The city of Isca is set like a dark jewel in the crown of the Duchy of Stonehold. In this sprawling landscape, the monsters one sees are nothing compared to what’s living in the city’s sewers.

Twenty-three-year-old Caliph Howl is Stonehold’s reluctant High King. Thrust onto the throne, Caliph has inherited Stonehold’s dirtiest court secrets. He also faces a brewing civil war that he is unprepared to fight. After months alone amid a swirl of gossip and political machinations, the sudden reappearance of his old lover, Sena, is a welcome bit of relief. But Sena has her own legacy to claim: she has been trained from birth by the Shradnae witchocracy-adept in espionage and the art of magical equations writ in blood-and she has been sent to spy on the High King.

Yet there are magics that demand a higher price than blood. Sena secretly plots to unlock the Cisrym Ta, an arcane text whose pages contain the power to destroy worlds. The key to opening the book lies in Caliph’s veins, forcing Sena to decide if her obsession for power is greater than her love for Caliph.

Meanwhile, a fleet of airships creeps ever closer to Isca. As the final battle in a devastating civil war looms and the last page of the Cisrym Ta waits to be read, Caliph and Sena must face the deadly consequences of their decisions. And the blood of these conflicts will stain this and other worlds forever.

As the witch-pyres of the Spanish Inquisition blanket Renaissance Europe in a moral haze, a young African slave finds herself the unwilling apprentice of an ancient necromancer. Unfortunately, quitting his company proves even more hazardous than remaining his pupil when she is afflicted with a terrible curse. Yet salvation may lie in a mysterious tome her tutor has hidden somewhere on the war-torn continent.

She sets out on a seemingly impossible journey to find the book, never suspecting her fate is tied to three strangers: the artist Niklaus Manuel Deutsch, the alchemist Dr. Paracelsus, and a gun-slinging Dutch mercenary. As Manuel paints her macabre story on canvas, plank, and church wall, the apprentice becomes increasingly aware of the great dangers that surround her. She realizes she must revisit the fell necromancy of her childhood – or death will be the least of her concerns.

Julie Bell was on my artist wish-list for this ebook cover project right from the start. There are few artists as comfortable with figure drawing as Julie. The only question was, which book and which scene? Fairly early on, Megan Messinger had described the “Bowl of Winds” as a pivotal point in the book that focus on the strength of character and ability the women in the Wheel of Time possess. Since Julie has a hard-earned gift for painting strong women that are every bit as powerful as they are beautiful, it seemed a natural fit.

Still, some hard decisions had to be made. The scene includes thirteen women working together. If we did a long shot, we could include all thirteen, but then we loose the ability to engage with specific characters. When you add in the thumbnail-size that ebook covers are often first seen at, I thought it best to focus on a few of the key characters: Elayne, Aviendha, and Nynaeve.

The scene fell together pretty quickly after that. I have to say a special thanks to our Leigh Butler who called me in a mild panic after the sketches were approved: it seems that the clothing in the scene was described in the book before this one. Not something I ever would have caught. And further proof that the more people we let into the process, the better it is for the project.