(2) Understand that you need to pay your dues. The worst thing you can possibly do as a beginning writer is think because you have a blog, a pen, and MySpace account that you and Gene Wolfe are now best pals and should be sharing writing advice with one another. If a Wolfe-type wants to, hey–that’s great. None of us are posturing. But don’t assume it.

(4) Read books you don’t like. You gain as much from understanding what you don’t like and knowing why as from reading work you approve of.

(7) Nothing worth doing is easy. Your apprenticeship might last more than a decade. Don’t whine about it. Suck it up, put in the work, and keep improving your fiction.

In conclusion, then: The Steel Remains is one of the darkest, most intense epic fantasy novels I’ve read to-date. I also think it’s a fantasy novel that doesn’t so much transcend as extend the genre, into the sort of thematic territory that the majority of fantasy writers wouldn’t even consider going anywhere near. As a result, it could just turn out to be one of the most important fantasy novels, epic or otherwise, to have been written in the last ten or twenty years, if only because it could provide an additional impetus for the growing number of similarly-minded writers to think even harder about how far they can actually push their own ideas.

Anyone with a hankering for the sort of intensely interesting fantasy fiction that the likes of Steven Erikson, Joe Abercrombie, Glen Cook China Miéville, Scott Lynch, Alan Campbell and co. have been writing recently, or even a glimpse of what might have been if the likes of George R.R. Martin, Paul Kearney, Greg Keyes, or even David Gemmell had teamed up with Quentin Tarantino for a novel or two, then this is definitely a story you should seriously consider reading.