Monthly Archives: March 2010

Kraken by China Mieville (UK Edition)

The sea is full of saints. You know that? You know that: you’re a big boy.

The sea’s full of saints and it’s been full of saints for years. Since longer than anything. Saints were there before there were even gods. They were waiting for them, and they’re still there now.

Saints eat fish and shellfish. Some of them catch jellyfish and some of them eat rubbish. Some saints eat anything they can find. They hide under rocks; they turn themselves inside out; they spit up spirals. There’s nothing saints don’t do.

Make this shape with your hands. Like that. Move your fingers. There, you made a saint. Look out, here comes another one! Now they’re fighting! Yours won.

There aren’t any big corkscrew saints any more, but there are still ones like sacks and ones like coils, and ones like robes with flapping sleeves. What’s your favourite saint? I’ll tell you mine. But wait a minute, first, do you know what it is makes them all saints? They’re all a holy family, they’re all cousins. Of each other, and of . . . you know what else they’re cousins of?

That’s right. Of gods.

Alright now. Who was it made you? You know what to say.

Who made you?

Thanks to Speculative Horizons for the tip.

I was first introduced to China Mieville with The City & The City, a novel I never reviewed, but only barely missed my Top 5 of 2009 list. A slim, quick novel, The City & The City gave me a taste of Mieville’s writing and left me wanting more. All said, I’m greatly looking forward to Kraken, a novel turned in to Mieville’s publisher at around the same time as The City & The City, which, by all signs, looks to be Mieville’s most accessible novel yet (outside Un Lun Dun, his Young Adult novel, perhaps).

Mieville’s best know for his New Crobuzon novels (including Perdido Street Station and The Scar), but, as The City & The City proved, it’s always interesting to have his eye for weirdness aimed at the world we live in.

You can read the sample of Kraken HERE.

The Evolutionary Void by Peter F. Hamilton
Source: Walker of Worlds

Judas Unchained by Peter F. Hamilton
Source: Walker of Worlds

Pandora's Star by Peter F. Hamilton
Source: Walker of Worlds

I’ve not read Hamilton’s work, so I can’t comment on the tone of the covers (which I’ve heard are a little off, at least in regards to the less militaristic nature of Pandora’s Star and Judas Unchained), but I’ve always felt that Steve Stone’s art is better suited for Science Fiction than Fantasy, though browsing his portfolio shows some impressive work.

Long ago, Susan Rodriguez was Harry Dresden’s lover-until she was attacked by his enemies, leaving her torn between her own humanity and the bloodlust of the vampiric Red Court. Susan then disappeared to South America, where she could fight both her savage gift and those who cursed her with it.

Now Arianna Ortega, Duchess of the Red Court, has discovered a secret Susan has long kept, and she plans to use it-against Harry. To prevail this time, he may have no choice but to embrace the raging fury of his own untapped dark power. Because Harry’s not fighting to save the world…

He’s fighting to save his child.

Can’t read it myself (I’ve only finished the first book from The Dresden Files, but Jim Butcher has posted the first chapter in Changes, the 12th volume in the series, to sate his ravenous fans.

You can read the chapter HERE.

Well, this is certainly different! It’s fantastic to see Tor continuing to push these new covers in new directions. Though it’s not exactly practical, it suits the medium, and will be an interesting practice once we see more e-readers with full colour, dynamic screens.

The Battle of Dumai's Well by Greg Manchess

Artist Greg Manchess on the cover:

I told Irene that I was offering to do a grander, wider scene so that the viewer could explore the battle. It would stretch far enough to break the borders of the square, but to compensate, I composed it so that we could pick a ‘sweet spot’ to place on the cover. I let that spot dictate the broader POV.

As I stretched the scene, stage left, I found myself able to include more of what was happening in the story. I wanted to give a sense of distance to the landscape, while bringing figures forward enough that they’re almost on top of you. But the closer the figure, the more they block. And explosions take up a lot of real estate in a painting.

I had to pick the moment carefully. Depict a moment too far in advance of the mayhem and it weakens the excitement. Too far after the initial firestorm and I’d be depicting heaps of charred meat. I chose the moment just before the detonations went rending through the ranks completely. The wave is just starting to sweep over the Aiel, but as timing isn’t quite so precise, I depicted the flames cresting quickly from right to left, allowing the viewer “time” to see what was about to come. Utter flaming chaos.

Manchess absolutely nails the Battle of Dumai’s Well, one of the most intense and immediately recognizable scenes in the entire Wheel of Time series. My favourite in the series so far is still The Fires of Heaven, but it’s nice to see Tor change pace and provide a frenetic action scene to accompany the mostly characters-based covers for the previous volumes.

To celebrate today’s release of his debut novel, Blake Charlton, with the help of Mark D. Hines, has created an hour long (!!!) audiobook containing the prologue and first four chapters of Spellwright!

Imagine a world in which you could peel written words off a page and make them physically real. You might pick your teeth with a sentence fragment, protect yourself with defensive paragraphs, or thrust a sharply-worded sentence at an enemy’s throat.

Such a world is home to Nicodemus Weal, an apprentice at the wizardly academy of Starhaven. Because of how fast he can forge the magical runes that create spells, Nicodemus was thought to be the Halcyon, a powerful spellwright prophesied to prevent an event called the War of Disjunction, which would destroy all human language. There was only one problem: Nicodemus couldn’t spell.

Runes must be placed in the correct order to create a spell. Deviation results in a “misspell”—a flawed text that behaves in an erratic, sometimes lethal, manner. And Nicodemus has a disability, called cacography, that causes him to misspell texts simply by touching them.

Now twenty-five, Nicodemus lives in the aftermath of failing to fulfill prophecy. He finds solace only in reading knightly romances and in the teachings of Magister Shannon, an old blind wizard who’s left academic politics to care for Starhaven’s disabled students.

But when a powerful wizard is murdered with a misspell, Shannon and Nicodemus becomes the primary suspects. Proving their innocence becomes harder when the murderer begins killing male cacographers one by one…and all evidence suggests that Nicodemus will be next. Hunted by both investigators and a hidden killer, Shannon and Nicodemus must race to discover the truth about the murders, the nature of magic, and themselves.

Hines does a wonderful job reading, and gives readers neat look at a novel in a medium that’s close to the subject matter of the novel. Charlton’s novel is a fun romp that reminded me of my early days discovering fantasy, while at the same time playing with tropes and delivering a deliciously intricate magic system. You can find my review of Spellwright HERE.