Monthly Archives: August 2012

The Batman Trilogy, directed by Christopher Nolan

“Hey man, you seen The Dark Knight Rises yet?”

“Nah,” I replied, “I haven’t seen it. Been hearing good things about it, though.”

“You gotta see it. We should go this weekend.”

“Actually, I haven’t even seen The Dark Knight yet…”

“You haven’t seen The Dark Knight?” Incredulity.

“Nah,” I’d say. “Haven’t seen it.

The whole conversation sounded like a broken record.

In the circles I run in, the cross-over between geek and pop culture runs strong. Between the guys I work with, my one brother who lives with a comic book-obsessed illustrator, and my other brother who works in the film industry, the cultural and social impact of a film like The Dark Knight Rises is akin to a tempest. It is on the tongues and in the conversations of nearly everyone I associate with on a daily basis. It’s impossible to ignore, let alone hide from.

So, then, with a long weekend alone with my wife out of the house, I chose to join the crowd, to give into the rising, whirling winds. One a day, I watched the Batman Trilogy, immersing myself in Nolan’s envisioning of one of literature’s most tragic heroes.

[He’s] little more than a rich man with a lot of toys.

I’ve long been a fan of Batman, first inspired by reading through my mom’s old comics from the late sixties and early seventies. Hell, I was even in love with the old Adam West Batman, wall-climbing, homoeroticism, paunch and all. Growing up, however, I rarely considered him to be my favourite superhero, usually citing Spiderman (who I could, you know, relate to, because I thought of myself as a bit of a nerd), or, oddly, Aquaman, and, if we really want to stretch it outside of Golden Age American superheroes, Astro Boy. I liked Batman, but was never impressed with the idea that he was little more than a rich man with a lot of toys.

An adult now, I see how I misinterpreted Batman’s strength and the true source of his ‘super’ powers. Like Astro Boy, Batman’s origins lie in tragedy, in trying to recover what was lost by refusing to let it drift away into memory. In vengeance. In anger. Sure, he has gadgets, and his near limitless pool of money gives him the ability to become a superhero, but its his inner emotional turmoil and utter belief in justice that gives him the power to accomplish amazing things. Read More »

Libriomancer by Jim C. Hines

Libriomancer

By Jim C. Hines
Hardcover
Pages: 400 pages
Publisher: DAW
Release Date: 08/07/12
ISBN: 0756407397

It’s interesting to be reviewing a professional author who is also the prohibitive favorite to take home the Best Fan Writer Hugo Award next month. It seems counter intuitive, although it shouldn’t be given the outstanding blog Jim C. Hines maintains. It’s so good, in fact, that I wouldn’t be surprised if many of his blog’s readers have never read his fiction, a category that I certainly fell into before reading Libriomancer.

Hines’ protagonist, and in grand urban fantasy style, first person narrator, Isaac Vainio has the ability to “reach” into books and pull out whatever he touches. Excalibur? Sure. Neutron bomb? Knock yourself out. Get your hand bit by a vampire? Well, there might be some complications.

There were no wands, no fancy spells, no ancient incantations. No hand-waving or runes. Nothing but the words on the page, the collective belief of the readers, and the Libriomancer‘s love of the story.

It all began five hundred years ago when Johannes Gutenberg (yes, that Gutenberg) started a project to control magic. He founded a secret organization known as Die Zwelf Portenaere who “took an oath to preserve the secrecy of magic, protect the world from magical threats, and work to expand our knowledge of magic’s power and potential.” Read More »

Unfettered, edited by Shawn Speakman

That line-up still blows my mind.

Fun fact: Todd Lockwood, who created the art for the cover, incorporated Speakman’s likeness into the figure on the cover. It looks just like him, and I take some perverse joy in the fact that the latest in the endless line of hooded figures looks just like my friend.

As for the art, it’s a nice departure from Lockwood, who continues to be one of my favourite Fantasy artists. Love the brooding colour scheme and the liberal use of purple, which you don’t see very often.

You can learn more about Unfettered on the Grim Oak Press website.

Kingmaker, Kingbreaker by Karen Miller

I don’t have much interest in this duology, published for the first time in a single volume, but I did want to post the cover and commend the Orbit Books team on the cover. It’s clearly fantasy, and hits on the all the aspects familiar to Fantasy cover art, like landscapes and, hell, even a cloaked figure, but presents them in a way that’s unique and would catch my eye at the bookstore among the rows and rows of hooded figures. There’s a certain sense of adventure in the image that I appreciate. All around, a solid cover.

What do you think the cover? And what about the Kingmaker, Kingbreaker duology?

Forge of Darkness by Steven Erikson

If the Malazan series emphasized a postmodern critique of the subgenre of epic fantasy, paying subtle homage all the while, the Kharkanas Trilogy subsumes the critical aspects and focuses instead on the homage.
– Steven Erikson

I’m not much of a Malazan reader these days, but I know a lot of my readers love Erikson and his work. I remember when Erikson first told me about this trilogy, years ago, and it’s kinda cool to finally see it take shape. I wrote a bit about the experience here. Thanks to Tor.com, Erikson fans can now read the Prelude and Chapter One of Forge of Darkness, in advance of its September, 2012 release date.