Posts Categorized: Cover Art

Pat’s recent post reminded me that I meant to make a similar post that I’ve been wanting to point out Blake Charlton‘s Spellwright.

Spellwright by Blake Charlton

Imagine a world in which the written word can leave a page to physically lift a man into the air, sharpen his pitchfork, or stop his beating heart.

Such a world is home to Nicodemus Weal, a young wizard with tremendous talent for forging the magical runes which can create spells. Indeed, throughout his adolescence, Nicodemus was thought to be the Halcyon, a powerful magic-user prophesized to save the land from a coming apocalypse known only as the Disjunction.

There was only one problem: runes must be placed in an exact order to create a spell. Any deviation results in a “misspell”–a flawed spell that behaves in an erratic, sometimes lethal, manner. It so happens that Nicodemus is a “cacographer,” one unable to correctly reproduce even simple texts.

Now twenty-three, Nicodemus lives in the devastating aftermath of having failed to live up to prophecy. His magical talent is restricted to the kitchen, where he cleans pots and scrubs walls with childish language. Life slips by one aggravating day at a time until a visiting author identifies an ancient curse infesting the young wizard’s mind. The malicious text has, in fact, stolen his ability to spell. Suddenly, the two wizards closest to Nicodemus are murdered violently and he is forced to flee his home in a desperate quest to recover the stolen part of his mind.

SPELLWRIGHT is the first volume of Nicodemus’ journey across the kingdoms of Faragard, his encounters with monsters and gods who distort language to their own ends, and his internal struggle to accept himself as whole without his ability to spell.

Like most of the hyped-up debut novels of the last few years (The Blade Itself by Joe Abercrombie, The Name of the Wind by Patrick Rothfuss, The Red Wolf Conspiracy by Robert V.S. Redick, etc…) Spellwright doesn’t sound like a bastion of new, uncharted ideas, but what’s getting me excited about it are the list of authors who have been providing nice blurbs about it.

Blake Charlton has not only invented a fascinating world and peopled it with realistic people and wonderful, grisly monsters, but he has also created one of the few truly original magical systems we’ve seen in fantasy fiction. The lucid complexity of the magic reminds me of Jack Vance, which is high praise indeed. I’m fascinated to see what happens next and will be following every word with the absorption of an apprentice spellwright. You will be, too. –Tad Williams

Nicodemus Weal is a protagonist that all of us can identify with. SPELLWRIGHT features a unique system of magic and characters that are genuine inhabitants of that world. SPELLWRIGHT is a letter-perfect story: an absorbing read and recommended. –Robin Hobb

SPELLWRIGHT is exactly the kind of book that got me into fantasy in the first place. Blake Charlton has built a world that his as new as it is classic, and a story that kept me reading late into the night. Blake Charlton is a talent to watch. –Daniel Abraham

Blake Charlton’s novel is, quite literally, a magical and spellbinding adventure about overcoming the sort of odds that many in our own world struggle with. –Tobias Buckell

I usually don’t give a whole lot of thought to author blurbs, but I can’t really ignore when the list includes so many of my favourite authors. Whether Spellwright will set the world on fire or not remains to be seen, but it has certainly done enough (hey, the beautiful Todd Lockwood artwork on the cover helps, despite the lame font) to make sure I keep an eye on it.

You can find Charlton’s website HERE and his (entertaining) blog HERE.

The Magicians by Lev Grossman

Quentin Coldwater is brilliant but miserable. He’s a senior in high school, and a certifiable genius, but he’s still secretly obsessed with a series of fantasy novels he read as a kid, about the adventures of five children in a magical land called Fillory. Compared to that, anything in his real life just seems gray and colorless.

Everything changes when Quentin finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the practice of modern sorcery. He also discovers all the other things people learn in college: friendship, love, sex, booze, and boredom. But something is still missing. Magic doesn’t bring Quentin the happiness and adventure he thought it would.

Then, after graduation, he and his friends make a stunning discovery: Fillory is real.

Early buzz for the novel has been strong, since it’s UK release in March, gathering favourable quotes from authors like George R.R. Martin, author of A Song of Ice and Fire:

These days any novel about young sorcerers at wizard school inevitably invites comparison to Harry Potter. Lev Grossman meets the challenge head on… and very successfully. The Magicians is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea. Solidly rooted in the traditions of both fantasy and mainstream literary fiction, the novel tips its hat to Oz and Narnia as well to Harry, but don’t mistake this for a children’s book. Grossman’s sensibilities are thoroughly adult, his narrative dark and dangerous and full of twists. Hogwart’s was never like this.

and Junot Diaz, author of The Brief Wondrous Life of Oscar Wao:

Stirring, complex, adventurous – from the life of Quentin Coldwater, his slacker Park Slope Harry Potter, Lev Grossman delivers superb coming of age fantasy.

Certainly enough to get me to give it a good, close look the next time I’m at the bookstore. You can find Grossman’s website HERE.

News spread a week ago that the final volume in Tad William’s Shadowmarch trilogy, Shadowrise, would be split into two volumes, each only a bit smaller than the first two volumes. Not a terrible surprise, considering each of William’s series have ended up being four books (if you consider the paperback release of Memory, Sorrow and Thorn.)

Well, hot on the heels of that news comes the cover art for what is now the third volume in the tetralogy:

Shadowrise by Tad Williams, the third volume in the Shadowmarch trilogy

These days I find Todd Lockwood’s art to be a little hit-or-miss, especially his paintings that don’t include action (his strength, in my opinion), but I think this one works in an otherworldly way that Shadowplay didn’t.

What do you think?

SciFiGuy.ca posted the cover of Jim Butcher’s Changes, the next (12th) volume in the Dresden Files series.

Changes, volume 12 of Jim Butcher's Dresden Files

Changes is a pretty dumpy name, especially considering Buthcher’s novels usually have pretty nice titles (The Summer Knight, Grave Peril, Small Favor, etc…), but I certainly can’t complain about another great cover from Chris McGrath. Certainly a huge step up from the original covers for the series.

Much thanks to Jeff, at Fantasy Book News and Reviews, for pointing out that David Anthony Durham has posted the (very cool) cover for the upcoming Wild Cards novel, Suicide Kings, which is edited by George R.R. Martin.

Suicide Kings, edited by George R.R. Martin

Not bad, eh?

Wild Cards is a series I’ve been rather intimidated about getting into, though with the likes of George R.R. Marting, Daniel Abraham, Melinda Snodgrass and (soon) David Anthony Durham all being involved, I’d like to give it a chance. Anyone have any suggestions on where to start?