Posts Categorized: Art

Under Heaven by Guy Gavriel Kay

I’m a big fan of Guy Gavriel Kay. I’m a sucker for ancient Asian history and mythology. Thus, it goes without saying that I’m absolutely gaga about this novel.

The cover’s nice, particularily the warm tones and the bold placement of author and title. I appreciate the fact that the publisher wasn’t afraid to embrace the Asian influence of the main protagonists, displaying them boldly on the cover and giving an instant impression of what’s within. I don’t love the floating, ghostly buildings, but the overall imagery is nice and manages to be quiet and epic at the same time. It might have been nice to include more of an Asian influence in the design, but it’s also easy to fall into cheesy cliche when stepping into a distinct territoy like that.

You can find a synopsis for the novel HERE.

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After yesterday’s travesty, I thought it was time to redeem the Cover Art section of the website to its former glory. As with most Pyr novels, The Dervish House by Ian McDonald is a marvel to look at.

The Dervish House by Ian Mcdonald

Lou Anders, who wears many hats at Pyr has another hit on his hands. Patrick, over at Stomping the Yeti, sums up my thoughts rather accurately:

This is a great, great cover. Stephan Martiniere is responsible as usual. I can’t count the number of times I see a cover and think to myself, “Wow, I wonder who did that” and then go on to find its a Martiniere. The computer circuitry gives a subtle touch to an image that otherwise appears fairly timeless. I also really dig the text box and the way the horizontal banners and building interplay with the sharp angles of the title and author borders. Sometimes great cover art is ruined by bad font choice or placement. This is not one of those times.

And, hey, the book itself sounds like a winner, also:

In the sleepy Istanbul district of Eskiköy stands the former whirling dervish house of Adem Dede. Over the space of five days of an Istanbul heatwave, six lives weave a story of corporate wheeling and dealing, Islamic mysticism, political and economic intrigue, ancient Ottoman mysteries, a terrifying new terrorist threat, and a nanotechnology with the potential to transform every human on the planet.

McDonald’s books have been on my radar for a while now, but every time I think about buying up, I get a little intimidated. The Turkish setting of this one appeals to me more than India and Brazil, which might just push me over the edge.

Over the past few weeks, I’ve spent a fair bit of time splooging with unbound excitement for Spellwright, the debut novel from Blake Charlton. The US Version has a great cover, the premise sounds fantastic and an early peak at the novel was promising. I was bloody eager to get my hands on the UK cover for Spellwright. Charlton released it earlier today… and my heart shattered.

Spellwright by Blake Charlton

Well, I guess all good things must come to an end, huh? Clearly inspired (or created by the same designer) as Tchaikovsky’s Shadows of the Apt series, this cover is one of those cases where North America wins the battle of the Cover Art. At least the art intern at Charlton’s UK Publisher is getting to live out his dream of being a model of Wizard’s Robes.

The Kindle edition of The Eye of the World is now available on Amazon.com, and with it comes the new artwork that was promised a few weeks ago:

The Eye of the World by Robert Jordan

Now, of all the great scenes in The Eye of the World they chose Rand on the boat? Seems a little banal, even compared to the old cover art, which everyone is probably familiar with. Still, I’m interested in seeing the covers for each of the upcoming E-books. I’m just hoping there’s a bit more meat to the artwork. Of course, I couldn’t leave without the obligitory At-least-it’s-better-than-the-junk-they-put-on-the-cover-of-The Gathering Storm rant.

The painting on the cover is by David Grove.

Shadow Prowler by Alexey Pehov

And the synopsis from risingshadow.net:

After centuries of calm, the Nameless One is stirring.

An army is gathering; thousands of giants, ogres, and other creatures joining forces from all across the Desolate Lands. In the Crayfish Dukedom they are forging weapons night and day. By the next spring, or perhaps sooner, the Nameless One and his forces will be at the walls of the great city of Avendoom. Unless Harold, master thief, can find some way to stop them.

Harold will be accompanied on his quest by an Elfin princess, Miralissa; ten of the Wild Hearts, the most experienced and dangerous fighters in their world; and the king’s court jester. These companions will form a bond of friendship and honor that must carry them over a series of frightful obstacles before they can reach their goal: Hrad Spein, the mysterious Palaces of the Bones. Only there will they find the key to undoing the ancient curse that hangs over their world and ridding the land of the Nameless One forever.

Reminiscent of Michael Moorcock’s Elric series, Shadow Prowler is the first work by the bestselling new generation fantasy author Alexey Pehov to be translated into English.

The work was translated from Russian by Andrew Bromfield, best known as the translator of the highly successful Night Watch series.

Sounds traditional, if that’s your thing. I’m always curious about novels that are deemed good enough (and successful enough) to warrant translation and overseas release. I also appreciate a foreign look at the genre, in the hopes that a new light can be shone on old tropes. In any case, I’ll be keeping my eye on this one over the coming months. It is set to be released by Tor Books on February 16, 2010.