Posts Categorized: Cover Art

If you’re at all familiar with this blog, you’ve probably realized, by now, one thing: Aidan Moher does not like my covers. Not since the discovery of the hooded man has Aidan Moher despised so thoroughly a creature. Perhaps this is something to take pride in: that man standing in water has overtaken hooded man as most despotic cover criminal. But I could not take heart in this, my friends. Not when I knew I had wounded Aidan so.

Admittedly, this was tragic news to hear when I first discovered it. It took some time, but I did heal. It took even more time to recover from when he kept raising giant, blown-up prints of Black Halo’s cover on my lawn and setting them on fire, but even then, my commitment to restoring my honor with Clan Moher did not falter.

And then, joy of joys, he delivered me this terse, brusque invitation to do a guest blog for A Dribble of Ink. And thus, a child of opportunity was vomited forth from the womb of fate, cleaned by the doctor of second chances and delivered squealing into the heaving bosom of mother friendship to nurse at the teats of–

Well, you understand where I’m going with this, anyway.

So this blog post, Aidan, is my wedding present to you. Inspired by the elegant simplicity of the Criterion Collection series of DVDs, I create, for you, a re-imagined set of artistically tasteful covers. May I present…the Moher Collection.

Black Halo by Sam Sykes

Tome of the Undergates by Sam Sykes
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Thief's Covenant by Ari Marmell

Time and again, Pyr Books produces the best book covers in the industry. This time it’s Thief’s Covenant by Ari Marmell (formerly known as Household Gods). Normally I’d bitch about another thief-in-leather cover, but Lou Anders, the art team at Pyr and artist Jason Chan take the tired concept and inject some life into it. It proves that a good artist can take those proven elements (sexy figures sell books, you know), literally flip them on their heads, still have fun and, most importantly, be successful both artistically and commercially. Along with The Goblin Corps., Marmell’s really hitting the mark with his recent cover art.

Since I can’t complain about the cover, I will point out that Household Gods was a way better title. Still, regardless of the title, I can’t wait to get my hands on this one.

THE ALLOY OF LAW by Brandon Sanderson (UK Edition)

Just a couple of weeks ago, the cover art for the Tor Books edition of Brandon Sanderson’s The Alloy of Law leaked onto the web. It’s pretty, if McGrathy, and ties in well with his other Mistborn novels. As much as I had issues with the final two volumes of the trilogy (they should have been one tight novel), The Alloy of Law remains one of my most anticipated novels for 2011.

This UK cover only gets me more hot-and-bothered. Again, like the US cover, it ties in very nicely with the previously released covers for the original trilogy. I appreciate that they’re not beating you over the head with Steampunk (which Sanderson’s assistant, Peter Ahlstrom, has indicated is a bit of a misnomer when used to describe the novel) and instead embraces the magic and atmosphere of the series. I love the tagline, too:

There is still magic…

Sure, it’s generic, but anyone who’s finished the first trilogy can’t help but be curious given the climax and its fallout. Can’t wait to get my hands on a copy of this.

THE SHADOW WAR OF THE NIGHTS DRAGONS: BOOK ONE: THE DEAD CITY by John Scalzi

Night had come to the city of Skalandarharia, the sort of night with such a quality of black to it that it was as if black coal had been wrapped in blackest velvet, bathed in the purple-black ink of the demon squid Drindel and flung down a black well that descended toward the deepest, blackest crevasses of Drindelthengen, the netherworld ruled by Drindel, in which the sinful were punished, the black of which was so legendarily black that when the dreaded Drindelthengenflagen, the ravenous blind black badger trolls of Drindelthengen, would feast upon the uselessly dilated eyes of damned, the abandoned would cry out in joy as the Drindelthengenflagenmorden, the feared Black Spoons of the Drindelthengenflagen, pressed against their optic nerves, giving them one last sensation of light before the most absolute blackness fell upon them, made yet even blacker by the injury sustained from a falling lump of ink-bathed, velvet-wrapped coal.

I’ll be honest. As much as I’ve always enjoyed Scalzi’s Science Fiction novels, I have also yearned for the day when he’d finally make a leap into the more viable, much more enjoyable realm of Fantasy. Inspired by many of the most prominent self-published novels of the past several years, The Shadow War of the Night Dragon: Book One: The Dead City finally looks to be that leap towards respectability that Scalzi’s always needed.

As for the cover itself: at first I was worried that that the typography was a little over the top—I mean, it’s huge, lime green and longer than healthy, but the more I look at the cover, the more I think it just… works. It’s certainly something that would catch a readers eye at the bookstore, and that’s the true purpose of cover art. What I appreciate most, however, is that the artist, the lovely John Stanko, hasn’t gone out of his way to emulate/trace/photograph a bunch of J-Crew models, but, instead went down to his local pub, rounded up some of the fellows sitting long-faced over their beers and used them as inspiration. It gives the novel a more genuine feel and makes me believe they could take on that scary Dragon lurking in the shadows of the background.

If you’re as curious about The Shadow War of the Night Dragon: Book One: The Dead City as I am, Tor.com has an early excerpt out. Review copies are expected within the next week or so, so keep an eye out for an early review later this month! Now, to go brush up on my Cthulhu-language so I can pronounce some of those names…