The Shadow Throne is the second volume in Django Wexler’s ongoing Shadow Campaign series, picking up right where the events of The Thousand Names left off: with protagonists Winter Ihernglass and Marcus d’Ivoire returning home to Vordan from Khandar under the leadership of Colonel Janus bet Vhalnich, there to continue the latter’s secret campaign against the sinister Duke Orlanko. It’s a flintlock fantasy series, full of secret magic, roaring battles and deadly politics: excellently written, superbly paced and all-round good fun. The Thousand Names was so polished, I had trouble believing it was Wexler’s first novel, and The Shadow Throne only improves from there, the shift in setting from foreign desert to home city managed with aplomb. Wexler is a master at writing battles, tactics and political intrigue with just the right level of detail: everything feels believable and, even more impressively, cunning, and despite the change in location between the two books, the consistent characterisation and martial focus means it never feels like we’ve leapt genres. Read More »
Last time I visited A Dribble of Ink, I wrote about worldbuilding in the air and monsters. Aidan asked me to return and talk about food in fantasy, which I do fairly regularly for my interview series Cooking the Books.
Running a food-oriented interview series makes me think really hard about food in every book I write, including Updraft (Tor 2015), because I don’t want to suddenly have a cow-based product (like milk) appear in a world that has not seen a cow in forever, and where a cow would have to scale a sky-high tower made of bone to get that milk there. NO that would be bad and has never happened, ever. (Thank you again, brilliant copy editor Ana Deboo, for, ehrm … Completely Unrelated Reasons.)
So when Aidan asked, I began to think about those Fantasy Foodies who get it right — and who make our mouths water in the process. Here are thirteen1 of my favorites (there are many more, but the list grew unmanageable), in alphabetical order, and I’ve given you some amuse-bouche quotes to go with them. Read More »
Previously on “Anatomy of a Sale,” I made my first short story sale and then had no luck for almost five months. But then I made sale after sale after sale, I got an anthology invite, and I was asked to be Assistant Editor of a magazine. Things were happening!
And then nothing happened for a couple months.
Sale #5 – “Marcie’s Waffles Are the Best in Town”
Last June several of us Bay Area writers formed a small community on Twitter, dubbed #baywriters by Christie Yant (who is not in the Bay Area but is generally a positive influence on writers). We organized writing sprints, and one night when we were getting ready to write 1000 words in half an hour, I asked for a prompt. I got this.
Sometimes a bizarre Twitter prompt turns into a silly story about a psychic alligator, and sometimes it turns into an emotionally devastating story about a woman in a post-apocalyptic diner. I cranked out a first draft (826 words) that night.
And then I didn’t touch it for six months. I worked on other projects, but in the back of my head, I knew that I had a viable, compelling piece there that I wanted to revise one day. Normally I don’t wait so long to revise because it can be hard to recapture the voice and the world, and I may have lost my initial grip on the narrative, but I was very pleased to be able to come back to this piece in January and whip it into shape over the course of a month.
“Marcie’s Waffles Is the Best in Town” is my fastest sale since my first, selling on its third time out, and it illustrates what I was saying above about personal rejections. Read More »
On September 12, 2013, I declared in front of God and Facebook that by that time next year, I was going to be a published author. Ten months later, I made my first short story sale (at pro rates), and since then I’ve made eight more, all but one to pro markets. There are a number of factors to which I could attribute my rapid success—one being that I have been writing for decades, I simply had not been submitting to SFF markets, so my craft was fairly well honed by that point—but the most important, in my opinion, was that I received advice from more seasoned writers on how and where to submit. In fact, one reason I even decided to try my hand at becoming published was because the SFF community is so supportive of new authors, and I knew I had a network of people to show me the ropes. And show me they did.
Now, I am hardly seasoned (I just got here! is my constant refrain), but I want to be a knowledge conduit. In this post I will examine each one of my sales and provide statistics and numbers, dissecting the process to extract vital information that you can use in your own career. But more than that, I hope that my experience can be both inspiring and comforting: a bibliography does not tell you how many times a story was rejected, how long a story took to sell from its inception (either idea or first draft), how many submissions the writer made. If you are a new writer, if you are about to begin submitting to magazines, you should be aware of these things. I made my first submission in December 2013, but I did not begin submitting in earnest until March since, well, I didn’t have more things to submit! Since then, however, I’ve been submitting constantly. Come with me as I break down the mystery. Read More »
Via their blog, Harper Voyager announced today that Becky Chambers’ critically-acclaimed science fiction novel, The Long Way to a Small, Angry Planet will be coming to the United States this year. It was acquired by Kelly O’Connor, Assistant Editor at HarperCollins Publishers. Chambers initially self-published The Long Way after a successful Kickstarter campaign, and eventually saw the novel nominated for a Kitschie Award. After that, traditional publishers began to take notice. In addition to Voyager, Hodder & Stoughton is publishing Chambers’ novel in the UK.
“We can’t wait to get this into readers’ hands,” O’Connor told me. “We’ve had The Long Way to a Small, Angry Planet on our radar for some time, and jumped at the chance to publish it again in the US. This story is space opera at its finest, but also so much more! Becky does a fabulous job of touching on important themes like family, diversity, and identity.”
I’m disappointed to see Voyager re-using cover art assets from the self-published release, rather than following Hodder & Stoughton’s lead and producing a new, original cover for the book (I mean, check out the UK cover! Gorgeous!), but a tight production schedule and (initial) digital-only release necessitate some concessions.
Coinciding with Hodder & Stoughton’s hardcover release in the UK, Voyager will release a digital edition of The Long Way to a Small, Angry Planet on August 13th, just a few weeks from now, followed by a paperback release in Summer 2016.