Posts Categorized: Cover Art

In a shocking turn of events, the cover of Brent Weeks‘s next novel, The Black Prism features a menacing looking dude, a white background and a splash of bold colour (obviously signifying magic, or something). This is a major departure from The Night Angel Trilogy, his first series.

Black Prism by Brent Weeks
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Okay, seriously. I suppose they want to give Weeks his own identity, so you know a Weeks novel on the shelf, but this is a little blatant. The original covers were interesting when they first hit the market (and effective, too, given Weeks sales and popularity), but couldn’t Orbit have done something to give this new series its own identity? Removing the hood from the Hollister model on the front doesn’t count.

Yesterday I brought you the cover art for Under Heaven, the next novel from popular Canadian author Guy Gavriel Kay. Now today, thanks to Alec at Bright Weavings, I have a look at the equally impressive North American cover.

Under Heaven by Guy Gavriel Kay

Taking a more literary route, the North American cover embraces the Asian underpinnings of the novel as surely as the UK cover. Though I enjoy the character art on the other cover, I can’t complain about them being left off here in favour of the armoured horse and the Kanji. This is one of those rare cases where the North American cover art just ekes out the victory. I expect this is one of those novels that will look really sharp when you pick it up in a bookstore. Either way, you really can’t go wrong with whichever version is released in your region.

Under Heaven by Guy Gavriel Kay

I’m a big fan of Guy Gavriel Kay. I’m a sucker for ancient Asian history and mythology. Thus, it goes without saying that I’m absolutely gaga about this novel.

The cover’s nice, particularily the warm tones and the bold placement of author and title. I appreciate the fact that the publisher wasn’t afraid to embrace the Asian influence of the main protagonists, displaying them boldly on the cover and giving an instant impression of what’s within. I don’t love the floating, ghostly buildings, but the overall imagery is nice and manages to be quiet and epic at the same time. It might have been nice to include more of an Asian influence in the design, but it’s also easy to fall into cheesy cliche when stepping into a distinct territoy like that.

You can find a synopsis for the novel HERE.

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After yesterday’s travesty, I thought it was time to redeem the Cover Art section of the website to its former glory. As with most Pyr novels, The Dervish House by Ian McDonald is a marvel to look at.

The Dervish House by Ian Mcdonald

Lou Anders, who wears many hats at Pyr has another hit on his hands. Patrick, over at Stomping the Yeti, sums up my thoughts rather accurately:

This is a great, great cover. Stephan Martiniere is responsible as usual. I can’t count the number of times I see a cover and think to myself, “Wow, I wonder who did that” and then go on to find its a Martiniere. The computer circuitry gives a subtle touch to an image that otherwise appears fairly timeless. I also really dig the text box and the way the horizontal banners and building interplay with the sharp angles of the title and author borders. Sometimes great cover art is ruined by bad font choice or placement. This is not one of those times.

And, hey, the book itself sounds like a winner, also:

In the sleepy Istanbul district of Eskiköy stands the former whirling dervish house of Adem Dede. Over the space of five days of an Istanbul heatwave, six lives weave a story of corporate wheeling and dealing, Islamic mysticism, political and economic intrigue, ancient Ottoman mysteries, a terrifying new terrorist threat, and a nanotechnology with the potential to transform every human on the planet.

McDonald’s books have been on my radar for a while now, but every time I think about buying up, I get a little intimidated. The Turkish setting of this one appeals to me more than India and Brazil, which might just push me over the edge.

Over the past few weeks, I’ve spent a fair bit of time splooging with unbound excitement for Spellwright, the debut novel from Blake Charlton. The US Version has a great cover, the premise sounds fantastic and an early peak at the novel was promising. I was bloody eager to get my hands on the UK cover for Spellwright. Charlton released it earlier today… and my heart shattered.

Spellwright by Blake Charlton

Well, I guess all good things must come to an end, huh? Clearly inspired (or created by the same designer) as Tchaikovsky’s Shadows of the Apt series, this cover is one of those cases where North America wins the battle of the Cover Art. At least the art intern at Charlton’s UK Publisher is getting to live out his dream of being a model of Wizard’s Robes.