“Show, don’t tell” is a beginner’s strategy. Dramatize when it’s time to dramatize, summarize when it’s time to summarize. Knowing the difference is the job description.

Be concrete and specific.

Don’t fear infodumps; telling people what’s going on includes them in on the story. Just don’t make them boring.

Withholding information breeds confusion. Providing information builds tension. (“The essential fact is to get real suspense you must let the audience have information.” –Alfred Hitchcock)

Gentle emotions are more powerful than violent ones.

Think about how things smell and taste.

Write fast, edit ruthlessly.

Trust your readers to be as smart as you are, but don’t assume they can read your mind.

Narrators aren’t evil, nor are they sinless. Tell the story in a voice, but not about the voice.

Get out of the way. The more I use fiction to show everyone how clever I am, the more I compromise my story.

FOR IMMEDIATE RELEASE
March 9, 2010

Pyr Celebrates 5th Anniversary With Essay Contest

Grand Prize Winner Embarks on a ‘Pyr and Dragons Adventure’

Amherst, NY — To celebrate their 5th anniversary, Pyr, the science fiction and fantasy imprint of Prometheus Books, will sponsor a contest that incorporates things they hold dear: creative and powerful writing, a passion for reading genre fiction, and this year’s special number, five.

For their Pyr and Dragons Adventure 5th Anniversary Contest, Pyr invites readers and fans to submit a short essay on the theme: Five reasons why science fiction and fantasy is important to you.

Eligibility requirements follow*. Any essay submissions that do not meet these guidelines will be disqualified:

- Entrants must reside in the Continental United States and be at least 21 years of age.
- Essays must be no longer than 1500 words.
- Essays must be emailed to publicity@prometheusbooks.com as a Word document attachment, with the subject line “Pyr and Dragons Adventure Essay Submission.”
- The body of the submission email must clearly identify the entrant’s full name, address (within the Continental United States), phone number and email address.
- All submissions must be received between April 1, 2010 and June 1, 2010.

*For complete list of rules and regulations see http://www.pyrsf.com/.

All eligible essays will be read and reviewed by publishing staff at Prometheus Books. Not all of these preliminary readers will be science fiction and fantasy fans, so outstanding essays will likely be those that pique their interest in the genre and make them want to read it too. The top twenty-five essays as determined by these industry professionals will be read by Pyr Editorial Director Lou Anders, who will select the top three.

The writer of the Third Place essay will win a commemorative Pyr 5th anniversary keepsake and five complimentary books of their choice from the Pyr catalog.

The writer of the Second Place essay will win a complete set of Pyr books as published by the contest end date of June 1, 2010 (one copy of each title, without duplicating those that appear in more than one binding) and a commemorative Pyr 5th anniversary keepsake.

The Grand Prize Winner will embark on a “Pyr and Dragons Adventure” that includes*:

The grand prize winning essay will be posted at the Pyr-o-mania blog, and may be promoted by the publisher by other means, including but not limited to their other blogs, websites, e-newsletters and social networking pages.

Prometheus Books—a provocative, progressive and independent publisher of nonfiction since 1969—launched Pyr in March 2005 to complement its strength in popular science. The imprint rather quickly earned acclaim, awards, and loyal fans, including Pulitzer Prize–winning author Junot Díaz, who called Pyr “the imprint to beat in the science fiction and fantasy fields.”

With an emphasis on quality, Pyr helped to introduce readers to some authors then little-known in the U.S., such as John Meaney, Ian McDonald, Joel Shepherd, Justina Robson, and Joe Abercrombie. Pyr has also published such established authors as Mike Resnick, Robert Silverberg and Michael Moorcock. Pyr Editorial Director Lou Anders has been nominated for the Hugo Award for Best Editor Long Form for three consecutive years. In 2009, Prometheus Books and Pyr launched a major e-book initiative, with titles available on Kindle and programs with many different e-reader platforms in the works. In 2010, in addition to celebrating its five-year anniversary, Pyr will publish its 100th title.

# # #

For a complete list of contest rules and regulations see http://www.pyrsf.com/

Over 6 hours of my onscreen compositing, retouching, color correction, type obsessing, all condensed down to a slim sexy one minute 55 seconds of cover design. Trust me, no one wants to watch it in real-time…and even then I left out the not-as-riveting-onscreen stages of my cover design process, such as reading the manuscript, sifting through Alexia photoshoot outtakes, background photo research, etc. And since this is a series look that has already been established for Soulless and Changeless, there weren’t the usual batches and rounds of versions of different designs that happen with standalone or first-in-a-new-series covers. That would be a weeklong video!

So, let’s talk about your blog for a bit. You’re pretty connected to the news of the fantasy world, able to get interviews with such greats as Blake Charlton and even deign to speak with such no-names like Joe Abercrombie, your reviews tend to be viewed as honest and affable and you’re a writer yourself. You’re officially one of the big names in blogging. Do you think your success is undeserved? And if not, don’t you think you should? What’s next for A Dribble of Ink?

Okay, first I should clear some things up about Abercrombie. He came to me. Both times, on hands and knees, no less. I don’t know why he was so desperate, his books are pretty popular, but he hounded me excessively, begging me to allow him on the blog.

One night, at three in the morning, I got a phone call. On the other end, through the static of the trans-atlantic phonelines, I could hear heavy breath, like the person was breathing only through their mouth, and the gentle scrape of a comb running through a well-tended neck-beard.

He uttered a single phrase, which I will not appear here, that sent a chill down my spine and haunting my dreamscapes with visions of Logen, Friendly and Ferro having unending threesomes. Ever since then, he’s been allowed to come on my blog and rant, in hopes that the dreams may one day cease.

As for the success of my blog, well, I work hard on it and pour a very substantial part of myself into it, so in that respect, yeah, I think the success is deserved. That said, my official answer is: ‘I’m nothing more than a humble guy just doin’ his thing. I didn’t even know people read my blog, I guess that’s kinda neat!’. There, now I don’t sound like an asshole.

What’s next? Onwards and upwards. This year I hope to cover more short fiction and conduct more interviews. Hopefully there’s good news on my own writing, also. Then I can turn A Dribble of Ink into a platform to shill my own material. That would be good, no?

The sea is full of saints. You know that? You know that: you’re a big boy.

The sea’s full of saints and it’s been full of saints for years. Since longer than anything. Saints were there before there were even gods. They were waiting for them, and they’re still there now.

Saints eat fish and shellfish. Some of them catch jellyfish and some of them eat rubbish. Some saints eat anything they can find. They hide under rocks; they turn themselves inside out; they spit up spirals. There’s nothing saints don’t do.

Make this shape with your hands. Like that. Move your fingers. There, you made a saint. Look out, here comes another one! Now they’re fighting! Yours won.

There aren’t any big corkscrew saints any more, but there are still ones like sacks and ones like coils, and ones like robes with flapping sleeves. What’s your favourite saint? I’ll tell you mine. But wait a minute, first, do you know what it is makes them all saints? They’re all a holy family, they’re all cousins. Of each other, and of . . . you know what else they’re cousins of?

That’s right. Of gods.

Alright now. Who was it made you? You know what to say.

Who made you?

Long ago, Susan Rodriguez was Harry Dresden’s lover-until she was attacked by his enemies, leaving her torn between her own humanity and the bloodlust of the vampiric Red Court. Susan then disappeared to South America, where she could fight both her savage gift and those who cursed her with it.

Now Arianna Ortega, Duchess of the Red Court, has discovered a secret Susan has long kept, and she plans to use it-against Harry. To prevail this time, he may have no choice but to embrace the raging fury of his own untapped dark power. Because Harry’s not fighting to save the world…

He’s fighting to save his child.

I told Irene that I was offering to do a grander, wider scene so that the viewer could explore the battle. It would stretch far enough to break the borders of the square, but to compensate, I composed it so that we could pick a ‘sweet spot’ to place on the cover. I let that spot dictate the broader POV.

As I stretched the scene, stage left, I found myself able to include more of what was happening in the story. I wanted to give a sense of distance to the landscape, while bringing figures forward enough that they’re almost on top of you. But the closer the figure, the more they block. And explosions take up a lot of real estate in a painting.

I had to pick the moment carefully. Depict a moment too far in advance of the mayhem and it weakens the excitement. Too far after the initial firestorm and I’d be depicting heaps of charred meat. I chose the moment just before the detonations went rending through the ranks completely. The wave is just starting to sweep over the Aiel, but as timing isn’t quite so precise, I depicted the flames cresting quickly from right to left, allowing the viewer “time” to see what was about to come. Utter flaming chaos.

Imagine a world in which you could peel written words off a page and make them physically real. You might pick your teeth with a sentence fragment, protect yourself with defensive paragraphs, or thrust a sharply-worded sentence at an enemy’s throat.

Such a world is home to Nicodemus Weal, an apprentice at the wizardly academy of Starhaven. Because of how fast he can forge the magical runes that create spells, Nicodemus was thought to be the Halcyon, a powerful spellwright prophesied to prevent an event called the War of Disjunction, which would destroy all human language. There was only one problem: Nicodemus couldn’t spell.

Runes must be placed in the correct order to create a spell. Deviation results in a “misspell”—a flawed text that behaves in an erratic, sometimes lethal, manner. And Nicodemus has a disability, called cacography, that causes him to misspell texts simply by touching them.

Now twenty-five, Nicodemus lives in the aftermath of failing to fulfill prophecy. He finds solace only in reading knightly romances and in the teachings of Magister Shannon, an old blind wizard who’s left academic politics to care for Starhaven’s disabled students.

But when a powerful wizard is murdered with a misspell, Shannon and Nicodemus becomes the primary suspects. Proving their innocence becomes harder when the murderer begins killing male cacographers one by one…and all evidence suggests that Nicodemus will be next. Hunted by both investigators and a hidden killer, Shannon and Nicodemus must race to discover the truth about the murders, the nature of magic, and themselves.

Winter is, indeed, coming.

HBO has greenlighted highly anticipated fantasy series “Game of Thrones.”

The premium network has picked up the project for a first season debut next spring (below is the first released photo from the series). Nine episodes plus the pilot have been ordered. Production will begin in Belfast this June.

From the moment the project was first announced in development, the series based on the George R.R. Martin novels has generated enormous, perhaps unprecedented, online interest for a series at such an early stage.

The sprawling tale set in the mythical land of Westeros tells the story of the noble Stark family who become caught up in high court intrigue when patriarch Eddard (played by Sean Bean) becomes the king’s new right-hand man. The four-and-counting books in the series would each be used as one season of the series.

Unlike many fantasy novels, the “Thrones” series largely avoids relying on magical elements and instead goes for brutal realism — think “Sopranos” with swords. Martin, a former TV writer (“Beauty and the Beast”), writes each chapter as a cliffhanger, which should lend itself well to series translation.

Gavin Guile is the Prism, the most powerful man in the world. He is high priest and emperor, a man whose power, wit, and charm are all that preserves a tenuous peace. But Prisms never last, and Guile knows exactly how long he has left to live: Five years to achieve five impossible goals.

But when Guile discovers he has a son, born in a far kingdom after the war that put him in power, he must decide how much he’s willing to pay to protect a secret that could tear his world apart.

Your friendly neighborhood Creative Director here really had a hard time balancing how much to show, what tone the cover should have, what the color of the cover could be (hint, hint), and still remain true to the story and world inside. We must have gone through a thousand poses, color and lighting treatments, and crops. Debate raged for months over this one, as some of you heard about when a prior version of the cover was unofficially released. What was great was so many people were involved in the development of this cover, and so much feedback was taken into account, that I think we’ve really nailed this cover for a book which we hope will blow you away both inside and out.

When I received the manuscript from Tor I was somewhat dismayed. 1400 pages! I felt that it would be tough sledding to work my way through such a massive fantasy epic.

As it turned out, though, I was soon hooked and lost in the world Mr. Sanderson so skillfully realized. It helped that the writing had a rich cinematic quality that brought images of scenes, characters and creatures to my mind as if I were immersed in a Myst-style virtual reality adventure, or watching a movie.

That was fun to read, but it made my work for the cover art very difficult indeed. How can one successfully distill enough of this novel to possibly do justice to the book with one picture? It was a steep challenge.

This manuscript is about 200 pages longer, and about 500 pages different than the last one I took a picture of. I’ve fixed plotting, tweaked characters, cut scenes, added scenes, re-written, re-organized, re-read, and re-re-organized sections of it so many times that I couldn’t even begin to give you a number of versions it’s been through.

Now last time I posted up a picture of a manuscript on the blog, people got all twitterpated. They saw that big stack of papers and said things like, “Yay! That means the book will be out next month!!1!” and “Wow! How are they going to bind something that big?!?”

So before we all go leaping to a bunch of unfounded and erroneous conclusions, let’s talk about a few things.

First, this manuscript is printed in….(wait for it) manuscript format. That means it’s one-sided, double spaced, and printed in courier new font. That’s what makes it look so big. Typesetting the book comes later in the process. That’s one of the many, many steps that comes later.

That said, The Wise Man’s Fear is going to be bigger than The Name of the Wind by at least 100,000 words or so.

Second, let’s discuss what a draft is. A draft is a version of a piece of writing. Almost always it is an early or preliminary version. You can have things like a rough draft, which is… well… rough. A second draft, which comes after the first draft. Or you can have things like a final draft, which is… well… final.

Is this going too fast for anyone?

This is not the final draft of book two. If it were, I would have said something like, “This is the final draft of book two.” But I didn’t. So it’s not.

But it isn’t a rough draft either. The one I turned in several months ago was rough. There were some bad plot holes, some logical inconsistencies, pacing problems, and not nearly enough lesbian unicorns.

This draft is tighter, cleaner, and all around better. I’m really pleased with it, but it’s not quite perfect. Not yet.

…

What happens now?

This manuscript goes to my editor, Betsy. She reads it carefully, maybe twice. She makes notes, then we talk about what she thinks might need to be changed/tweaked/fixed.

Then, depending on how much work we think it needs. We put it into the production schedule. That means we’ll have a publication date. Which I will tell you. On the blog. With words.

Then I do another set of revisions. Or more likely, several smaller sets of revisions, as I’m a freak like that. Luckily, these next sets won’t be nearly so extensive as my last round.

In metaphorical terms, the last round of revisions was like an organ transplant. Invasive, complex, labor intensive, and with a long recovery time. The revisions I do after this will probably be more like cosmetic surgery. Or an appendectomy at worst.

But first, I get to relax. I’ve been working on this fucker nonstop for months. And now, finally, I get to take a break while I wait for Betsy’s feedback.

…

So…. that’s the news. The book is going well. There are parts of it that I’m so proud of that I almost can’t help but talk about them here. It’s coming. Be patient. And rest assured that I’m not just lounging around, doing whippets and eating the cotton-candy underthings off nubile young catgirls.

Try to leave out the part that readers tend to skip. Think of what you skip reading a novel: thick paragraphs of prose you can see have too many words in them.

- Elmore Leonard

You don’t always have to go so far as to murder your darlings – those turns of phrase or images of which you felt extra proud when they appeared on the page – but go back and look at them with a very beady eye. Almost always it turns out that they’d be better dead. (Not every little twinge of satisfaction is suspect – it’s the ones which amount to a sort of smug glee you must watch out for.)

- Diana Athill

Don’t sit down in the middle of the woods. If you’re lost in the plot or blocked, retrace your steps to where you went wrong. Then take the other road. And/or change the person. Change the tense. Change the opening page.

- Margaret Atwood

Do change your mind. Good ideas are often murdered by better ones. I was working on a novel about a band called the Partitions. Then I decided to call them the Commitments.

- Roddy Doyle

Finish the day’s writing when you still want to continue.

- Helen Dunmore

Beware of clichés. Not just the clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought – even of conception. Many novels, even quite a few adequately written ones, are clichés of form which conform to clichés of expectation.

- Geoff Dyer

Only bad writers think that their work is really good.

- Anne Enright

Don’t drink and write at the same time.

- Richard Ford

Never use the word “then” as a conjunction – we have “and” for this purpose. Substituting “then” is the lazy or tone-deaf writer’s non-solution to the problem of too many “ands” on the page.

- Jonathan Franzen

A story needs rhythm. Read it aloud to yourself. If it doesn’t spin a bit of magic, it’s missing something.

- Esther Freud

Put one word after another. Find the right word, put it down.

- Neil Gaiman

Never complain of being misunderstood. You can choose to be understood, or you can choose not to.

- David Hare

Read widely and with discrimination. Bad writing is contagious.

- PD James

Defend your work. Organisations, institutions and individuals will often think they know best about your work – especially if they are paying you. When you genuinely believe their decisions would damage your work – walk away. Run away. The money doesn’t matter that much.

- AL Kennedy