A few days after announcing his next trilogy, The Song of the Shattered Sands, Bradley P. Beaulieu announced today that he has left his former publisher, Night Shade Books, and will be republishing eBook editions of The Lays of Anuskaya, as well as entirely self-publishing the final book in the series, The Flames of Shadam Khoreh. These new editions will feature new covers.
Beaulieu gives reason to his decision to redesign the covers for their eBook release:
As part of the gear-up for the release of my third book, The Flames of Shadam Khoreh, I’m also re-releasing The Winds of Khalakovo and The Straits of Galahesh. I have to admit some disappointment that the previous versions didn’t have a unifying theme. So I designed these around that basic premise, that they would look and feel like a series. I hope I’ve hit the mark.
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[I’ve] closed a deal with Betsy Wollheim for a new epic fantasy trilogy called The Song of the Shattered Sands. It’s a story set in a powerful desert city that controls the flow of trade and spice through otherwise impassable terrain. There are echoes of both A Thousand and One Nights and Thieves’ World.
It’s a story about Çeda, a woman who fights in the pits to scrape a living from the cruel but beautiful city she calls home. As the story opens, she discovers that the book her mother left her before she died holds the clues to the unraveling the mystery of her mother’s death, which was tangled up in the story of the Twelve Kings of Sharakhai, men who have ruled the desert with an iron fist for nearly two hundred years. As Çeda begins to unlock the secrets hidden within the poems in the book—as well as what her mother was trying to do before she died—the Kings learn of her, and they will stop at nothing to keep those secrets buried in the desert where they belong. And so the chase is on. Çeda must unlock the hidden riddles of her mother’s book before the Kings find her. She had better hope she does, for she is the last hope for the people of the desert.
It’s great to see Beaulieu take the critical success he received for his first trilogy, The Lays of Anuskaya, published by Night Shade Books, and parlay it into a deal with a larger publisher. Daw is home to some of the best (traditional/epic/secondary world) Fantasy writers working today, including Patrick Rothfuss and Saladin Ahmed. Beaulieu’s Arabian Nights-inspired trilogy sounds like it will be a good fit. It’s great to see more Fantasy written that features a setting inspired by something other than Medieval Western Europe. After Beaulieu’s first trilogy, with a Russian-inspired setting, he’s quickly asserting himself as one of the most interesting world builders in the genre. I’m quite looking forward to this.
An author from an online writing group once offered some advice. He said a homosexual character should never be included in a story unless his/her sexual preference figured into the plot. Otherwise, it was a distraction, he said. To him, a gay character stood out—didn’t fit—and anything non-default about a character should be important to the plot.
Sometimes I get a dizzy feeling and I think I’m communicating with someone from another planet. This was one of those times. The idea that all characters must fit to some ‘default’ expectation threw me. How would I know who all my readers were, and what the ‘default’ was for them? Were they all straight? White? Middle-class? I didn’t think so. And where does one have to live so that homosexuals stand out as unusual? Yes, I have lived in urban areas most of my life, but still. Still. Even for an extremely plot-oriented writer (for whom characters are tools of the story), this guy was missing something.
So. Reader expectations. I cannot possibly guess what they are. I can comment only on reader behaviour, and that may reveal a bit about their expectations. And the first thing that comes to mind is that, as a member of both the fantasy/sci-fi community and the adjacent gaming community, I see a lot of discomfort with gender issues.
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Gender is always a hot-topic issue in the Fantasy and Science Fiction fan community. Though we’re not perfect (who is?), we’re constantly working to become a community that promotes equality and diversity among its fans, authors and the characters that bring us all together. In the spirit of gender equality, Teresa Frohock, author of Miserere, along with several of her author friends, has put together a little challenge and contest. The catch? You’ve got to read some passages, and decide whether it the author is male/female/or otherwise.
Frohock explains:
Tell us, based on the prose, whether the scene was written by a man or a woman. At the end, I want to tabulate the results and see if readers can really tell the difference. If you want to, you may say why you feel a particular scene was written by a man or woman, but you don’t have to.
Yes, as a scientific study, it is full of holes and sucks, but hey, you gotta start somewhere. This little test is an itch that I’ve been wanting to scratch for a long time, especially when I read the Fantasy Reddit and I don’t see a single woman listed for best novel in 2012. I know women released books in 2012. Perhaps I’m hanging out in all the wrong places.
Or maybe the “female-authors-equal-romance-y/YA-ish-themes” connotation is true in readers’ minds, so you all are skipping novels by women entirely. I wonder. And when I think too much, I tend to get into trouble … or hold a contest.
So, are you up for the task? Details about the contest can be found on Frohock’s site. Entries are due by the end of the this weekend, with results, winners and discussion following on Monday, January 7th, including a post here from Mazarkis Williams on writing without a gender.
Publisher: Night Shade Books -
Pages: 300 -
Buy: Book/eBook
There’s a fine line between dark and compelling and horrifying and off-putting. When a story comes right up to the line without crossing it a certain dichotomy comes into existence whereby I want to look away and forget about it, but can’t. No author in recent memory walks this line better that Kameron Hurley whose second novel, Infidel, compliments that description perfectly.
Picking up some time after the end of God’s War, the centuries-long holy war between Nasheen and Chenja is taking its toll. Nyx is a bodyguard in Mustallah, the capital city of Nasheen,where shortages and rationing are causing the Queen to lose power and popularity. While protecting the daughter of a diplomat, Nyx is attacked by a group of assassins. She survives, but finds herself caught up in a whirl-wind of intrigue involving a plot against the monarchy. She has to figure out who’s trying to kill her, and the Queen, while avoiding the wrath of the person she’s trying to protect.
A continuation of Hurley’s brilliantly constructed characters, authentic and fully realized world building
Suffice to say the characters that survived God’s War are back in Infidel along with some new ones. There’s a significant jump in time between the two and Hurley does a solid job of filling in the details. Generally speaking, the narrative is much smoother, eschewing the choppiness and pacing issues that plagued God’s War in the early going. That, combined with a continuation of Hurley’s brilliantly constructed characters, authentic and fully realized world building, and pull no-punches style, makes Infidel not only a worthy addition to God’s War, but a wholesale improvement.
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