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Speculative Fiction 2012, The Years Best Online Reviews, Essays and Commentary, edited by Landon and Shurin

Buy Speculative Fiction 2012: Book/eBook(Coming Soon)

A couple of months ago, I announced that one of my essays was chosen to be included in a book called Speculative Fiction 2012, The Years Best Online Reviews, Essays and Commentary. The book is out now, and I’m all tingly with excitement. Justing Landon, co-editor of the anthology, describes the project:

This collection contains over fifty of the year’s best online essays and reviews, from Tansy Rayner Roberts on Supergirl to Lavie Tidhar on China Miéville to Aishwarya Subramanian on My Little Pony to Joe Abercrombie on, er, himself. It is a diverse collection of some of last year’s best and most interesting writing. We fully expect – and hope – it will cause discussion, debate and a bit of a ruckus.

The book also contains a foreword from Orbit author Mur Lafferty, an introduction from this year’s editors (Jared Shurin and myself) and an afterword from the 2013 editors, Ana Grilo and Thea James of The Booksmugglers. Not to mention the beautiful cover from the talented Sarah Anne Langton.

All proceeds from sales of this book are donated to Room to Read, supporting literacy and gender equality in education around the world.

My contribution to this collection is an essay/critique of A Dance with Dragons by George R.R. Martin, where I analyze how fervor and anticipation can be the enemy of objectivity and fair reviewing practices.

I am thrilled to be included in the anthology alongside other great fan writers such as Ana Grilo, Thea James, Paul Kincaid, Maureen Kincaid Speller, Jonathan McCalmont and Tansy Rayner Roberts. I mean, seriously, my essay comes directly after pieces by Abigail Nussbaum and Adam Roberts. Talk about humbling company. In addition to this, Speculative Fiction 2012 includes two other articles published on A Dribble of Ink: ‘Concerning Historical Authenticity in Fantasy, or Truth Forgives You Nothing’ by Daniel Abraham, and ‘Ma Vie en Zines’ by Chris Garcia. I hope you enjoy the book and, like I have, discover some new writers in the process.

Buy Speculative Fiction 2012: The best online reviews, essays and commentary (Volume 1): Book/eBook (coming soon)

3point0

Welcome to the latest version of A Dribble of Ink!

Last March, I launched a new template for A Dribble of Ink. Being a web developer/designer by day, I enjoy fiddling around with my template and continuing to evolve the look, feel, features and functionality of A Dribble of Ink. With a new spring, I felt like it was time to revisit my template and continue that evolution. This time around, however, I’ve done an entire from-the-ground-up rebuild of the theme, rather than the small tweaks and visual changes that I normally make. You might notice that the visual identity of A Dribble of Ink hasn’t change drastically from the previous theme. This is intentional. I still like the look of the old template, so instead of spending time re-inventing the wheel, I’ve updated and evolved the look. The real heavy lifting comes in some of the behind-the-scenes features that will make it easier for me to maintain A Dribble of Ink (loads of custom post types, allowing me to get creative with featured articles and reviews, and automating some things), and more enjoyable/easier for you, the readers, to read and interact with the blog.

The main purpose of the previous redesign was to increase site speed. This redesign focusses on improving user experience with a simpler layout, and by embracing the shift towards responsive CSS3/HTML 5 layouts. What does this mean? Well, in years past, it was likely that you’d be reading this blog post on a computer screen. Nowadays, however, a large portion of my readers come to the site on computers, tablets and phones. So, this new theme is designed to adapt itself dynamically to whatever screen a reader is viewing it on.

On a phone it looks something like this:

A Dribble of Ink Mobile

Same code. Same content. Fun times.

I’ve also tried to keep it as consistent cross-browser, though there are always compromises that must be made in these situations. If you want to experience all the new fun stuff, and have A Dribble of Ink look its best, make sure you’re using a modern browser like Chrome or Firefox. Most of my readers do so already, according to my web analytics. It’ll work just fine in Internet Explorer 9+, but Microsoft are a little behind the curve in integrating the new HTML5 and CSS3 features, so it’s impossible to replicate all of these features.

I hope you like it. I’d also love to hear from you. Last time around, reader feedback was extremely helpful in terms of layout improvements, polish and bug fixing, so, if you have suggestions, please feel free to (kindly) provide feedback in the comments section here. I’m sorry if you still don’t like orange.

Star Wars

According to The Verge, Disney is planning to release a new Star Wars film every summer for five years. This schedule will begin with Episode VII in 2015, VIII in 2017, and IX in 2019. Sandwiched between these releases will be standalone films, presumably starring some of the series’ more popular characters (Yoda, Han Solo and Boba Fett have all been rumoured.

Thoughts?

The High Druid's Blade by Terry Brooks

On Suvudu, Shawn Speakman, webmaster for Terry Brooks, reports on the first details about The High Druid’s Blade, the Shannara novel recently completed by Brooks and set for a 2014 release. Speakman says:

The High Druid’s Blade takes place a century after Witch Wraith. It is the first Shannara stand alone novel since 1996’s First King of Shannara. Terry has long been entrenched in long epic series. Instead, with Blade, he is telling a very different tale. Fewer characters being scattered to the winds of the Four Lands. Instead, Terry has crafted a more personal journey, of a hero unable to protect his family unless he unleashes the power of his ancestors.

Brooks also revealed on the tour that the main protagonist of The High Druid’s Blade will be a Leah, a family that has been integral to many novels in the series since The Sword of Shannara. This will, however, mark the first time that a protagonist of a (chronologically) post-The Sword of Shannara novel will feature a sole protagonist that isn’t of Ohmsford blood. The Leah family, thanks to events in The Wishsong of Shannara, are in possession of the Sword of Leah, a sword imbued with the magic of the Druids. Is there a connection here between the High Druid (who’s identity I know, but for fear of spoiling Witch Wraith, Brooks’ upcoming novel, I won’t reveal), and the Leah family? Additionally, Brooks said that the novel will take place in areas of the Southland that have not been explored in previous novels.

The Republic of Thieves by Scott Lynch

We all know the labyrinthine story of Scott Lynch’s The Republic of Thieves. But who cares about that now. Lynch is done the book and it’s been guaranteed (by Lynch, his publishers and many others), that the book is coming this Autumn, come hell or high water. Lynch recently revealed some details about The Republic of Thieves, which might, hopefully, satisfy fans as they wait for the Autumn release:

When does The Republic of Thieves pick up chronologically?

The “present day” thread resumes the story a few weeks after the end of Red Seas Under Red Skies. The flashback thread shows several episodes from Locke’s early years, and then a long adventure from when Locke, Jean, and Sabetha were about sixteen.

So Sabetha is actually in this thing?

Yes, Sabetha Belacoros is finally revealed in person for the first time and is a major character in The Republic of Thieves.

Do we find out more about the Bondsmagi?

The Bondsmagi are fairly integral to the plot. We meet several more of them and explore their home city of Karthain.

Maybe more satisfying is the chapter just released by io9. It makes me feel all tingly just reading new fiction from Lynch. I’ve missed the bugger.

Time passed, days and months chaining together into years, and Jean Tannen joined the Gentlemen Bastards. In the summer of the seventy-seventh Year of Perelandro, two years after Jean’s arrival, a rare dry spell came over the city-state of Camorr, and the Angevine ran ten feet below its usual height. The canals went gray and turgid, thickening like blood in the veins of a ripening corpse.

Canal trees, those glorious affectations that usually roamed and twirled on the city’s currents with their long float-threaded roots drinking the filth around them, now bobbed in sullen masses, confined to the river and the Floating Market. Their silk-bright leaves dulled and their branches drooped; their roots hung slack in the water like the tentacles of dead sea-monsters. Day after day the Temple District was shrouded in layers of smoke, as every denomination burned anything that came to mind in sacrifices pleading for a hard, cleansing rain that wouldn’t come.

In the Cauldron and the Dregs, where the lowest of the low slept ten to a room in windowless houses, the usual steady flow of murders became a torrent. The duke’s corpse-hunters, paid as they were by the head, whistled while they fished putrefying former citizens out of barrels and cess-pits. The city’s professional criminals, more conscientious than its impulsive killers, did their part for Camorr’s air by throwing the remains of their victims into the harbor by night, where the predators of the Iron Sea quietly made the offerings vanish.

Read the chapter, ‘The Boy Who Chased Red Dresses,’ on io9.