So far we’ve been heroic, brooding, and action-packed. It was time to see something of the many relationships within The Wheel of Time. For that, we turned to Mélanie Delon to depict one of the most endearing, if tumultuous, couples in the series: Nynaeve and Lan.
I believe it was Jason Denzel that first turned me onto the scene of Nynaeve nearly drowning. He spoke so eloquently about a moment when a head-strong character had to let go of her ego to find the power within to save herself — it was impossible not to want to go read it. I loved that the sequence spoke to a clear romance in the story, but was also full of struggle and danger.

…

Mélanie Delon’s work is exemplified by utilizing detail and soft focus, creating images that blur the edges between realism and fantasy. It was a great match for a moment of surrender and rebirth, a moment when Nynaeve must disengage from her usual character traits and, if just for second, open herself up.

“For more than three decades, New York Times bestselling author Terry Brooks has ruled the epic fantasy realm with his legendary Shannara series. With each new novel the mythos has deepened, ever more fascinating characters have arisen, and increasingly breathtaking vistas of magical adventure have emerged. Now, in Bearers of the Black Staff, the revelatory Genesis of Shannara cycle continues the evolution of the most beloved world in imaginative fiction.

Five hundred years have passed since the devastating demon-led war that tore apart the United States, leaving nothing but scorched and poisoned ruins and nearly exterminating humankind. Those who escaped the carnage and blight were led to sanctuary by the boy savior known as Hawk—the gypsy morph. In an idyllic valley, its borders warded by powerful magic against the horrors beyond, humans, elves, and mutants alike found a place they believed would be their home forever.

But after five centuries, the unimaginable has come to pass: the cocoon of protective magic surrounding the valley has vanished. When Sider Ament, only surviving descendant of the Knights of the Word, detects unknown predators stalking the valley, he fears the worst. And when Panterra Qu and Prue Liss, expert Trackers from the human village of Glensk Wood, find two of their own gruesomely killed, there can be no doubt: the once safe haven of generations has been laid bare and vulnerable to whatever still lurks in the wasteland of the outside world.

Together, Ament, the two young Trackers and a daring Elf princess race to spread word of the encroaching danger—and spearhead plans to defend their ancestral home. But suspicion and hostility among their countrymen threaten to doom their efforts from within. While beyond the breached borders, a ruthless Troll army masses for invasion. And in response, the last wielder of the black staff and its awesome magic must find a successor to carry on the fight against the cresting new wave of evil.”

War: where the blood and dirt of the battlefield hide the dark deeds committed in the name of glory. THE HEROES is about violence and ambition, gruesome deaths and betrayals; and the brutal truth that no plan survives contact with enemy. The characters are the stars, as ever, and the message is dark: when it comes to war, there are no heroes…

Meet THE HEROES.

Curnden Craw: a ruthless fighter who wants nothing more than to see his crew survive.

Prince Calder: a liar and a coward, he will regain his crown by any means necessary.

Bremer dan Gorst: a master swordsman, a failed bodyguard, his honor will be restored—in the blood of his enemies.

Over three days, their fates will be sealed.

Lots of familiar faces. More so than last time, in fact. Among the central cast are Bremer dan Gorst and Prince Calder. In significant roles are Caul Shivers, Black Dow, Kroy, Jalenhorm, and Bayaz. Plus a galaxy of more minor returning players.

I’ve just started the final part of five, and hope to have the whole first draft finished by the end of April or thereabouts. There’ll then be a period of heavy cutting down and revision in which I’ll bring the earlier parts of the book into line with how my sense of it has developed as I’ve gone along. Part of the charm of writing standalone books is that you can revise the whole thing in one go, and you’re therefore free to plunge ahead to the end, and see where you stand without worrying too much about the start. The downside, of course, is that the start then needs to be whipped into line in quite a big way. Certain themes have emerged as important and need more emphasis in the earlier sections. Certain characters have proved important and need to be fleshed out earlier on. Others have proved unimportant and need to be cut, particularly since it’s an epic kind of affair with a whole lot of characters, and a bit of simplification wouldn’t hurt. The personalities of the central cast and the methods for their writing have developed over time, and so they need to be brought into line and made consistent. The secondary characters need to be given more focused personalities, styles of expression, physical characteristics that can quickly distinguish them and lodge them in the reader’s head – particularly important when there are so many to keep track of.

This is the bit of the process I most enjoy, in fact. Taking something that’s a bit of a mess and sharpening it up, cutting it down, refining and improving it, drawing out the central points and cutting away the superfluous ones (hopefully). Taking the uncut gemstone and polishing it to a brilliant diamond, you might say. Or at any rate a flashy zirconium. Overall, I’m pretty pleased with the way it’s going. A few months ago I was concerned that it would end up really long – quite possibly my longest book yet. It’s drawn together a bit towards the end, though, and I’m intent on pruning it down as much as I possibly can in the editing, hoping to bring it in somewhere around the 210,000 mark. Still considerable, but not quite up to Best Served Cold or Last Argument of Kings, which were both around the 230,000.