Posts Categorized: Cover Art

Snagged from BSC Review:

A Transatlantic Tunnel, Hurrah! by Harry Harrison

A metal highway under the sea is no longer a dream. Captain Augustine Washington and his team of navvies are already driving the tunnel under the Atlantic in an heroic feat of construction. For Gus, a descendant of the infamous George Washington, executed as a traitor after the Battle of Lexington, this is the opportunity to redeem the family name. But his beautiful fiancee has been forced to end their engagement, and there is a ruthless and sinister plot to destroy the tunnel – and Gus himself…

Man, between this and the Angry Robot Books editions of Infernal Devices and Morlock Night by K.W. Jeter, the progenitors of the Steampunk genre have sure been getting some amazing cover treatments. Yay! for old books being given a fair shake with a new audience. Hopefully we see more of this across all genres.

Cheers to the art team at Tor Books and artist Lorenzo Petrantoni.

The Dragon's Path by Daniel Abraham

To top off a week-long deluge of information regarding Daniel Abraham and his upcoming The Dagger and the Coin series, we’ve got a first glimpse of early cover art for The Dragon’s Path, the first volume in the series.

The dragons are gone, the powerful magics that broke the world diluted to little more than parlour tricks, but the kingdoms of men remain and the great game of thrones goes on. Lords deploy armies and merchant caravans as their weapons, manoeuvring for wealth and power. But a darker power is rising – an unlikely leader with an ancient ally threatens to unleash the madness that destroyed the world once already. Only one man knows the truth and, from the shadows, must champion humanity. The world’s fate stands on the edge of a Dagger, its future on the toss of a Coin.

It’s from a catalogue, so likely it’s an early draft, but, well, I kinda dig it! It doesn’t blow my socks off like the Tor Books editions of The Long Price Quartet (A Shadow in Summer, The Price of Spring), but it’s succinct and ‘Fantasy’ without being over-the-top and should appeal to the Joe Abercrombie/Richard Morgan/Paul Kearney/Brent Weeks crowd, which is a very good thing, in terms of his marketability and expanding his audience. Particularly, I like the choice of classic art used in the background, rather than going with something more contemporary. It’s a small touch, but a nice one. My frothing demand for this novel grows.

If/when I get my hands on it, I’ll be sure to post the final version of the cover.

Content Warning: Transphobia — In both my original post and comments in the discussion below, I make ignorant and hurtful anti-trans remarks. They are wrong now and were wrong at the time I wrote them. I was wrong—and Mr. Newton correctly called out my ill-informed and ill-considered words. I apologize to those hurt by my words and to the wider transgender community.

Trans women are women. Period.

If you would like more information about how to support the transgender community, please visit GLAAD’s page about “Things You Can Do For Transgender Equality.” – Aidan Moher, June 27, 2020

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Knicked from The Mad Hatter:

'The Unremembered' by Peter Orullian

The gods, makers of worlds, seek to create balance—between matter and energy; and between mortals who strive toward the transcendent, and the natural perils they must tame or overcome. But one of the gods fashions a world filled with hellish creatures far too powerful to allow balance; he is condemned to live for eternity with his most hateful creations in that world’s distant Bourne, restrained by a magical veil kept vital by the power of song.

Millennia pass, awareness of the hidden danger fades to legend, and both song and veil weaken. And the most remote cities are laid waste by fell, nightmarish troops escaped from the Bourne. Some people dismiss the attacks as mere rumor. Instead of standing against the real threat, they persecute those with the knowledge, magic and power to fight these abominations, denying the inevitability of war and annihilation. And the evil from the Bourne swells….

The troubles of the world seem far from the Hollows where Tahn Junell struggles to remember his lost childhood and to understand words he feels compelled to utter each time he draws his bow. Trouble arrives when two strangers—an enigmatic man wearing the sigil of the feared Order of Sheason and a beautiful woman of the legendary Far—come, to take Tahn, his sister and his two best friends on a dangerous, secret journey. Tahn knows neither why nor where they will go. He knows only that terrible forces have been unleashed upon mankind and he has been called to stand up and face that which most daunts him—his own forgotten secrets and the darkness that would destroy him and his world.

Kekai Kotaki, once again proving why he’s one of the best in the Fantasy art business. I’ve been a fan of his since I first saw his art for the Guild Wars RPG series, and I’m more a fan every day. I also appreciate that Tor Books lets Kotaki’s art speak for itself, rather than adorning it with overblown typography. Beautiful.

The book itself sounds good (as much as I’ve grown broader in my tastes, I’m still a sucker for big Epic Fantasy; plus, like forests and bows and stuff. Reminds me of Elves in D&D, which I’m also a sucker for). I dunno about that title, though. How do you ‘unremember’ something? Nevertheless, I’m sure the book will let us know. Lord knows I’ve ran across a few things on the Internet that I’d like to ‘unremember’… not to mention a few novels.