Posts Tagged: Station Eleven

The 2015 nominees for the Arthur C. Clarke Award were announced today:

  • The Girl with All the Gifts by M. R. Carey (Orbit)
  • The Book of Strange New Things by Michel Faber (Canongate)
  • Europe in Autumn by Dave Hutchinson (Solaris)
  • Memory of Water by Emmi Itäranta (HarperVoyager)
  • The First Fifteen Lives of Harry August by Claire North (Orbit)
  • Station Eleven by Emily St John Mandel (Picador)

The Clarke Award is given to the best science fiction novel first published in the UK, and boy are there some doozies on this list. I’ve only read Mandel’s Station Eleven (which is sublime), but the rest of the list, such as Carey, North, and Itäranta, includes some of the best reviewed and critically acclaimed science fiction from 2015.

“This is a quintessentially Clarke Award kind of a shortlist,” said Tom Hunter, director of the award. “We’ve got six authors who have never been nominated for the Clarke Award before and while the subject matter may often be dark, when we think about what this list says about the strength of science fiction literature itself, I see a future that’s full of confidence, creativity and diversity of imagination.”

If you’re unimpressed by other 2015 award ballots, you can do a lot worse than starting at the top of this list and working down. Hunter believes that award shortlists should be viewed as an opportunity for readers, not a challenge. “A good shortlist isn’t a statement about what you should like,” he said. “It’s an invitation to go beyond the limitsof what you already know so you can experience and enjoy something new. Why limit an appreciation of a literature that’s built on the power of human imagination?”

More of Hunter’s thoughts on the award, and the list of panelists who determined the short list, is available on the Arthur C. Clarke Award’s official Facebook page.

Station Eleven by Emily St. John Mandel

Publisher: Knopf - Pages: 352 - Buy: Book/eBook

We live in a world of fast-moving moral panics. A world where information moves literally at the speed of light, crossing oceans and wrapping the world in mere moments. Technology connects us all, but it is also a tool, willing or unwilling, that embeds in us a fear of the world we live in. Turmoil in a country thousands of miles away plasters our social networks, convincing us that our own corner of the world is meant for similar fates, though even ten years ago we would not have heard rumblings of the news for hours, fifty years ago it might have taken days, and before that weeks, years. Information and panic sweeps through us as quickly as keystrokes are entered into a social network.

What if an deadly illness moved that so fast? What if it was as bad as we all feared? What if it was worse?. Emily St. John Mandel’s Station Eleven ponders that question. An illness sweeps through a society wracked by their own fears and doubts. The world that awaits the few survivors, a world without advanced technology, societal borders, and laws, is recognized not for what it promises but for what was lost. “I stood looking over my damaged home and tried to forget the sweetness of life on Earth,” opines Dr. Eleven, a comic book character who dwells on the titular space station, early in novel. Regret lies heavy at the heart of Mandel’s post-apocalyptic tale. But, beside it — a beacon of hope — is nostalgia. Read More »