Posts Tagged: Urban Fantasy

The Girl with All the Gifts by M.J. CareyYesterday, Orbit Books released the cover and first blurb for The Girl with All the Gifts by M.J. Carey. Early impressions (mostly from within Orbit, it seems, and those who’ve read unbound galleys) are extremely positive. Given how far release is, this sort of hype and raised expectations is expected, but, golly, that cover and early teaser blurb are mighty enticing. I generally associate Orbit with their more traditional fantasy and science fiction releases, like Brent Weeks, N.K. Jemisin and Daniel Abraham, but I’m always pleased to see them go out of their way to find quirky, off-the-beaten path genre novels.

Melanie is a very special girl. Dr Caldwell calls her ‘our little genius’.

Every morning, Melanie waits in her cell to be collected for class. When they come for her, Sergeant keeps his gun pointing at her while two of his people strap her into the wheelchair. She thinks they don’t like her. She jokes that she won’t bite, but they don’t laugh.

Melanie loves school. She loves learning about spelling and sums and the world outside the classroom and the children’s cells. She tells her favourite teacher all the things she’ll do when she grows up. Melanie doesn’t know why this makes Miss Justineau look sad.

The first thing to come to mind when reading the blurb for The Girl with All the Gifts is Irrational Games’ Bioshock Infinite, released earlier this year for Xbox 360, PS3 and PC, which features a similarly confined girl, manipulated and educated by her captor in an effort to gain access to whatever secret power lies within her. Most intriguingly, the blurb doesn’t call on any outwardly SFF elements, but there’s just enough of a hint in the final paragraph, and the obvious efforts at guarding Melanie, that, though she might not realize it, and the blurb doesn’t say so, uncovering Melanie’s origins and the threat of her power, even in the body of a young child, will be central to the plot.

M.J. Carey is a pen name for Mike Carey, best known for his work in comic books, including 2011′s crossover series, Age of X , and the Felix Castor novels, which begin with The Devil You Know (buy: book/eBook).

Yesterday won’t be soon enough to get my hands on this book. The Girl with All the Gifts is set for a worldwide release in 2014 from Orbit Books.

Cover Art for Happy Hour In Hell by Tad Williams

It’s, um… orange. And fiery. To be honest, even six month after reading the predecessor volume to Happy Hour in Hell, The Dirty Streets of Heaven, I’m still unsure what I think of this direction for Williams. Equally, I’m unsure what I think of this cover. Apologies for the poor quality.

the-troupe-by-robert-jackson-bennett

The Troupe

By Robert Jackson Bennett Trade Paperback Release Date: 20130512 Pages: 512 Publisher: Orbit Books ISBN: 0316187526 Buy: Book/eBook

I admit, prior to reading The Troupe, I had no idea what vaudeville was all about. I had an idea in my head, based on implied fuzzy cultural memory, but it’s not something I’d ever taken a moment to actually look into. Having read Erin Morgenstern’s The Night Circus and paged through Mechanique: A Tale of the Circus Tresaulti by Genevieve Valentine, two circus-themed novels from 2011, I classified Bennett’s novel in my mind as another entrant in this newly popularized subgenre. Vaudville isn’t the same as a circus, but I was expecting a similar type of novel where the setting is as much a character as the people that populate it. The Troupe shattered those notions. Plot and character driven, set against a vaudville background, Bennett’s novel calls to mind the stylings of Neil Gaiman and lives up to the comparison.

Sixteen-year-old pianist George Carole has joined vaudeville to find Heironomo Silenus, the man he suspects to be his father. As he chases down Silenus’s troupe, he begins to understand that their performances are unique even for vaudeville and strange happenings follow in their wake. It’s not until after he joins them that George realizes the troupe isn’t simply touring, and Silenus is hiding a secret as old as time itself. Told in a tight third person voice, The Troupe follows George through his experience as a vaudeville act, a lost young man searching for direction, and a chess piece in an endless metaphysical war. Not surprisingly, the novel is divided into three parts that roughly correspond to each of those story arcs, although none are entirely resolved until the final pages. Continue reading

Shadow Ops: Fortress Frontier by Myke Cole“Urban Fantasy” is a hot term these days. You hear it used to describe everything from Charlaine Harris’ Sookie Stackhouse books to Jim Butcher’s Dresden Files. It encompasses the work of authors from Patricia Briggs to Kim Harrison, from Ilona Andrews to Kevin Hearne. With such a diverse range of talent, the definition quickly loses meaning. There isn’t a whole lot that’s urban about the sleepy, small town of Bon Temps.

But that’s okay. Because urban fantasy has never been about urban settings. It’s about *contemporary* settings. It does a very simple thing: it takes the modern world, the one we live in every day, and ask the question, “What would this be like if magic were real?”

If the genre’s popularity is any indicator, that question has traction. Fantasy has, for much of its lifespan, been dominated by ancient and medieval settings. Many of the most enduring works in the genre, from Tolkien to Brooks to Feist, are set in pre-gunpowder, pre-industrial revolution worlds. But readers don’t ride to work on horses, hunt deer for dinner, or carry a sword to fend off the occasional Orc raid. Contemporary fantasy’s popularity suggests that many readers like to dream about the impossible right in their own backyard.

And here’s where you can run into trouble writing contemporary stories. The same thing that makes a contemporary setting resonate so strongly with the reader may also piss them off: Ownership. Continue reading