Yearly Archives: 2009

In a shocking turn of events, the cover of Brent Weeks‘s next novel, The Black Prism features a menacing looking dude, a white background and a splash of bold colour (obviously signifying magic, or something). This is a major departure from The Night Angel Trilogy, his first series.

Black Prism by Brent Weeks
Source

Okay, seriously. I suppose they want to give Weeks his own identity, so you know a Weeks novel on the shelf, but this is a little blatant. The original covers were interesting when they first hit the market (and effective, too, given Weeks sales and popularity), but couldn’t Orbit have done something to give this new series its own identity? Removing the hood from the Hollister model on the front doesn’t count.

The Gathering Storm by Robert Jordan and Brandon SandersonNot shocking, but The Gathering Storm, the 12th volume in Robert Jordan’s The Wheel of Time series, debuted at #1 on the New York Times Bestsellers list, knocking off The Lost Symbol by Dan Brown.

From Brandon Sanderson’s blog:

If you didn’t hear the news, we got a call on Wednesday informing us that THE GATHERING STORM had hit the number one spot on the New York Times hardcover Best Seller list. This was accompanied by hitting number one on the independent bookseller’s list and being the bestselling hardcover fiction book at Barnes & Noble and at Borders. (And at the last one, I believe, we were the overall #1 book regardless of genre, which is impressive.) We did, in fact, knock Dan Brown out of the #1 spot—by a wide margin.

I can’t be the only one curious to find out how many units sold it takes to outsell a new Dan Brown book by ‘a wide margin’.

Sanderson’s thoughts on the impressive debut:

Either way, the last four Wheel of Time books had all hit #1, and I worried a lot that it would be on my watch where we failed to do so. It is a testament to the beloved nature of the series, mixed with the ardor of the readers, that we have weathered a change in authors without a dip. We actually outsold KNIFE OF DREAMS’ first week, which is amazing.

The thing is, I don’t feel I can take much—if any—credit for this. The reason this book turned out as well as it did (and thank you all for your kind emails, posts, and reviews) was because of the work Robert Jordan did before he passed away. He literally lay on his deathbead dictating scenes for you, too weak to write. He loved his readers dearly, and those of you lucky enough to meet him know that he was a truly kind and generous man.

Beyond that, the strength of this book is directly tied to the excellent storytelling that came before it. It doesn’t take much experience with construction to realize that the foundation of a building is far more important—structurally—than the roof. Robert Jordan’s skill with worldbuilding, characterization, and plotting was amazing. Working on these books has only increased my respect for his abilities.

So, congrats to Brandon and the Tor Books team for the momentous occasion!

Yesterday I brought you the cover art for Under Heaven, the next novel from popular Canadian author Guy Gavriel Kay. Now today, thanks to Alec at Bright Weavings, I have a look at the equally impressive North American cover.

Under Heaven by Guy Gavriel Kay

Taking a more literary route, the North American cover embraces the Asian underpinnings of the novel as surely as the UK cover. Though I enjoy the character art on the other cover, I can’t complain about them being left off here in favour of the armoured horse and the Kanji. This is one of those rare cases where the North American cover art just ekes out the victory. I expect this is one of those novels that will look really sharp when you pick it up in a bookstore. Either way, you really can’t go wrong with whichever version is released in your region.

Under Heaven by Guy Gavriel Kay

I’m a big fan of Guy Gavriel Kay. I’m a sucker for ancient Asian history and mythology. Thus, it goes without saying that I’m absolutely gaga about this novel.

The cover’s nice, particularily the warm tones and the bold placement of author and title. I appreciate the fact that the publisher wasn’t afraid to embrace the Asian influence of the main protagonists, displaying them boldly on the cover and giving an instant impression of what’s within. I don’t love the floating, ghostly buildings, but the overall imagery is nice and manages to be quiet and epic at the same time. It might have been nice to include more of an Asian influence in the design, but it’s also easy to fall into cheesy cliche when stepping into a distinct territoy like that.

You can find a synopsis for the novel HERE.

Comments closed

David B. Coe, author of The Dark Eyes' WarSFScope brings news of a new deal between David B. Coe and Tor Books:

David B. Coe, writing as D.B. Jackson, sold the first two books in his Thief-Taker Series to James Frenkel at Tor. The Knight Agency’s Lucienne Diver, who made the deal, says the books were “pitched as Harry Dresden meets Sam Adams.”

Under his own name, Coe is the author of the Lon Tobyn Chronicle trilogy, the five-book Winds of the Forelands series, and the Blood of the Southlands trilogy (the third volume, The Dark-Eyes’ War, will be published in February 2010), all of which were published by Tor.

It’s interesting to see Coe taking on a different name for the new series, suggesting it’s perhaps a significant departure from the Epic Fantasy he’s known for. A comparison to Harry Dresden isn’t terribly surprising (or unexpected, given Jim Butcher’s sales numbers), but one wonders if he’s referring to obscure(ish) author Sam Adams or Samuel Adams, leader of the American Revolution and holder of Tea Parties.

UPDATE: Looks like it is the Samuel Adams of Boston Tea Party fame. Blake Charlton explains:

From my WFC chatter w/ David, i think Samuel Adams, of Tea Party fame, is correct. I think it’s set in colonial America.

My anticipation for the series was knocked up a few notches.