This was a very difficult year for all of us, and nothing will ever change that. While navigating all the challenges 2020 presented, however, it has also been one of the most successful years for me from a creative, professional, and fan writer stand point. I picked up an agent, continued pouring words into two books I’m super excited about, started TWO fanzines, and wrote some of my best-ever articles and essays.
This is also the first year in a long time that I have no eligible fiction. Which is weird. However, I’m eligible for some awards, and so is most of my work individually and collectively. I’m very proud of my work in 2020, and I hope you’ll find some value in it, and also hope you keep me in mind when filling out nomination ballots.
In case you somehow missed it, comic/book Twitter was ablaze on Friday with the news that Marvel fired Chuck Wendig in a rather unceremonious and contentious fashion. (Wendig recaps the news here.) A lot of readers were justifiably upset and angry. Myself among them.
As a result, I ended up buying Wendig’s book on writing, Damn Fine Story: Mastering the Tools of a Powerful Narrative. I’ve been meaning to read it for a while—especially with a major fiction project coming up as I wrap up “The Rose and Honey Soul” and I move on to devoting writing time fully to The Thousand Shattered Gods—and it seemed as good a time as ever to finally follow through. No surprise, Damn Fine Story is… damn fine. Anyone who reads Wendig’s blog, Terrible Minds, knows his sublime ability to to provide writing advice with a narrative voice that’s at once funny, cutting, and insightful. He’s got the uncanny ability to turn writing advice into page-turning material. (More on that later, when I post my full impressions of the book.)
The Hugo Awards were announced on the weekend! (This was a problem for a lot of reasons, but, well, here we are, on Monday, so, let’s move on and hope WorldCon corrects in future years.)
I’m sure by this point, you’re familiar with the ballot—but, if not, check it out on Tor.com. I’m not going to reprint it here, because, let’s just get to the point. I *always* have thoughts on the Hugos. So, let’s go.
In general: Holy shit. Yes. Yes. Yeppity. Yep. Yep. Yep. Please sir, can I have some more?
This ballot rocks. From top-to-bottom, it’s filled with incredible authors, artists, editors, publications, books, films, etc. Nearly every category is going to be difficult to narrow down when it comes time to vote—but that’s the way we want it. I don’t know how many readers realized it, but we’re in a new golden age of SFF, and this ballot is further proof of that. The works honoured here are powerful, transformative, precedent-setting, and brilliant. *This* is what the future of SFF looks like, and it’s beautiful.