Posts Categorized: Cover Art

Details about Neal Stephenson’s next novel, Anathem, have been leaking out lately and the novel’s looking better and better all the time. The US and UK cover art have been released, as well as a cursory blurb on Amazon.co.uk.

US Cover:

The US cover art for Neal Stephenson's Anathem

UK Cover:

The UK cover art for Neal Stephenson's Anathem

This is one of those rare instances when I can’t decide which cover I like better! They’re both gorgeous and hopefully that holds true for the novel as well. Details on the plot are sparse, but Amazon does have this little synopsis, which sounds promising:

Here is another brilliantly original novel from the cult author of “Snowcrash and Cryptonomicon”.Since childhood, Raz has lived behind the walls of a 3,400-year-old monastery, a sanctuary for scientists, philosophers, and mathematicians. There, he and his cohorts are sealed off from the illiterate, irrational, unpredictable “saecular” world, an endless landscape of casinos and megastores that is plagued by recurring cycles of booms and busts, dark ages and renaissances, world wars and climate change. Until the day that a higher power, driven by fear, decides it is only these cloistered scholars who have the abilities to avert an impending catastrophe. And, one by one, Raz and his friends, mentors, and teachers are summoned forth without warning into the unknown.

Stephenson is the acclaimed author of The Baroque Cycle, Cryptonomicon and Snow Crash, among other works. Anathem is set to be published in September, 2008.

An astute poster over at Brooks’ official forums, ardrhys11892, dug out the cover for Terry Brooks’ upcoming novel, The Gypsy Morph, which is the conclusion to The Genesis of Shannara Trilogy.

The Gypsy Morph by Terry Brooks

I’m a huge fan of the trilogy, which is the best stuff Brooks’ has written in ages, but I’m not sure how much I like the cover for the third and final volume. Definitely a disappointment after the wicked cover for his previous novel, The Elves of Cintra.

Tim Holman, Publishing Director at the US branch of Orbit Books, recently put together an interesting post on why US and UK covers for novels differ and also pulls back the curtain a bit on the process.

This is the issue, I think, at the heart of the Great SFF Cover Debate/War. It’s nothing to do with where the book is being published in the world; it’s to do with the question that every genre publisher has to ask themselves: do we want our books to stand out or do we want them to fit in? Most genre publishers would say both: they want their books to stand out by looking exceptional, but they also want them to fit in by being immediately recognizable to readers of similar books within the genre. Depending on where you put the emphasis, though, the cover for a particular book can go in some very different directions.

The Orbit covers for several books by Iain M. Banks.

Of course there are always exceptions, but I think it’s safe to say that the UK editions of novels generally sport better cover art. It’s interesting to hear from Orbit, who publishes both in the US and the UK, and just why they change the covers for each region, sometimes just subtly, sometimes quite drastically.

You can read the whole thing HERE.

Much thank to Pat’s Fantasy Hotlist for pointing out the recently revealed covers for George R.R. Martin’s A Dance with Dragons (the UK edition) and Scott Lynch’s upcoming Omnibus (awesomely titled) The Bastards and the Knives, which is a collection of two of his novellas, The Mad Baron’s Mechanical Attic and The Choir of Knives both of which chronicle the world of up and coming fantasy star Locke Lamora.

Check ’em out!

A Dance with Dragons by George R.R. Martin The Bastards and the Knives by Scott Lynch

These are easily two of my most anticipated novels of the year (I’m being optimistic about A Dance with Dragons, so sue me…), so it’s great to get an early peak at these covers. Be sure to take a look at Martin’s Not a Blog and Lynch’s LiveJournal for a good glimpse at the men behind the novels.

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