Boneshaker by Cherie PriestVia Variety:

Cherie Priest’s steampunk sci-fi novel “Boneshaker” is coming to the bigscreen with Cross Creek Pictures, Exclusive Media Group and Hammer Films onboard.

The companies said Wednesday that Hammer has acquired the rights to the novel. Project will be co-produced by Hammer and Cross Creek Pictures and co-financed by Exclusive and Cross Creek.

John Hilary Shepherd (“Nurse Jackie”) is writing the screenplay. Hammer head of production Tobin Armbrust is overseeing.

Priest’s novel is set in an alternate version of 1880s Seattle, where the city has been walled in and a toxic gas has turned many of its remaining residents into “Rotters,” more commonly known as zombies. A young widow hunts for her teen son in the Seattle underworld while dealing with airship pirates, a criminal overlord and heavily armed refugees.

The novel, published in 2009 by Tor Books, is the first in a series set in the period, which has Priest has dubbed the Clockwork Century. Second novel “Dreadnought” was published in 2010, and the third, “Ganymede,” was recently released.

Tor Books is releasing the fourth in the series, “Inexplicables,” in 2012, and last week announced a deal with Priest for her to write a fifth. That book will be called “Fiddlehead.”

“It’s like Jules Verne meets ‘Resident Evil,’ and we’re thrilled to have such a fun, commercial potential franchise in Boneshaker,” said Cross Creek’s Brian Oliver.

Cherie’s an absolute sweeheart and this couldn’t happen to a better person. Though I haven’t read Boneshaker, my impression of it indicates that Priest’s Zombie-filled, alternate history version of Seattle will traslate wonderfully to the screen. As always, take the news with salt; it’s Hollywood, afterall.

Theft of Swords by Michael J. Sullivan

Theft of Swords

By Michael J. Sullivan
Paperback
Pages: 704 pages
Publisher: Orbit Books
Release Date: 23/11/11
ISBN: 0316187747

EXCERPT

Michael J. Sullivan has a story that every aspiring writer would love to tell. It’s not about trolls or princesses, vanquishing evil or finding treasure (at least not in the literal sense), but it is a tale of perseverance and personal triumph, of overcoming obstacles that prove impossible for so many others. See, Sullivan’s most interesting story isn’t that of Hadrian Blackwater and Royce Melborn, the protagonists of Theft of Swords, which consists of Sullivan’s first two self-published novels, The Crown Conspiracy and Avempartha, and the eponymous pair behind The Riyria Revelations, it’s the story behind his success, of his rocky and self-driven path to publication, first under his own publishing label (ostensibly a self-published writer) and selling several thousand eBooks a month to signing a full-fledged publishing deal with a major New York City publisher (and potentially leaving tens- or hundreds-of-thousands of dollars on the table.) Michael J. Sullivan is a self-made success story and it shows in Theft of Swords’ utter disregard for the current trends that are sweeping the Fantasy genre (and are so important in the minds of the major publishers.)

In this post-GRRM (George R.R. Martin, author of A Song of Ice and Fire) world, popular Epic Fantasy is dominated by so-called ‘gritty’ writers like Joe Abercrombie, Scott Lynch or R. Scott Bakker. Even the ‘good guys,’ like Brandon Sanderson, author of The Alloy of Law are known for attempting to subvert the tropes of the genre by taking common building blocks and flipping them on their heads in a way that’s supposed to upend the reader’s expectations. Theft of Swords, on the other hand, is a delightful throwback to the Fantasy of the ‘80s and ‘90s that took the concepts and thematic structures first popularized by Tolkien and helped solidify the genre’s place in popular geek culture. These days it’s cool to hate on Terry Brooks, David Eddings and Raymond E. Feist, but Theft of Swords proves that the building blocks used by those authors are still effective today when wielded by a careful author.
Read More »

Game of Thrones PosterVia winter-is-coming.net:

A Storm of Swords US paperbackWe reported on this in another post, but the rumors continue to swirl and so we thought it deserved its own post. We are now hearing from multiple sources that HBO plans to order both seasons three and four and film them back-to-back (à la Lord of the Rings). It has already been confirmed that A Storm of Swords would be covered in more than one season. From what we have heard, much of the film crew in Northern Ireland has been told of this plan and has been advised to expect nine months of filming next year.

Matt Staggs at Suvudu believes there’s truth to the rumour:

While I’ve not received any confirmation regarding this rumor, I don’t find it out of the realm of the possible. For one thing, the show is doing really, really well. I know people who haven’t read George R.R. Martin’s A Song of Ice and Fire or even read fantasy in general who won’t miss an episode of the program, and those who have read the series already know that the later books would require more than a season of episodes each for a faithful adaptation.

Really, it makes sense for all the reasons Staggs indicates. The show is becoming something of a cultural phenomenon and the last I heard A Dance with Dragons was the best-selling novel of the year. Not best-selling Fantasy novel, but best selling novel. Period. It might be dethroned by by Paolini’s Inheritance, Grisham’s The Litigators or King’s 11/22/63, but the point remains that a big, juicy adult Fantasy is making waves among mainstream readers in a way that hasn’t happened since, perhaps, Tolkien broke through with Lord of the Rings. What’s not to like for HBO?

Filming back-to-back also isn’t surprising given that seasons three and four of Game of Thrones are rumoured to cover the events of Storm of Swords, the longest volume of the still-to-be-completed series.

East of Eden by John Steinbeck

Ever wondered why John Steinbeck’s classic American novel East of Eden has proved so popular over the decades since it’s release? Maybe it’s the cover art.

Recently, Publishers Weekly awarded East of Eden with the coveted prize of “Best Book Covers Ever.” PW looked back at the many editions of Steinbeck’s novel and declared it as the king of the hill where consistently great cover art is concerned. They also made some interesting observations about the effect cover art has a reader’s experience with a novel:

A book cover has to both draw you into the book when you first pick it up as well as stand as an aesthetic representation of the story’s heart. For many of us, book covers are a big reason why we’re still holding onto physical books, and there’s something about the best of them that conveys the transportive ability we find in our favorite books.

Read More »

Zoo City by Lauren Beukes

Via Angry Robot, publishers of Zoo City:

Helena Spring, widely regarded as one of South Africa’s most accomplished motion picture producers, has just been awarded the highly sought-after film rights to Zoo City, the Sci-Fi thriller penned by South African author Lauren Beukes – who garnered the 2011 Arthur C. Clarke Award for best Science Fiction novel. In the wake of whopping sales figures, multiple awards and critical acclaim Beukes’ book generated fierce interest from numerous bidders in the entertainment industry, putting Spring alongside major US and UK producers eager to tell Beukes’ unique tale.

Zoo City was published first in South Africa by Jacana Media and thereafter internationally by by Angry Robot.

The urban fantasy is set in a futuristic, gritty and hard-core Johannesburg where the eponymous ghetto has been colonised by society’s outcasts – like criminals, drug-dealers and psychopaths, and their animal companions. Like the other residents of the Zoo City slum, Zinzi, the anti-heroine, is “animalled”, but she is also a shrewd, street-smart girl with the gift (or burden) of finding lost things. Zinzi wears her power animal, a sloth, on her back. When she is hired to find a missing teenybopper star, she hopes that it will be her ticket out of Hell’s waiting room.

“I’m delighted to have secured the film and television rights for Zoo City,” commented Helena Spring. “It is a groundbreaking, magical novel begging for a life on the big screen. Lauren’s storytelling is masterful – edgy and futuristic, unique yet universal. It is high in entertainment value yet emotionally charged, a dream project for any producer.”

An easy and obvious choice for this project would be Neill Blomkamp, the acclaimed director of District 9. Not only is Blomkamp South African himself, but his films are well known for their artistic vision and high-end use of CGI to create believable alien creatures, a trait that would be put to excellent use in Zoo City, which features animal familiars similar to those found in Philip Pullman’s The Golden Compass (and I think we can all agree that we hope this adaptation is more successful the stodgy adaptation of Pullman’s work). Promises are always dicey (and often left unfulfilled) whenever the film world is involved, so, as always, Zoo City fans should temper their excitement somewhat, but it’s still great to see Beukes recognized and rewarded for her work.