Anderson Lake is a company man, AgriGen’s Calorie Man in Thailand. Under cover as a factory manager, Anderson combs Bangkok’s street markets in search of foodstuffs thought to be extinct, hoping to reap the bounty of history’s lost calories. There, he encounters Emiko…

Emiko is the Windup Girl, a strange and beautiful creature. One of the New People, Emiko is not human; instead, she is an engineered being, creche-grown and programmed to satisfy the decadent whims of a Kyoto businessman, but now abandoned to the streets of Bangkok. Regarded as soulless beings by some, devils by others, New People are slaves, soldiers, and toys of the rich in a chilling near future in which calorie companies rule the world, the oil age has passed, and the side effects of bio-engineered plagues run rampant across the globe.

What Happens when calories become currency? What happens when bio-terrorism becomes a tool for corporate profits, when said bio-terrorism’s genetic drift forces mankind to the cusp of post-human evolution? In The Windup Girl, award-winning author Paolo Bacigalupi returns to the world of “The Calorie Man” ( Theodore Sturgeon Memorial Award-winner, Hugo Award nominee, 2006) and “Yellow Card Man” (Hugo Award nominee, 2007) in order to address these poignant questions.

Paolo Bacigalupi is the best short-fiction writer to emerge in the past decade; he’s the Ted Chiang of the new millennium. He combines beautiful prose, startling imagery, and shocking ideas in unforgettable ways.
– Robert J. Sawyer, Hugo Award-winning author of Hominids

[These stories] are extrapolative – some rigorously so and some more whimsical. They can be visceral and violent. Viewed toward questions of prose and storytelling, they are well-written. But most importantly, they refuse to flinch from addressing today’s issues. They take today’s scientific, technological, economic, and especially environmental trends and examine them for what they might mean today and into the future.
– The Fix

In the adaptation of the George R.R. Martin fantasy-book series, Coster-Waldau will play Jaime Lannister, one of the king’s guards and a ruthless usurper of the previous king. The actor, most recently seen in Ron Moore’s Fox pilot “Virtuality,” is repped by WME, Impression and Independent Talent Group.

Another addition is Tamzin Merchant (Showtime’s “The Tudors”), who’ll play Daenerys, an exiled teenage princess.

Also new to the cast: Richard Madden (“Hope Springs”) as Stark’s eldest son, Robb; Iain Glen (“Into the Storm”) as Ser Jorah Mormont, a disgraced knight; Alfie Allen (“The Other Boleyn Girl”) as Theon, Stark’s young ward; Sophie Turner (“Doctor Who”), as Stark’s eldest daughter, Sansa; Maisie Williams as Stark’s young tomboy daughter, Arya.

he’ll make a terrific Jaime.

Dany is very difficult role. She starts out vulnerable and scared, but blooms on the Dothraki sea, and becomes a powerful leader by book’s end. It’s no secret that HBO’s Dany will start out older than Dany does in the book; that was a change that had to be made, if we wanted to keep the sex scenes, and David and Dan and I were all agreed that the sex scenes were essential. Tamzin can play much younger than her actual age (as she does when playing Katheryn) and her sex scenes on THE TUDORS were as hot as anything I’ve ever seen on TV. In her readings, she showed Dany’s other side as well, commanding and charismatic after Drogo’s death. I think she’ll be marvelous.

Imagine a world in which the written word can leave a page to physically lift a man into the air, sharpen his pitchfork, or stop his beating heart.

Such a world is home to Nicodemus Weal, a young wizard with tremendous talent for forging the magical runes which can create spells. Indeed, throughout his adolescence, Nicodemus was thought to be the Halcyon, a powerful magic-user prophesized to save the land from a coming apocalypse known only as the Disjunction.

There was only one problem: runes must be placed in an exact order to create a spell. Any deviation results in a “misspell”–a flawed spell that behaves in an erratic, sometimes lethal, manner. It so happens that Nicodemus is a “cacographer,” one unable to correctly reproduce even simple texts.

Now twenty-three, Nicodemus lives in the devastating aftermath of having failed to live up to prophecy. His magical talent is restricted to the kitchen, where he cleans pots and scrubs walls with childish language. Life slips by one aggravating day at a time until a visiting author identifies an ancient curse infesting the young wizard’s mind. The malicious text has, in fact, stolen his ability to spell. Suddenly, the two wizards closest to Nicodemus are murdered violently and he is forced to flee his home in a desperate quest to recover the stolen part of his mind.

SPELLWRIGHT is the first volume of Nicodemus’ journey across the kingdoms of Faragard, his encounters with monsters and gods who distort language to their own ends, and his internal struggle to accept himself as whole without his ability to spell.

I’ve read a few best-selling fantasy series – Harry Potter, The Lord of the Rings, His Dark Materials, Twilight, Narnia, A Wrinkle in Time, The Dark Is Rising – but I would never describe myself as an aficionado. First because all these books are on about a fourth-grade reading level, and second because I read them for their best-sellerness, not their fantasy-ness (to stay in the loop, I tell myself).

[…]

I asked [a friend] what he would recommend for someone like me – a beginning fantasy reader ready to graduate to more serious (but not too serious) fare. Here are his picks, complete with explanations of their greatness. He sent them to me with the reassurance that ‘there is no shame in being a real fantasy reader.’

This is the stereotypical epic fantasy that begins with a young, inexperienced, immature youth toiling away as a kitchen boy in a castle, daydreaming his life away. […] And it’s easily the best in the genre’if you want to read a classic epic fantasy series that is not the Lord of the Rings, start here. Williams has several other books (the Otherland series, “The War of the Flowers”) that are also worth reading.

For those who don’t want to jump into a long series right away, Kay has written a number of standalone novels that take place in alternate worlds with a similar geography and history to our own, and they are all excellent. His strengths are strong characters and fantastic set pieces […] Kay also has a rather flowery writing style, which in most cases adds to the romance of the novel, although in some books (not listed here) he can get a bit carried away. Two of the books in the Fionavar Tapestry were the last books that I can remember making me cry.

A fabulous single-volume epic fantasy. […] Sadly, Goodkind did so well on this completely self-contained fantasy that he wrote ten sequels, each one worse than the one before and more prone to excruciatingly long Ayn Randian monologues from the main characters. Read this book, and then pretend the others don’t exist.