Posts Categorized: News

Prologue to THE EYE OF THE WORLDMost Robert Jordan fans likely began their odyssey with his work by reading The Eye of the World, the first volume of his long-running Wheel of Time series. Despite being a Fantasy accessible to readers of all ages, The Eye of the World was released and marketed towards an adult market; of course, this didn’t hurt its success, but publisher Tor Books knew they were missing an opportunity to grow the audience among younger readers. In an effort to reach these readers, Tor released a split version of The Eye of the World in two volumes, titled From the Two River and To the Blight. Included in the first volume was a new prologue for the series, Earlier—Ravens that was designed to be more appealing to young readers than the misleading and ominous prologue that we’re all used to.

This prologue features a young Egwene and introduces readers to Emond’s Field years before the main plot of the series begins.

This far below Emond’s Field, halfway to the Waterwood, trees lined the banks of the Winespring Water. Mostly willows, their leafy branches made a shady canopy over the water near the bank. Summer was not far off, and the sun was climbing toward midday, yet here in the shadows a soft breeze made Egwene’s sweat feel cool on her skin. Tying the skirts of her brown wool dress up above her knees, she waded a little way into the river to fill her wooden bucket. The boys just waded in, not caring whether their snug breeches got wet. Some of the girls and boys filling buckets laughed and used their wooden dippers to fling water at one another, but Egwene settled for enjoying the stir of the current on her bare legs, and her toes wriggling on the sandy bottom as she climbed back out. She was not here to play. At nine, she was carrying water for the first time, but she was going to be the best water-carrier ever.

Pausing on the bank, she set down her bucket to unfasten her skirts and let them fall to her ankles. And to retie the dark green kerchief that gathered her hair at the nape of her neck. She wished she could cut it at her shoulders, or even shorter, like the boys. She would not need to have long hair for years yet, after all. Why did you have to keep doing something just because it had always been done that way? But she knew her mother, and she knew her hair was going to stay long.

Close to a hundred paces further down the river, men stood knee-deep in the water, washing the black-faced sheep that would later be sheared. They took great care getting the bleating animals into the river and back out safely. The Winespring Water did not flow as swiftly here as it did in Emond’s Field, yet it was not slow. A sheep that got swept away might drown before it could struggle ashore.

A large raven flew across the river to perch high in the branches of a whitewood near where the men were washing sheep. Almost immediately a redcrest began diving at the raven, a flash of scarlet that chattered noisily.

The redcrest must have a nest nearby. Instead of taking flight and maybe attacking the smaller bird, though, the raven just shuffled sideways on the limb to where a few smaller branches sheltered it a little. It peered down toward the working men.

Ravens sometimes bothered the sheep, but ignoring the redcrest’s attempts to frighten it away was more than unusual. More than that, she had the strange feeling that the black bird was watching the men, not the sheep. Which was silly, except . . . She had heard people say that ravens and crows were the Dark One’s eyes. That thought made goosebumps break out all down her arms and even on her back. It was a silly idea. What would the Dark One want to see in the Two Rivers? Nothing ever happened in the Two Rivers.

You can read the entirety of Earlier—Ravens via Wattpad; be warned, though, that it is certainly geared to young readers and begins the Wheel of Time with a decidedly different tone than the original prologue.

RIP, Darrell K. SweetTor.com‘s Irene Gallo is reporting that Darrell K. Sweet has passed away at the age of 77:

It is with tremendous sadness that I report that Darrell K. Sweet passed away this morning. Since the mid 1970s, Darrell’s illustrations defined many of fantasy’s most beloved series — Robert Jordan’s The Wheel of Time, among literally thousands of genre book covers. An avid history buff, Darrell also spent much of his time painting frontiersmen and the American West. His paintings evoked the classic storytelling narration of the Golden Age illustrators. A Sweet cover promised an adventure to be had.

In recent years, Sweet’s artwork has been at the wrong end of several jokes and various criticisms across the blogosphere (including this blog), but there’s no denying, especially when looking at the artwork scattered throughout this post, that Sweet was an absolute legend of the Fantasy Art field and contributed greatly to the vision of Fantasy in the ’80s and ’90s. In fact, Sweet’s art, particularly his work on Terry Brooks’ novels, helped invigorate and really define my love for Fantasy as a teenager. He gave a magical vision to the stories bouncing around in my mind as I read.

RIP, Darrell K. SweetRIP, Darrell K. Sweet

RIP, Darrell K. Sweet

To those worrying about the final cover for Robert Jordan’s Wheel of Time series, Gallo reports that Sweet’s painting was unfinished at the time of his passing:

I’m particularly sad that he was unable to finish Memory of Light, the final book on Robert Jordan’s epic fantasy series the The Wheel of Time. He has been a vital part of this series since it’s beginning, 25 years ago. I know he was hoping, to the end, to be able to see this epic body of work to its completion.

It seems a silly thing to worry about in the wake of Sweet’s passing, but Sweet has been the cover artist for Jordan’s legendary series since it found its first readers over 20 years ago. Regardless of the quality of the most recent Wheel of Time covers, it is a shame that Sweet was not given the chance to finish the series and leave a lovingly consistent look to the entire series.

My guess is that Sweet’s draft will be adapted or finished by another artist (Greg Manchess?), similar to the treatment given to Jordan’s final novels, which are being finished by Brandon Sanderson. Only time will tell, however.

My thoughts are with his family, friends and loved ones.

The Book of Transformations by Mark Charan NewtonVia an interview between Newton and Rowena Cory Daniells:

The lead character, Lucan Drakenfeld, is a bit like a young lawyer-slash-detective, and certainly the polar opposite of a private eye (if anything, he’s a public eye). I’m really trying to steer away from noir pastiche because I feel that would be disrespectful to crime readers. The book is as much a crime novel as it is a fantasy novel. Imagine a mainstream writer trying their hand at a fantasy novel, and filled it with a paint-by-numbers story – they’d be strung up by the fanbase, which is why I’m not doing a paint-by-numbers crime novel, either.

Very much looking forward to this. Glad to see, also, that Newton’s a smart enough fellow to actively avoid falling into the tropes and cliches of the noir/crime genre. Some of the best moments on Newton’s first novel, Nights of Villjamur were the noirish mystery elements fused with Fantasy in investigator Rumex Jeryd’s storyline. Newton is playing to his strengths by embracing that kind of character and story (even if Jeryd did sometimes fall into those recognizable tropes that Newton refers to in this latest interview.)

Rise of Empire by Michael J. SullivanStumbled across a an interesting nugget in a recent interview with Michael J. Sullivan on SFF World:

You’ve got some other stories in the works, do you want to let us know about any of them?

Well some are older pieces that I’ve resurrected, which means a complete rewrite from the ground up, but the seed of the story remains intact. If I try to talk about my books I end up rambling, so I’ll give you the “back of the book blurbs” which do a better job than I would if I just talked about them. The first is Antithesis:

Have you ever wondered about how the world would end?

No, well don’t sweat it, most don’t and those that do figure it will come about due to a dramatic change in climate, a widespread disease, or war. That’s what we’ve been taught to believe and our brains are always eager for a rational explanation, but our minds weren’t always so logical. There was a time when people believed in myths and magic, but in today’s scientific age if it can’t be proved, well it doesn’t exist.

I was the same way until I met Winston Stewart. That was the day I learned to believe in much more than I could see—not the least of which is fate. Fate is an amazing thing. It put Ghandi in South Africa, Nelson at Gibraltar, Newton under the apple tree, and Winston Stewart on that train in Alexandria Virginia. You don’t know who Winston Stewart is? You will.

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I also have literary fiction piece which, in many ways is the antithesis of The Riyria Revelations. It’s the book that made me quit writing when I couldn’t get it published. Riyria is fast-paced, written in a simple style, and contains a sweeping epic involving likeable characters. A Burden to the Earth is a very simple tale about a complex man and his very small life. In this book I concentrated on constructing the prose and so it reads much differently than the simple, straightforward style I used with Riyria. Here is the blurb for it:

He learned values from Gunsmoke, ethics from Father Knows Best, and his place in the world from Ozzie & Harriet, but his life turned out much different.

A child of the fifties, Elliot Myers believed his parents, his teachers, his priest, and television when they promised him the American dream. Now at forty, and still living in his mother’s tiny condominium, he knows they all lied. Embittered by a world that moved ahead and left him behind, Elliot finds one last chance to free himself of forty years of waiting and makes his first, and final, grasp at life. Set in the early 1990’s A Burden to the Earth explores regret over lost innocence, nostalgia for the past, and the cost of dwelling on both.

I’ve seen Sullivan speak vaguely about some of the other projects he’s been working on since completing The Riyria Revelations (including a prequel trilogy that’s not included in the quote above), but never quite in so much detail. As I mention in my review of Theft of Swords, the first volume of Sullivan’s ‘trilogy’ (which is actually comprised of six volumes), Sullivan’s bread-and-butter appears to be his handle on Fantasy tropes and conventions and his ability to tell them simple, compulsively readable way that somehow manages to avoid feeling stale despite all the easy-recognized elements. These two descriptions are a step away from what Sullivan established with his Fantasy trilogy, most notably by both being set on Earth, rather than a secondary world and A Burden of the Earth steps entirely away from genre fiction. It’s nice to see authors diversify their library, but I’m sure that Sullivan fans (and Orbit Books, his publisher) would love to see him spending his writing time on the novels set in the world of The Riyria Revelations. It will be interesting to see which direction he goes.

Boneshaker by Cherie PriestVia Variety:

Cherie Priest’s steampunk sci-fi novel “Boneshaker” is coming to the bigscreen with Cross Creek Pictures, Exclusive Media Group and Hammer Films onboard.

The companies said Wednesday that Hammer has acquired the rights to the novel. Project will be co-produced by Hammer and Cross Creek Pictures and co-financed by Exclusive and Cross Creek.

John Hilary Shepherd (“Nurse Jackie”) is writing the screenplay. Hammer head of production Tobin Armbrust is overseeing.

Priest’s novel is set in an alternate version of 1880s Seattle, where the city has been walled in and a toxic gas has turned many of its remaining residents into “Rotters,” more commonly known as zombies. A young widow hunts for her teen son in the Seattle underworld while dealing with airship pirates, a criminal overlord and heavily armed refugees.

The novel, published in 2009 by Tor Books, is the first in a series set in the period, which has Priest has dubbed the Clockwork Century. Second novel “Dreadnought” was published in 2010, and the third, “Ganymede,” was recently released.

Tor Books is releasing the fourth in the series, “Inexplicables,” in 2012, and last week announced a deal with Priest for her to write a fifth. That book will be called “Fiddlehead.”

“It’s like Jules Verne meets ‘Resident Evil,’ and we’re thrilled to have such a fun, commercial potential franchise in Boneshaker,” said Cross Creek’s Brian Oliver.

Cherie’s an absolute sweeheart and this couldn’t happen to a better person. Though I haven’t read Boneshaker, my impression of it indicates that Priest’s Zombie-filled, alternate history version of Seattle will traslate wonderfully to the screen. As always, take the news with salt; it’s Hollywood, afterall.