Yearly Archives: 2013

Royal Assassing by Robin Hobb, art by John Howe

A few months ago, rumour broke that Robin Hobb was working on another book in her popular Fitz & Fool series. The new book, titled The Fool’s Assassin, is the first in what Hobb is officially calling The Fitz and the Fool Trilogy, which follows The Farseer Trilogy and The Tawny Man Trilogy.

Hobb announced today that the manuscript for The Fool’s Assassin is now with her publisher, and she is determined to keep it to three books, though her recent ‘duology,’ the Rain Wild Chronicles, exceeded that length, eventually finishing after four novels.

The Fool’s Assassin is expected for release in 2014.

Ancillary Justice by Ann Leckie

Ancillary Justice, the debut novel from Ann Leckie, first caught my attention thanks to its gorgeous John Harris cover art. It was hard to escape, and, frankly, antithetical to the idea that one shouldn’t judge a book by its cover. With a cover this good, it’s hard not to be immediately interested. Skip forward a few weeks, and Orbit Books, publisher of Ancillary Justice, noticed a trend on twitter: everybody loves Leckie’s book. And, by golly, they’re right.

So, naturally, I had to see what all the fuss was about, and picked up Ancillary Justice myself. They were right, they were so, so right. I’ll withhold my full opinion for a review, but Ancillary Justice is a bold, mind-twistingly adventurous SF tale with big ideas and so much confidence that it’s hard to believe it’s Leckie’s first novel. Come award season, I wouldn’t be surprised to see Leckie and Ancillary Justice all over the ballots. It’s that good.

So, I’ve gathered together some of the early reviews that nail exactly why I’m so excited about this book (and why I think you should be, too. Orbit’s had huge success with James S.A. Corey’s Expanse series, and it looks like they’re about to add another heavyweight to the mix with Leckie. It’s a damn good time to be an SF fan. Read More »

The Republic of Thieves by Scott Lynch

Every Friday, Suvudu runs a feature called 50 Page Friday. It doesn’t take a genius to guess that they post the first fifty pages of a book, free of charge, to get you hooked. You know, like a drug dealer. This past week, they released a sneak peek at one of the year’s most anticipated novels: The Republic of Thieves.

Over on Suvudu, Lynch’s editor discusses the novel and why the rabid anticipation is justified:

I have said before that a good editor, like a good mom, tries not to play favorites. But sometimes you just can’t help it. Twice in my career, the same thing has happened to me—albeit with two different authors. Because twice I have received the first 100 or so pages of as-yet-uncompleted epic fantasy novels on submission, and twice I have felt that special shiver of gut-deep excitement and sheer acquisitiveness that said: This is something TRULY special. I must own this, and edit this. Like…NOW!

The first time I felt that was when I was given the first few chapters of a what would one day grow into A Game of Thrones. And the second time? Well, that was when I first encountered Scott Lynch. As with George Martin, I fell instantly in love with Scott’s words and Scott’s world, and then suffered (in not-quite silence) for the next year before I could finally discover What Happened Next!

The Lies of Locke Lamora is, to my mind, one of the world’s almost perfect books. It is epic, dramatic—almost operatic in its sense of glory and tragedy—and yet laugh aloud funny when it is not making you weep. The characters and the world are as memorable as any you will ever see on paper, and the concept alone—that of con men operating in a fantasy world that has never really encountered the art of the con—is sheer brilliance.

I’ll have a review of The Republic of Thieves soon, but, as a little sneak peek of my own, I’ll just say that I enjoyed the novel immensely and, despite my high expectations (and cautious optimism), Lynch impressed me with his ability to evolve the formula that worked so successfully in The Lies of Locke Lamora (if not so well in Red Seas Under Red Skies), and produced a novel that reminded me of why I fell in love with his world, characters and fiction so easily in the first place.

You can read the first 51 pages of The Republic of Thieves on Scribd… then, once you’re done that, you can salivate over the idea that the rest of the book’s only a few days away.

sword-and-laserI’m proud to announce the sale of A Night for Spirits and Snowflakes to the Sword & Laser Anthology. This is my first fiction sale, and I’m ecstatic that it is going to become a part of a project that will (hopefully) be widely read and embraced by the SFF community.

A Night for Spirits and Snowflakes is a 7,500 word story about a young soldier caught on the losing side of a meaningless war. Soldier-turned-gravedigger, he buries his fallen comrades in shallows graves, their last moments whispering in his head. Audience to this sojourn are the spirits of those dead men, drifting like snowflakes around the boy as he lays them to rest.

If you are unfamiliar with Sword & Laser, the second largest book club on Goodreads, I wrote about my excitement the Sword & Laser Anthology last year when it was first announced. I have immense respect for Veronica and Tom and am flattered to be involved with the project.

I will have more details about the project, including the release date and a table of contents, as those details are announced.

The Fifth Season by N.K. JemisinEarlier this week, N.K. Jemisin revealed the cover and synopsis for her next novel, The Fifth Season. Since first debuting as a novelist with The Hundred Thousand Kingdoms, Jemisin has been blessed with some of the most inspired art direction in current fantasy. Lauren Panepinto, Art Director at Orbit Books, is responsible for Jemisin’s covers, so I gathered her up and we discussed The Fifth Season and the process of evolving an author’s brand as they mature and move from series-to-series.

“Working on N. K. Jemisin books are the best kind of challenge for me,” said Panepinto. Jemisin’s books are often praised for their strong worldbuilding, approach to magic and uniquely drawn characters, which turns out to be both something of a curse and a blessing for an art director. But Panepinto is never one to back down from challenges. “Really strong, fleshed out characters inhabiting intricately thought-out worlds means there’s always a wealth of material to draw from for the covers,” she explained. Read More »