Monthly Archives: February 2013

On the Power of Fantasy Fiction: ‘A Single Dream is More Powerful than a Thousand Realities’

Art by John Howe

One evening, I had the chance to sit down with Steven Erikson and several other people over a glass of wine and dinner. It was a wonderful evening, full of laughs, camaraderie and discussion. Despite what you might think, me being a book blogger and Steve being a popular author, only a small portion of the evening was spent discussing fiction, books or writing. However, one short conversation, not with Mr. Erikson but with one of his friends, led me to think a lot about why I read, and when I read.

The conversation began with a question, “Do you read before bed?”

Some of us answered no, others, including myself, said, “Yes, I can’t fall asleep otherwise.” Those who answered “no,” had some interesting reasons, though they escape me now, but one of the other diners, a woman whose name I’m sorry to say I can’t remember, began talking about why she reads before bed. She made an observation that has stuck with me since. You see, she reads before bed because it allows her to put aside the events of her day, the events that might be coming the next day, and immerse herself in the emotions, problems and triumphs of the people living in the fiction she holds in her hands. Instead of falling asleep thinking about what needs doing tomorrow, or how her exam went poorly, she falls asleep wrapped in thoughts of these characters, wandering through these other landscapes. Read More »

A Journey From the West by Max Gladstone

Fantasy should be the broadest genre in existence. Fantasy writers get to create and transform to our hearts’ content. Not even the laws of thermodynamics bind us. Our imaginations are our only limits.

The problem is, the imagination’s limits are often harder than physical law. Writers are formed by experience, and interpret that experience into story using instincts developed reading, and hearing, stories, from early childhood. So, when a lot of Western folks turn to writing fantasy, Arthurian and Greek and Norse myths are the seeds they use to people and structure their imaginative worlds.

Which is fine! Each generation needs to remake the myths received from the previous generation. But sometimes writers and readers feel the limits of their traditions, and wonder, what else is out there, other than kings and earls?

In this three-part series I’m going to be writing about stories I think all fantasy writers and fans should know, other than the standard Celtic, Greek, and Norse sources. If you know these stories already, then good! I hope there’ll be something cool for you here anyway. If these stories are new to you, maybe these few posts will expose you to some amazing worlds. Read More »

Tor.com, one of the most respected short fiction publishers on the web, announced today that it will be increasing its short fiction publication to a weekly format. At four stories a month, this puts the magazine on par with other short fiction venues like Clarkesworld and Lightspeed in terms of volume. Great news for readers.

Since our launch in 2008, Tor.com has always been a competitive market for original short sci-fi and fantasy fiction. We’ve been able to work outside of conventional publishing boundaries, create original illustrations for the stories, and have now garnered both Nebula and Hugo Awards! By the end of last year, Tor.com doubled our editorial staff, both in acquiring editors and first readers for our open submissions file. Our fiction team consisting of Patrick Nielsen Hayden, Liz Gorinsky, Ann VanderMeer, Ellen Datlow, Bridget Smith, and Carl Engle-Laird are working harder than ever to bring you the best of what’s on the cutting edge of new speculative fiction! We’ve always been proud of our stories and now we’re proud to offer new ones once a week! Expect forthcoming new stories from Genevieve Valentine, Harry Turtledove, Cory Doctorow, and many, many more.

Irene Gallo, Creative Director for Tor.com and Tor Books, also confirmed to me that this indicates a turn-around/response time for short fiction submissions to the site, saying that the short fiction editors have been, “catching up on the back-log.” It’s good news for those with submissions in the queue, which is infamously long, and those who’re simply looking for new, good SFF short fiction. Though, given Tor.com’s previous track record, I expect that the short fiction will continue to favour established long- and short-fiction writers, and remain almost impenetrable to emerging writers who submit to the site.

Shadow Ops: Fortress Frontier by Myke Cole“Urban Fantasy” is a hot term these days. You hear it used to describe everything from Charlaine Harris’ Sookie Stackhouse books to Jim Butcher’s Dresden Files. It encompasses the work of authors from Patricia Briggs to Kim Harrison, from Ilona Andrews to Kevin Hearne. With such a diverse range of talent, the definition quickly loses meaning. There isn’t a whole lot that’s urban about the sleepy, small town of Bon Temps.

But that’s okay. Because urban fantasy has never been about urban settings. It’s about *contemporary* settings. It does a very simple thing: it takes the modern world, the one we live in every day, and ask the question, “What would this be like if magic were real?”

If the genre’s popularity is any indicator, that question has traction. Fantasy has, for much of its lifespan, been dominated by ancient and medieval settings. Many of the most enduring works in the genre, from Tolkien to Brooks to Feist, are set in pre-gunpowder, pre-industrial revolution worlds. But readers don’t ride to work on horses, hunt deer for dinner, or carry a sword to fend off the occasional Orc raid. Contemporary fantasy’s popularity suggests that many readers like to dream about the impossible right in their own backyard.

And here’s where you can run into trouble writing contemporary stories. The same thing that makes a contemporary setting resonate so strongly with the reader may also piss them off: Ownership. Read More »

Every Friday, Suvudu publishes a 50 (or so) page excerpt for one of their novels. Often, it’s an older novel, maybe the first volume of a series with a new book around the corner, or just the works of a classic author looking to expand their audience. It’s a neat feature, even if I don’t use it much myself. Every once in a while, however, they really knock things out of the park for fans of their authors. This time, they’ve released an early look at The Daylight War by Peter V. Brett, one of the Fantasy community’s most anticipated Spring releases.

Peter V. Brett’s Demon Cycle Series is the tale of humanity’s last stand against demonkind—and so it’s one of the most heart-stoppingly action-packed fantasy series I’ve ever read, with epic warfare, badass heroes, and plenty of awesome demon carnage. But the Demon Cycle is more than a thrill ride: Peter’s true secret weapon is his unforgettable characters. This excerpt from The Daylight War takes us deep into the origin story of Peter’s most fascinating and mysterious creation, Inevera the demon priestess. While The Daylight War delivers all the propulsive storytelling and pulse-pounding ation that’s made the Demon Cycle a blockbuster series, Inevera’s story is the book’s dark and secret heart.

Despite my reservations for the second volume in Brett’s Demon Cycle, I loved The Warded Man, and look forward to dipping my toes back into his world (to see how much he’s learned as a writer, as much as to reconvene with his characters, if I’m being honest.) Early buzz on The Daylight War suggests that it might be the best of Brett’s books so far, and I don’t say that lightly. So, fans, enjoy, and read an excerpt from The Daylight War by Peter V. Brett.