Posts Categorized: Cover Art

Kraken by China Miville
US Edition

 

Kraken by China Mieville, UK Edition
UK Edition

 

The Natural History Museum’s prize exhibit – a giant squid – suddenly disappears. This audacious theft leads Clem, the research scientist who has recently finished preserving the exhibit, into a dark urban underworld of warring cults and surreal magic. It seems that for some, the squid represents a god and should be worshiped as such. Clem gradually comes to realise that someone may be attempting to use the squid to trigger an apocalypse. And so it is now up to him and a renegade squid-worshiper named Dean to find a way of stopping the destruction of the world as they know it whilst themselves surviving the all out-gang warfare that they have unwittingly been drawn into…

A couple of takes on the cover art for the upcoming Kraken by China Mieville. I really like ’em both, but if I had to choose I’d probably go towards the subtler look of the US Edition. Which one do you like better?

Blood of the Mantis by Adiran Tchaikovsky

Driven by the ghosts of the Darakyon, Achaeos has tracked the stolen Shadow Box to the marsh-town of Jerez, but he has only days before the magical box is lost to him forever. Meanwhile, the forces of the Empire are mustering over winter for their great offensive, gathering their soldiers and perfecting their new weapons. Stenwold and his followers have only a short time to gather what allies they can before the Wasp armies march again, conquering everything in their path. If they cannot throw back the Wasps this spring then the imperial black-and-gold flag will fly over every city in the Lowlands before the year’s end. In Jerez begins a fierce struggle over the Shadow Box, as lake creatures, secret police and renegade magicians compete to take possession. If it falls into the hands of the Wasp Emperor, however, then no amount of fighting will suffice to save the world from his relentless ambition.

A few weeks ago, I posted the covers to two of Tchaikovsky’s novels, Empire in Black and Gold and Dragonfly Falling, which I was quite fond of, in a schlocky-ass-kickery-Fantasy kinda way. Pyr Book released the cover to Tchaikovsky’s third novel, Blood of the Mantis, also with art by Job Sullivan and I’m not quite so enamoured with it.

It’s full of energy and evocative imagery, which I’ve come to expect from Pyr, and I don’t even mind the dreaded ‘hooded-figure’, but the CGI artwork is a bit more obvious this time, compared to the previous two covers. Reminds me a bit of that scene in The Lord of the Rings movie when Frodo falls in the Dead Marshes and is attacked by those weird ghosts. Still, the colour scheme is great, and it’ll certainly stand out on the shelves next to its two companions.

Spellwright by Blake Charlton (UK Edition)

Well, apparently Blake Charlton’s UK publisher reads my blog. I tore his UK cover apart when it was released a few weeks ago, and just today, a new cover for the novel was released. It’s an improvement, for sure, but still not a cover I could ever fall in love with. For one thing, the art intern is still dressed up in a cloak, and casting some sort of magical ball that never appears in Spellwright, but at least there’s some sort of direction behind the artwork. Having just finished Spellwright, my biggest frustration (besides the poor photo manipulation, typography and general mish-mashed feel) is that the cover just doesn’t represent the novel as accurately as the US cover. But, I guess that’s the difference between commissioning Todd Lockwood art and hiring your art intern as a model.

Walking The Tree by Kaaron Warren

Botanica is an island, but almost all of the island is taken up by the Tree.

Little knowing how they came to be here, small communities live around the coast line. The Tree provides them shelter, kindling, medicine – and a place of legends, for there are ghosts within the trees who snatch children and the dying.

Lillah has come of age and is now ready to leave her community and walk the tree for five years, learning all Botanica has to teach her. Before setting off, Lillah is asked by the dying mother of a young boy to take him with her. In a country where a plague killed half the population, Morace will otherwise be killed in case he has the same disease. But can Lillah keep the boy’s secret, or will she have to resort to breaking the oldest taboo on Botanica?

Another astonishingly imaginative novel from the acclaimed author of Slights.

I’d never heard of Walking the Tree (or Kaaron Warren, for that matter), before stumbling across it on the Angry Robot Books website, but damn if that cover didn’t grab my attention right away.

With artwork by Greg Bridges, this cover just bleeds with magical atmosphere. This is a great example of how good art let’s a cover speak for itself. It’s also exactly the type of cover I’d love to have on my novel, Through Bended Grass, if I’m ever lucky enough to see it on bookstore shelves.

The Dragon Reborn artwork, by Donato Giancola

Irene Gallo has posted the artwork for the upcoming E-book edition of Robert Jordan’s The Dragon Reborn, painted by Donato Giancola. Donato explains the process behind coming up with the art:

The character of Rand al’Thor is a reluctant player in the destiny foretold for him within the complexities of the Wheel of Time. Rather than focusing on the conflicts, battles, and web of political maneuverings Robert Jordan brings to life within these novels, I wanted to portray the character grappling with an internal struggle the common reader can more easily relate to through their own experiences. The choices (or lack there of) Rand had before him provided us with a glimpse into this figure’s past as an average, down to earth person.

The choice between the sword and the flute for me, exemplifies the issues Rand has engaged on the path in becoming the Dragon Reborn. He must turn is back on the simple life he had previously known, and embrace his destiny. It was this transformation I found most interesting as a challenge to illustrate, forsaking all the wonderful magical moments and epic conquests which could easily have produced a striking image. But this personal dilemma simply seemed more human, representing a difficult psychological change in the character and reflected the basic theme within the novel.

Donato is one of my favourite working artists, but this artwork is a little hit-or-miss for me. I love the little details, like the Dragon Banner that Rand is sitting on, and the inclusion of both his Heron Mark sword and his flute. It speak nicely of some of the quieter moments in the novel, which is great for fans of the series, but doesn’t necessarily capture the energy and importance of the novel, at least in a things-really-kick-into-overdrive-in-this-novel kind of way. The scene of Rand capturing Callandor, featured on the original novel, seems more appropriate for the cover. Still the artwork itself is fantastic.

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