Yearly Archives: 2010

The Omen Machine by Terry Goodkind

RARGHRGH. Angry Giant Kahlan is angry. RARAGRHG! This is the cover that Terry Goodkind, apparently, helped design. Looks like an ordinary, generic cover. I expected more moral objectivity, beards, Ayn Rands and Goodkind’s name to be even larger and foiled in 22k gold. It is appropriate that Angry Giant Kahlan appears to be worshiping Goodkind’s name, though.

Terry Goodkind’s novels of the Sword of Truth series set a new standard for epic storytelling in a fully realized world. Now Goodkind returns to that world for a new cycle of tales, centering on Richard Cypher and Kahlan Amnell. The Omen Machine begins directly after the events of the Sword of Truth, but it starts an independent storyline. Readers who haven’t experienced the Sword of Truth novels can begin here, while longtime fans will be captivated by a new tale of the characters that fascinated them before.

Hidden deep underground for millennia, discovered only by chance, the mysterious machine has awakened, to begin issuing a serious of ominous and alarmingly accurate omens. As the wizard Zeddicus attempts to destroy the sinister device, it issues a cataclysmic omen involving Richard and Kahlan, foretelling an impending event beyond anyone’s ability to prevent it. With catastrophe imminent, the machine then reveals that it is within its power to withdraw the omen…on fulfillment of an impossible demand.

I love that it’s ‘a Richard and Kahlan Novel‘. I guess the ship has sailed on the Sword of Truth Series, though how this is anything but the 14th volume is a mystery to me. I mean it’s got Kahlan, Richard, Zeddicus, Prophecies, Omens (and Machines!), Valour, Heroism, (likely) jaw kicking and sadomasochism, and it picks up directly after the end of Confessor. Totally sounds like a new series to me.

Glibness aside, with all the Imperial Order junk out of the way, it does sound like it might recapture some of the fun and adventurousness that made the early novels in the series readable and, *gasp*, enjoyable. At least he’s not trying to hide it as a literary thirller this time around.

Gardens of the Moon by Steven EriksonStolen from Pat’s Fantasy Hotlist:

This is a synopsis of the final book in the series. If you’ve not read up to the end of Dust of Dreams, and don’t want to be spoiled, you might not want to read it. Series Spoilers abound!

Savaged by the K’Chain Nah’Ruk, the Bonehunters march for Kolanse, where waits an unknown fate. Tormented by questions, the army totters on the edge of mutiny, but Adjunct Tavore will not relent. One final act remains, if it is in her power, if she can hold her army together, if the shaky allegiances she has forged can survive all that is to come. A woman with no gifts of magic, deemed plain, unprepossessing, displaying nothing to instill loyalty or confidence, Tavore Paran of House Paran means to challenge the gods – if her own troops don’t kill her first.

Awaiting Tavore and her allies are the Forkrul Assail, the final arbiters of humanity. Drawing upon an alien power terrible in its magnitude, they seek to cleanse the world, to annihilate every human, every civilization, in order to begin anew. They welcome the coming conflagration of slaughter, for it shall be of their own devising, and it pleases them to know that, in the midst of the enemies gathering against them, there shall be betrayal.

In the realm of Kurald Galain, home to the long lost city of Kharkanas, a mass of refugees stand upon the First Shore. Commanded by Yedan Derryg, the Watch, they await the breaching of Lightfall, and the coming of the Tiste Liosan. This is a war they cannot win, and they will die in the name of an empty city and a queen with no subjects.

Elsewhere, the three Elder Gods, Kilmandaros, Errastas and Sechul Lath, work to shatter the chains binding Korabas, the Otataral Dragon, from her eternal prison. Once freed, she will rise as a force of devastation, and against her no mortal can stand. At the Gates of Starvald Demelain, the Azath House sealing the portal is dying. Soon will come the Eleint, and once more, there will be dragons in the world.

And so it ends. Having only read the first two volumes of the series, all I see are a lot of hard-to-pronounce names and potential, but fans are sure to be salivating for The Crippled God. It all kinda makes my head hurt.

Directly from Abraham on the Westeros Forums:

The dragons are gone, the powerful magics that broke the world diluted to little more than parlour tricks, but the kingdoms of men remain and the great game of thrones goes on. Lords deploy armies and merchant caravans as their weapons, manoeuvring for wealth and power. But a darker power is rising – an unlikely leader with an ancient ally threatens to unleash the madness that destroyed the world once already. Only one man knows the truth and, from the shadows, must champion humanity. The world’s fate stands on the edge of a Dagger, its future on the toss of a Coin.

There’s not a single novel (even from the ‘Big Three’ of Rothfuss, Lynch and Martin) that I’m anticipating more than this. It sounds more traditional than Abraham’s Long Price Quartet, but I feel that will only help in finding him the larger audience he deserves. We don’t know why Tor Books dropped him after The Price of Spring, but I still expect them to be rue the decision not to stick with Abraham once the wide Fantasy market catches on to him. Because, frankly, it’s only a matter of time.

Abraham admits that this is early catalog copy, so it will change (and become less generic) as the book moves closer to publication. He was also pretty clear that the ‘game of thrones‘ line wasn’t written by him, which is good to hear! Ain’t no good to rip off your friends.

Absolutely cannot wait for The Dragon’s Path. It’s the first volume in The Dagger and the Coin series.

The Heroes by Joe Abercrombie (UK)From Stomping on Yeti, via Abercrombie’s blog:

“They say Black Dow’s killed more men than winter, and clawed his way to the throne of the North up a hill of skulls. The King of the Union, ever a jealous neighbour, is not about to stand smiling by while he claws his way any higher. The orders have been given and the armies are toiling through the northern mud. Thousands of men are converging on a forgotten ring of stones, on a worthless hill, in an unimportant valley, and they’ve brought a lot of sharpened metal with them.

Bremer dan Gorst, disgraced master swordsman, has sworn to reclaim his stolen honour on the battlefield. Obsessed with redemption and addicted to violence, he’s far past caring how much blood gets spilled in the attempt. Even if it’s his own.

Prince Calder isn’t interested in honour, and still less in getting himself killed. All he wants is power, and he’ll tell any lie, use any trick, and betray any friend to get it. Just as long as he doesn’t have to fight for it himself.

Curnden Craw, the last honest man in the North, has gained nothing from a life of warfare but swollen knees and frayed nerves. He hardly even cares who wins any more, he just wants to do the right thing. But can he even tell what that is with the world burning down around him?

Over three bloody days of battle, the fate of the North will be decided. But with both sides riddled by intrigues, follies, feuds and petty jealousies, it is unlikely to be the noblest hearts, or even the strongest arms that prevail…

Three men. One battle. No Heroes.

Sounds gooooood.

Though I thought Best Served Cold was a bit of stumble for Abercrombie(see my REVIEW), The Heroes is still near the top of my list of most anticipated novels. It’ll be fun to reestablish ourselves with bit players from The First Law (like Gorst and Black Dow) in an expanded and, no doubt, surprising role. But what I’m most interested in is Abercrombie playing with the structure of the story. Part of my issue with Best Served Cold was the wash-rinse-repeat nature of the plot, but The Heroes, taking place over the course of just three days, following several characters through the politics and violence of a single battle, sounds like it will veer away from that traditional travelogue/quest structure that Abercrombie has used in his previous novels.

Who Fears Death by Nnedi Okorafor

In a post-apocalyptic Africa, the world has changed in many ways, yet in one region genocide between tribes still bloodies the land. After years of enslaving the Okeke people, the Nuru tribe has decided to follow the Great Book and exterminate the Okeke tribe for good. An Okeke woman who has survived the annihilation of her village and a terrible rape by an enemy general wanders into the desert hoping to die. Instead, she gives birth to an angry baby girl with hair and skin the color of sand. Gripped by the certainty that her daughter is different—special—she names her child Onyesonwu, which means “Who Fears Death?” in an ancient tongue.

From a young age, stubborn, willful Onyesonwu is trouble. It doesn’t take long for her to understand that she is physically and socially marked by the circumstances of her violent conception. She is Ewu—a child of rape who is expected to live a life of violence, a half-breed rejected by both tribes.

But Onye is not the average Ewu. As a child, Onye’s singing attracts owls. By the age of eleven, she can change into a vulture. But these amazing abilities are merely the first glimmers of a remarkable unique magic. As Onye grows, so do her abilities—soon she can manipulate matter and flesh, or travel beyond into the spiritual world. During an inadvertent visit to this other realm she learns something terrifying: someone powerful is trying to kill her.

Desperate to elude her would-be murderer, and to understand her own nature, she seeks help from the magic practitioners of her village. But, even among her mother’s people, she meets with frustrating prejudice because she is Ewu and female. Yet Onyesonwu persists.

Eventually her magical destiny and her rebellious nature will force her to leave home on a quest that will be perilous in ways that Onyesonwu can not possibly imagine. For this journey will cause her to grapple with nature, tradition, history, true love, the spiritual mysteries of her culture, and ultimately to learn why she was given the name she bears: Who Fears Death?

Mainstream Fantasy is often maligned for being too comfortable in its tropes. Whether it’s authors telling the same ol’ stories, or readers constantly buying from within one subsection of the overall genre, comfort zones and cliches are a huge driving force in the perception of the genre by those looking in from the outside. Luckily there are authors like Nnedi Okorafor who hope to change those perceptions, to challenge what readers believe of Fantasy novels and help to reestablish and reinvigorate the boundaries of the genre. Who Fears Death is Okorafor’s first adult novel.

You can read a full excerpt of Who Fears Death by Nnedi Okorafor thanks to Pat’s Fantasy Hotlist.