Monthly Archives: August 2010

Who Fears Death by Nnedi Okorafor

In a post-apocalyptic Africa, the world has changed in many ways, yet in one region genocide between tribes still bloodies the land. After years of enslaving the Okeke people, the Nuru tribe has decided to follow the Great Book and exterminate the Okeke tribe for good. An Okeke woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her child Onyesonwu, which means “Who Fears Death?” in an ancient tongue.

From a young age, stubborn, willful Onyesonwu is trouble. It doesn’t take long for her to understand that she is physically and socially marked by the circumstances of her violent conception. She is Ewu—a child of rape who is expected to live a life of violence, a half-breed rejected by both tribes.

But Onye is not the average Ewu. As a child, Onye’s singing attracts owls. By the age of eleven, she can change into a vulture. But these amazing abilities are merely the first glimmers of a remarkable unique magic. As Onye grows, so do her abilities—soon she can manipulate matter and flesh, or travel beyond into the spiritual world. During an inadvertent visit to this other realm she learns something terrifying: someone powerful is trying to kill her.

Desperate to elude her would-be murderer, and to understand her own nature, she seeks help from the magic practitioners of her village. But, even among her mother’s people, she meets with frustrating prejudice because she is Ewu and female. Yet Onyesonwu persists.

Eventually her magical destiny and her rebellious nature will force her to leave home on a quest that will be perilous in ways that Onyesonwu can not possibly imagine. For this journey will cause her to grapple with nature, tradition, history, true love, the spiritual mysteries of her culture, and ultimately to learn why she was given the name she bears: Who Fears Death?

Mainstream Fantasy is often maligned for being too comfortable in its tropes. Whether it’s authors telling the same ol’ stories, or readers constantly buying from within one subsection of the overall genre, comfort zones and cliches are a huge driving force in the perception of the genre by those looking in from the outside. Luckily there are authors like Nnedi Okorafor who hope to change those perceptions, to challenge what readers believe of Fantasy novels and help to reestablish and reinvigorate the boundaries of the genre. Who Fears Death is Okorafor’s first adult novel.

You can read a full excerpt of Who Fears Death by Nnedi Okorafor thanks to Pat’s Fantasy Hotlist.

Gauntlgrym by R.A. Salvatore

A few months ago I posted a cover for Gauntlgrym by R.A. Salvatore, the 7,345th volume in the Drizzt Do’Urden Saga. Turns out that was just placeholder art (likely for a catalog) and Wizards of the Coast was still working on the real cover.

It’s not my favourite artwork from Todd Lockwood, but it’ll surely appeal to its audience. For some reason, I get no sense of inertia or energy from the painting, it all just seems so static and lifeless to me, like a piece of sports photography shot at too high a shutter speed.

On the plus side, that title still makes me laugh, and I liked Neverwinter Nights when I played it years ago, so the setting might be cool. Still, I left Drizzt and co. behind many, many volumes ago.

The Way of Kings by Brandon Sanderson

As the release of Brandon Sanderson’s The Way of Kings draws near, publisher Tor Books continues to release tantalizing glimpses at the novel. To go along with the Prologue through Chapter Six, Tor has just released Chapters Nine and Eleven (along with some great interior artwork) to members of their website. If you haven’t signed up yet, it’s free, only takes a moment, and is absolutely worth doing.

The Inheritance by Robin Hobb (UK Edition)

It’s, uhh… catastic? I dunno. I wasn’t a fan of the style when there were Dragons involved, and I’m not really any more keen on it now. Just seems like a strange marketing decision. I do appreciate the consistency in style, though. Long gone are the days of wonderful John Howe art gracing the covers of Hobb’s work.

That said, though it’s an odd fit for this book cover, artist Jackie Morris does have a wonderful portfolio of art, and it’s absolutely worth visiting.