Posts Tagged: Sunil Patel

Anatomy of a Sale, Pt. 2

<< Read “Anatomy of a Sale, Pt. 1”

Previously on “Anatomy of a Sale,” I made my first short story sale and then had no luck for almost five months. But then I made sale after sale after sale, I got an anthology invite, and I was asked to be Assistant Editor of a magazine. Things were happening!

And then nothing happened for a couple months.

Draft 1: 6/5/2014

Draft 2: 1/5/2015

Final (Draft 6): 2/9/2015

Submission: 89

Rejections: 2 (80 lifetime, 2 from this market)

Rewrite Request: 4/20/2015 (30 days)

Resubmission: 4/25/2015

Acceptance: 4/28/2015 (38 days)

Draft 1 to Sale: 327 days

Final to Sale: 78 days

Sale #5 – “Marcie’s Waffles Are the Best in Town”

Last June several of us Bay Area writers formed a small community on Twitter, dubbed #baywriters by Christie Yant (who is not in the Bay Area but is generally a positive influence on writers). We organized writing sprints, and one night when we were getting ready to write 1000 words in half an hour, I asked for a prompt. I got this.

Sometimes a bizarre Twitter prompt turns into a silly story about a psychic alligator, and sometimes it turns into an emotionally devastating story about a woman in a post-apocalyptic diner. I cranked out a first draft (826 words) that night.

And then I didn’t touch it for six months. I worked on other projects, but in the back of my head, I knew that I had a viable, compelling piece there that I wanted to revise one day. Normally I don’t wait so long to revise because it can be hard to recapture the voice and the world, and I may have lost my initial grip on the narrative, but I was very pleased to be able to come back to this piece in January and whip it into shape over the course of a month.

“Marcie’s Waffles Is the Best in Town” is my fastest sale since my first, selling on its third time out, and it illustrates what I was saying above about personal rejections. Read More »

Anatomy of a Sale, Pt. 1

On September 12, 2013, I declared in front of God and Facebook that by that time next year, I was going to be a published author. Ten months later, I made my first short story sale (at pro rates), and since then I’ve made eight more, all but one to pro markets. There are a number of factors to which I could attribute my rapid success—one being that I have been writing for decades, I simply had not been submitting to SFF markets, so my craft was fairly well honed by that point—but the most important, in my opinion, was that I received advice from more seasoned writers on how and where to submit. In fact, one reason I even decided to try my hand at becoming published was because the SFF community is so supportive of new authors, and I knew I had a network of people to show me the ropes. And show me they did.

Now, I am hardly seasoned (I just got here! is my constant refrain), but I want to be a knowledge conduit. In this post I will examine each one of my sales and provide statistics and numbers, dissecting the process to extract vital information that you can use in your own career. But more than that, I hope that my experience can be both inspiring and comforting: a bibliography does not tell you how many times a story was rejected, how long a story took to sell from its inception (either idea or first draft), how many submissions the writer made. If you are a new writer, if you are about to begin submitting to magazines, you should be aware of these things. I made my first submission in December 2013, but I did not begin submitting in earnest until March since, well, I didn’t have more things to submit! Since then, however, I’ve been submitting constantly. Come with me as I break down the mystery. Read More »