Yearly Archives: 2013

Despite all my reservations about the first volume of the ‘trilogy’ of films (which, compared to the rest of the Internet, are fairly mild and positive), I can’t help but feel giddy when I watch this trailer. Yeah, it looks nothing like the book, but all hope for a faithful, irreverent adaptation were lost once Jackson announced that he was splitting the films into three parts anyway. It looks beautiful, and fun and I can’t help but become lost in Jackson’s version of Middle Earth.

The most disheartening thing is that, by all indications, the final film is going to comprise solely of the Battle of the Five Armies. Three hours of goblins, dwarves and, elves duking it out in CGI glory. I mean, that’s totally what I want from The Hobbit

mistborn

Tor Books announced today that they have acquired two more Mistborn novels from Brandon Sanderson. These two novels will be set in the same timeframe as The Alloy of Law, the standalone sequel to Sanderson’s popular trilogy, and will likely be of similar length. The first of these novels is titled Shadows of Self. According to Tor, the series is about “a team of cowboy detectives who investigate crimes that arise in a Scadrial that is rapidly approaching modernity.”

Sanderson on the upcoming Mistborn novels:

[O]ne thing I’ve wanted from the beginning of the Mistborn series was to show the interactions of magic with technology and society through different eras of that world’s development. There is much more to explore with Waxillium Ladrian, his comrade Wayne, and their time period, so we’re going to stay with them for a couple more books. I think you’re going to like what’s coming.

Moshe Feder, Sanderson’s agent, describes the deal as ‘the biggest’ they’ve done with Sanderson, and reconfirmed that these books are not part of the ‘trilogy of trilogies’ that Sanderson has described on several occasions. Instead, they are ‘bonus books.’

Feder describes the ‘trilogy of trilogies’:

The Mistborn series was conceived as a trilogy of trilogies. The first was set in what will eventually be thought of as Scadrial’s mythological past. The second will be set in Scadrial’s equivalent of Earth’s 20th century. The third will be in its high-tech future, roughly the Mistborn equivalent of Star Trek’s world. Obviously, the second and third trilogies are going to offer exciting opportunities for science and magic to combine and clash. I can’t wait to see what Brandon will do with that!

The Alloy of Law and Shadows of Self take place about 75 years before the second trilogy in the planned ‘trilogy of trilogies.’ There is no release date for the second trilogy.

Shadows of Self is tentatively scheduled for release in Fall, 2014. The third novel will follow in 2015.

Tower Lord by Anthony Ryan

“The blood-song rose with an unexpected tune, a warm hum mingling recognition with an impression of safety. He had a sense it was welcoming him home.”

Vaelin Al Sorna, warrior of the Sixth Order, called Darkblade, called Hope Killer. The greatest warrior of his day, and witness to the greatest defeat of his nation: King Janus’s vision of a Greater Unified Realm drowned in the blood of brave men fighting for a cause Vaelin alone knows was forged from a lie. Sick at heart, he comes home, determined to kill no more. Named Tower Lord of the Northern Reaches by King Janus’s grateful heir, he can perhaps find peace in a colder, more remote land far from the intrigues of a troubled Realm.

But those gifted with the blood-song are never destined to live a quiet life. Many died in King Janus’s wars, but many survived, and Vaelin is a target, not just for those seeking revenge but for those who know what he can do. The Faith has been sundered, and many have no doubt who their leader should be. The new King is weak, but his sister is strong. The blood-song is powerful, rich in warning and guidance in times of trouble, but is only a fraction of the power available to others who understand more of its mysteries. Something moves against the Realm, something that commands mighty forces, and Vaelin will find to his great regret that when faced with annihilation, even the most reluctant hand must eventually draw a sword.

Like the Terry Brooks cover revealed yesterday, I quite like the stylistic choice to use a rough, textured illustration reminiscent of more traditional hand-painted fantasy covers, like Darrell K. Sweet’s work in the ’80s (which was, despite modern opinion of his work, pretty darn cool.) Above that, it’s gritty (sigh) and in your face without falling entirely victim to the tired formula of hooded-man-looks-cool that I like to complain so loudly about. Read More »

The Darkling Child by Terry Brooks

Terry Brooks’ next novel, The High Druid’s Blade, isn’t even out yet, but the cover for the follow-up novel, The Darkling Child, is already loosed on the world. (See what I did there? It’s like a demon from the Forbidding.) And, it’s just as pretty as the previous cover. I really like the rough, impressionistic quality of the painting they’ve used.

The Darkling Child is the second in The Defenders of Shannara, a loose trilogy of standalone Shannara novels that follow the events of Witch Wraith, Brooks’ most recently published novel. The High Druid’s Blade and The Darkling Child will be released in 2014.

shattered-sun-inspiration

Bradley P. Beaulieu, sometimes contributor here at A Dribble of Ink and author of The Winds of Khalakovo, announced this week that he has completed work on the first volume of his upcoming trilogy, The Song of the Shattered Sands, for DAW Books. Beaulieu is known for his comprehensive, diverse world building, and Twelve Kings in Sharakhai looks no different. He’s established a Pinterest board that illustrates some of the imagery he’s used as inspiration for the series, and gives readers a taste of what we can expect from the series.

In the cramped west end of Sharakhai, the Amber Jewel of the Desert, Çeda fights in the pits to scrape a living. She, like so many in the city, pray for the downfall of the cruel, immortal Kings of Sharakhai, but she’s never been able to do anything about it. This all changes when she goes out on the night of Beht Zha’ir, the holy night when all are forbidden from walking the streets. It’s the night that the asirim, the powerful yet wretched creatures that protect the Kings from all who would stand against them, wander the city and take tribute. It is then that one of the asirim, a pitiful creature who wears a golden crown, stops Çeda and whispers long forgotten words into her ear. Çeda has heard those words before, in a book left to her by her mother, and it is through that one peculiar link that she begins to find hidden riddles left by her mother.

As Çeda begins to unlock the mysteries of that fateful night, she realizes that the very origin of the asirim and the dark bargain the Kings made with the gods of the desert to secure them may be the very key she needs to throw off the iron grip the Kings have had over Sharakhai. And yet the Kings are no fools—they’ve ruled the Shangazi for four hundred years for good reason, and they have not been idle. As Çeda digs into their past, and the Kings come closer and closer to unmasking her, Çeda must decide if she’s ready to face them once and for all.

While he admits the book is still early and ‘not perfect,’ it will be going through at least two more drafts after it has passed through hands on his editors, agent and beta readers.

He also illustrates the interesting draft structure that he uses for writing his novels, saying that the draft he completed is the first finished copy, despite having ‘finished’ a ‘zeroth’ draft a couple of months ago. The [zeroth] draft is filled with so many needed changes, that I wouldn’t (under normal circumstances) send it out for review. Why? Because of the simple fact that I know there are so many things wrong with it. If you’re going to have someone review your work, you want them focusing on the things that you can’t find, not wasting their time and yours on the things you already know need fixing,” he said.

Twelve Kings in Sharakhai is due for release in 2014 from DAW Books (North America) and Gollancz (United Kingdom).