reproduction of social convention. I have serious doubts about the ideological bit, a point already well articulated by Liz Bourke. Unfortunately, I have little doubt about the rest—particularly in comparison to epic fantasy’s sibling genre, science fiction. But why is that, and does it really have to be that way?

I started thinking about these questions after reading excellent essays by Kameron Hurley and Foz Meadows on the historical precedent for women warriors in epic fantasy (as well as Django Wexler’s epic follow-up piece), and particularly after being drawn into a vigorous online discussion on that topic. The prevalent counter-argument, as I understand it, is this: for biological-evolutionary reasons (lesser upper body strength, necessity for the slow human reproductive process, greater empathy, etc.), women in our world are less likely to be soldiers; therefore, they should be less common as soldiers in fantasy worlds.

Huh? Read More »