It’s a question that comes up quite often — back in the 1960s a typical SF novel ran to 60,000 words (130-150 pages); one that topped 80,000 words was considered lengthy. But today, I’m more or less required by contract to hand in 100,000 word novels; and some of them are considerably longer. (At 145,000 words, “Accelerando” would have been considered a whopper back in the 1970s.) So what happened?

…

Until the early 1990s, mass market SF/F paperbacks in the US were primarily sold via grocery store racks, supplied by local distributors (400+ of them). The standard wire rack held books face-out, either against a wall or on a rotating stand. And that’s where the short form factor novel became established. Thinner books meant you could shove more of them into a rack that was, say, three inches deep. Go over half an inch thick, and you could no longer fit six paperbacks in a 3″ rack. And there was only so much rack space to go around.

During the inflationary 1970s and early 1980s, prices of just about everything soared. The publishers needed to increase their cover prices to compensate. But the grocery wholesalers who sold the books insisted “the product’s gotta weigh more if you want to charge more”. They weren’t in the book business, after all, so just as buffalo tomatoes got bigger, so did paperbacks. (Even though this meant there was less room to go round in the wire racks.) You can only get so much milage by using thicker paper and a bigger typeface; so they began looking for longer novels.

Anyway. I began selling novels (in 2001-02) just as the trend for longer novels peaked. I’m actually writing shorter books than my earlier ones — my last two finished manuscripts ran to 102,000 and 107,000 words respectively, whereas my first three SF novels ran to 118,000, 138,000 and 145,000 words each. (On the other hand, I’m not necessarily writing less. Two bloated 150,000 word behemoths take nearly as long to write as three relatively slim 100,000 word novels, if you’ve got your future projects planned out well in advance.)

The DGLA will be presented for the very first time in 2009 for the best Fantasy novel of 2008. The award will be given to a work written in the ‘spirit’ of the late, great David Gemmell, a true Master of Heroic Fantasy.

And, we want YOU – the readers who love the genre to VOTE to decide who makes the Short-list!

On December 9th, I mentioned on the blog that I thought we had a decent chance of breaking $40,000. Then, we raised over $16,000 in the next two days, tearing past $50,000 and leaving me worried that I was going to have to take out a loan so I could cover my half.

A big piece of this was brought about by folks spreading the word on their blogs. Most notably, Neil Gaiman.

I’d heard through the grapevine that Gaiman was a bit of a Heifer supporter, so I sent him a little e-mail, asking if he’d be interested in mentioning it on his blog.

I should have realized that asking for something like this would be like sticking my tongue into…. well… into anything, really. In my experience, whenever you stick your tongue into something, the outcome is going to be either very exciting, very dangerous, or both.

This was one of those “both” situations. After his blog, Gaiman’s readers flooded over to participate in the festivities. Felicia Day mentioned it on her blog too. Plus, I know a lot of folks were finishing their own personal fundraisers and/or waiting until the very end to make their donations. Hence the crazy.