Monthly Archives: June 2010

Yesterday, I teamed up with the good folk at Suvudu and hosted a live chat with Guy Gavriel Kay. Fans dropped by and asked question of Kay, and I slipped several of my own in there. It’s certainly an interesting, informal interview with one of my favourite authors.

My favourite quote came in response to my question about his work on The Silmarillion:

One thing many of your readers may not know is that you worked with Christopher Tolkien as he edited THE SILMARILLION, a seminal work of his father, J.R.R. Tolkien. At the time, you were a young, unpublished author.

What did this experience teach you about the craft, and how did it effect your path to becoming a leading genre writer?

Well, we worked in an English village, so in the evenings I learned a lot about beer. The Plough and The Black Horse. My two pubs…

More seriously …

One thing I learned was the number of false starts and dead ends even a genius gets involved in, even on a book that ends up as masterful. I received a very early education in the degree to which time and effort are central to craft. Obvious truth, but sometimes one needs to SEE it.

I am constantly grateful to my readers … I sell enough books to be ABLE to take my time. One can be more successful by being prolific, but I have always believed that quality demands patience, and I am TRYING for quality.

It’s an interesting observation in a current climate that puts so much pressure on authors like Scott Lynch and Patrick Rothfuss for taking longer than usual on their novels.

Guy also talks a fair bit about Under Heaven, its influences; whether it’s connected to his other work; how history affects and directs the stories he tells, whether he’s an outliner or a free-writer, and jokes around with a few of his fans. It’s a great way to get a bit of insight into Kay and his work.

The Prince of Mist by Carlos Ruiz Zafon

The Prince of Mist

AuthorCarlos Ruiz Zafon
Hardcover
Pages: 224
Publisher: Little, Brown Books for Young Readers
Release Date: May 4, 2010
ISBN-10: 0316044776

EXCERPT

Carlos Ruiz Zafon’s The Shadow of the Wind is one of my two favourite novels. The other is The Hobbit by J.R.R. Tolkien. On the surface, these novels appear to have little in common – one is quest Fantasy, set in a mythical world, the other is a coming-of-age story set in 1940’s Spain. Where they’re similar, though, is in their origins and the reasons they were written.

Tolkien originally wrote The Hobbit for his children, a tale of adventure and hijinks meant to entertain and excite them. I much prefer it to The Lord of the Rings for its brevity, for its ability to get to the point and tell a story for storytelling’s sake.

I once saw young adult (YA) novels described as (and I’m paraphrasing) ‘Adult novels without all the crap’. I thought this a rather apt description of the oft-maligned publishing category. Though I’m ultimately a reader of adult novels, I’m drawn to YA for its hungry veracity to lay the story out before its audience, to cut out all the nuance and posturing and let the reader into its secrets, to reward them quickly for their commitment. It’s like a moped to a motorcycle: simple, little stress the reader, but ultimately enjoyable.

I like to think of The Shadow of the Wind as an evolution of this style of storytelling. It’s more drawn out than typical YA, with much of that extraneous fat and muscle added back on, but Zafon was able to draw on his experience writing YA and apply what he’d learned to craft a story that was as fable-like as the best YA. From a small cast of characters, to a youthful, zesty voice, to its ability and willingness to question the world, The Shadow of the Wind is a YA Adult novel grown up. This bumbling, awkward kid’s turned into a sophisticated gentleman.
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A screenshot of The PortalOver the past month or so, you’ve likely noticed the increase in Short Fiction coverage on A Dribble of Ink. This has been a deliberate move on my part, to fill a gaping hole in my knowledge of the genre. I’ve been doing my damnedest to catch up on some of the classic and contemporary stories published by some of my favourite authors.

Fittingly, a new online magazine called The Portal has recently opened and is looking to add to their review staff:

The Portal is an online review of short-form science fiction, fantasy, and horror that will launch at World Fantasy in October 2010. Although we do intend to review work in English, we will give equal emphasis to providing English-language coverage of short fiction markets, anthologies, and genre literary activities in many language communities around the world. Our goal is to publish at least one article from each region or language for which we have a bureau head in each monthly issue; bureau heads will write these pieces themselves or delegate them to fellow critics in their area. For regions with less activity, we’ll take quarterly or yearly reports from our coordinators. If you are interested in working with us, please send an inquiry letter and writing sample to thesffportal at gmail dot com.

There’s no content yet, but it promises to be an interested resource for those looking to gain a wider appreciation of the genre. Doubly so for their interest in covering SFF short fiction from every region on the planet, rather than focussing on the English-speaking countries. You can be sure I’ll be sending in an application and some samples of my own reviews, in hopes of joining their ranks.

In the meantime, if you’re a reviewer, or a reader looking to jump into the reviewing scene, send them a line and show them what you’ve got!

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