Do you pine for the days when RPGs were simpler? Do you look back fondly on grinding against T-Rexes in Final Fantasy VI (or III or whatever you want to call it these days), or the time-travelling antics of Chrono Trigger? Now you’re all grown up, though, and can’t get enough of George R.R. Martin’s A Song of Ice and Fire or HBO’s Game of Thrones, right? Well, have you ever been curious what the videogame version of A Game of Thrones might’ve looked like if the series had found superstardom when it was first released in 1996? Thanks to College Humor, we don’t have to ponder any longer!

It’s a terrifically funny little homage (which has its tongue planted firmly in cheek); the absolute highlights being Jaime Lannister’s infamous run-in with Bran Stark, Dany and Drogo’s rhythm-based mini-game, and the MIDI rendition of the Game of Thrones opening theme song.

As with all things Game of Thrones- or College Humor-related, it’s NSFW!

This article was originally posted on Tor.com.

THE HEROES by Joe Abercrombie (Trade)Via Abercrombie’s blog:

So I’ve finished the first draft of the second part of my latest masterwork, workingly titled, ‘A Red Country,’ or possibly just, ‘Red Country,’ we will see on that score. For those who have failed to follow this blog religiously for the past few months (shame on you faithless scum), it is another semi-standalone set in the world of The First Law, and fusing fantasy elements with western elements, in the same way that The Heroes was a fantasy/war story and Best Served Cold fantasy/thriller-ish. That puts me about 40% of the way through a first draft, though I suspect there’ll be a fair bit of work to do once the first draft is complete. Isn’t there always? Now the terrifying wait for feedback from my editor and readers while I try and sort out what exactly I’m going to do with my next part. I guess one could say that if Part I was a little bit Searchers then Part II rolled into Lonesome Dove territory and Part III has something of a Deadwood/Fistful of Dollars motif.

I feel a fair bit more comfortable with this second part than I did with the first, as you’d expect or at least hope. One generally aims to get a better and better handle on the plot, settings and characters as one goes through a draft, until by the time you’re finishing your first draft you know pretty much exactly what you’re aiming at, and editing becomes largely a case of bringing earlier parts into line with that final one.

I’ve made quite a significant change to the personality of one of my two central characters – or perhaps not a change but a clarification, a shift of emphasis and a refinement of style – and he seems to be working quite a bit better now. In essence, I’ve made him a bit more of a shit than he was before, which tends to be a fruitful direction for me to go in with characters on the whole. Who knew?

It’s taken me a little longer to get this part together than I’d hoped, what with one thing and another, but if I can up the pace a little from here on in we should still be looking at delivery early next year and publication somewhere around late summer early autumn 2012. Such is the hope. But you know what they say about hopes.

Don’t make a parachute out of ’em.”

Abercrombie’s oft-rumoured, but never quite understood ‘western’ finally has a title to go along its bloody interesting sounding premise. I always love getting a look into Joe’s world as a writer. His efforts make his craft appear so effortless, but the comments quote above just go to show how much work goes into the novels. I mean, changing the personality of a character mid-way through a draft? That can’t be easy. And ‘more shit’? Has Abercrombie found deeper depths of human depravity from which to draw his characters? Can’t wait to find out!

THE HEROES  by Joe Abercrombie (Trade) BEST SERVED COLD  by Joe Abercrombie (Trade)

Photography by Michael Frost; Photo Illustration by Gene Mollica

Orbit’s had a few swings at the plate now with Abercrombie’s series (this is the third cover they’ve done for Best Served Cold, each vastly different from the other eg. 1 // 2). How’d they do this time? Well, I appreciate that they took a standard image of a badass dude™/badass chick™ and tilting expectations a bit by cropping in tight on the characters; but it works much better on The Heroes with the abstract arm, and less well on Best Served Cold, with the pretty leather-clad girl. One of my major issues with featuring characters on a cover, especially photo-realistic characters and models, is that rarely do they match the image in my head or, really, the characteristics of the person they’re supposed to convey. Abercrombie’s novels are known for their nihilism and no-holds-bar approach to the scum of humanity and the terrible things we can do when we feel justified; the girl on the cover of Best Served Cold just can’t capture the ruthlessness of Monza (the protagonist of Best Served Cold) or the proper tone of Abercrombie’s novels. The tight, blood-spattered sword, however, hits it out of the park. Strange that they didn’t go similarly abstract for both covers.

Still not in the realm of the UK covers, but the best stuff Orbit’s done for the series by quite a mile. Lauren Panepinto, creative director at Orbit Books, and Abercrombie have both posted some interesting reactions/thoughts to the covers on their respective blogs.